It’s really important, because I have to do 3 extra steps on another software (resolve) and then import an xml just to sync and edit in premiere. Makes me think if it is worth to edit on premiere, or if I will be easier to just edit on resolve.

Resolve has an easy way to convert audio timecode to metadata. Please make this available in Premiere to save us some time! Thank you :)

This would be helpful for situations where non-*****-able cameras accept LTC on set. To be clear, we want to interpret the timecode recorded as sounds on an audio track into actual timecode which can be applied to the clip.

Please add timecode to PP - and - Audition! This is really ridiculous.

I'm starting to work with live multicam and it's such a pain spending multiple hours manually syncing because only one of my cameras has dedicated metadata timecode. I want to buy Tentacle Sync devices for LTC, but I can't use it unless I move to Davinci Resolve. I don't want to have to move to another NLE just to save time syncing

I have the Deity TC-1 Wireless Timecode Generator Box set and I would like Adobe to have this included in their package.

I landed here because I continued to google because I couldn´t believe thats it not working. This is a basic feature for professionell postproduction and it should be super easy to integrate.

@Adobe: with todays increasing mix of different device classes in production for all kinds of media, the lack of this feature has reached a breaking point.
The time and work required to synch up footage manually and/or use a work-around with Resolve/outsidePremierePro pushes you to use other NLEs to work efficiently and cost effective. Converting LTC inside premiere pro should be a given, footage ingest is at beginning, at the base of all projects!
And I do say this as someone who really likes premiere Pro.

This is now 4 years this has been on the list of wanted / needed improvements. Why am I paying for Premiere Pro when adobe is failing to listen to it's customers feature requests. This is a fairly basic feature used by pro's and us Indi filmmakers alike. Davinci has had it for years.

I have Blackmagic cameras, hence I have Davinci Studio but I continue to pay out for PP because I'm use to it. Perhaps it's time to reconsider that.

Pull your finger out Adobe, Timecode from Audio Tracks please.

I would really like this feature in Premiere so that I don't have to use Davinci resolve just for this single task on double system and multi-cam productions.

How has this not been done yet? Adobe stop making features for amateurs and work on pro level features.

It would be extremely helpful to be able to use the Deity TC-1 Wireless Timecode Generator Box, if I could have Premiere Pro sync all of my video footages that's using the audio LTC timecode.

Pleaaaaaaaaaaaaase

Also looking for support on this - did you ever manage to find a way to get the metadata timecode data out of Resolve and back into Premiere? Playing around with audio timecode for the first time here, and Premiere's workflow doesn't seem to like it at all...

Why does Premier not have this? Just invested in a TC sync solution with LTC for the sound desk only to find that Adobe cant support it! kind of defeats the object.

Would love this feature as working on theatrical doco shot mostly on 6K with sony venice but occasionally using FX3 for underwater and surface water shots of swimmers where conversation needs to be gathered. LTC is being recorded on Track 2 of vision to make syncing up with .wavs possible. i am having to sue a workaround in Da Vinci Resolve to continue editing in Premiere.

There is absolutely NO reason this should not be a feature in PP by now. PLEASE consider making it so!

More and more we get 2nd cam shots with LTC timecode - it is very annoying and time-consuming to first have to prepare the clips with an external program (which basically takes the LTC and overwrites the TC in the meta with it - thus changing the original files already!) - because Premiere can't do what Resolve and even AVID have been able to do for a while...

Please get this done. The lack of this feature literally inhibits what can be accomplished on set sometimes because a lot producers/editors are afraid to venture outside of Premiere Pro to deal with LTC.

4 years later : crickets at Adobe and resolve is slowly taking over, despite their inferior editing.