Ignore audio channel difference between proxies and full resolution
The workflow I'm trying to achieve is mobile edit in premiere rush with the Pxw fs5ii in camera proxies then open project in premiere and replace proxies with full resolution.
This would enable me to start editing in rush mobile on my way home from job, eliminating having to have computer with me having to load project into rush desktop and having to have computer generate proxies
Has anyone figured out a solution to this premiere must be capable of doing it as when I use the 4k xavc l 4 channel files in premiere rush it creates 2 channel 1080 h264 proxies which I can edit on mobile or desktop rush and then when I open rush project in premiere it replaces the 2 channel audio proxies with the 4 audio channel xavc l files with no problem.
Nicholas Bennett commented
I figured out if I delete the proxy files (720 in camera proxy 2 channel audio)in the cloud assets folder then open rush project in premiere files come up as offline then use link media to the full res(4k 4 channel audio) it works