Premiere Pro

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36 results found

  1. AAF Export ??

    support AAF export in PPro silicon version (nothing in 22.2.0 beta)
    Impossible for us to send to studio mixing

    166 votes

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    57 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →

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    Hi all, 

    Exporting AAF files is now available in beta for Premiere Pro customers using Apple silicon Macintoshes. 

    We’re eager to get feedback on this change: the work we did to make AAF export work on Apple silicon also involved an update of our AAF support to a newer version of Avid’s format. We've done extensive testing internally but getting real customer feedback is important too; please provide it via this post on our beta forum.

    Regards,

    Fergus


  2. Bug Issue: Premiere Pro 22.1.2 working with .mxf XAVC-I files

    I've worked with these files fine in Premiere v15.4.1 and did not have this issue but since updating earlier this month to v22.1.2 I've had several issues with Premiere errors while editing and random crashes without warning or pinwheel of death.

    Most common error is "Unable to access resource "SErrorXlND@2x'(type svg)" Attached screen shot below. Once this error occurs I almost always have to completely restart Premiere.

    It also has made it nearly impossible to export a finished project from both Premiere and Media Encoder. When doing so it will hang up at some point in…

    64 votes

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    59 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →

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  3. Cursor Frame Behavior (Affecting In Out, Ripple Edits)

    Cursor Frame Behavior (Affecting In Out, Ripple Edits).

    Ok team, I know you had some guy complain about how the Cursor works in the timeline, and now you changed how it works, which completely screwed over the Ripple Trim to Previous Edit.

    What WORKED before yesterday was if you were on the front of a clip in the timeline, and you hit the Ripple Trim to Previous Edit, it would remove the first frame and obviously move the entire timeline up a frame to compensate.

    THIS WAS INSANELY HANDY because if you're trimming a clip, you could just hit that…

    132 votes

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    In Progress  ·  62 comments  ·  Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →

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  4. BUG (v15.4.1) - h264 encodes are poor quality on M1 MacMini

    h264 exports done on an M1 MacMini show significantly more compression artefacts than those done on non-M1 hardware. In investigating the problem I noticed that the file sizes are significantly smaller than expected and digging into the export shows that the resultant bitrate is only around 60% of what it should be. This is across all the built-in presets that use single-pass h264 hardware encoding as well as any custom ones. To prove the point I encoded the same file on several platforms, (both Mac and PC), with several export presets. See the attached file that shows the results.

    h264…

    50 votes

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    48 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →

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  5. proxy color management

    The new color management options in 22.x versions break the proxy color and dynamic range, when using LOG or HLG/PQ original clips that have been over-ridden to Rec.709 with an input LUT.

    The original clip on the Rec.709 sequence is 'normalized' correctly. But when you then go to create proxies, the CM is not used in creating the proxy.

    What you get is a blown out useless mess of an image as your "proxy".

    Not a correctly viewable image in the same color space as the original clip and the sequence.

    We need the proxies to follow the clip Color…

    37 votes

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    12 comments  ·  Preference & Settings  ·  Flag idea as inappropriate…  ·  Admin →

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  6. "I-frame first" fast seeking for inter frame compressed video files

    When you are "seeking," (which means QUICKLY looking through a long video by clicking and dragging the playhead with the cursor,) there is sometimes very high "prefetch latency," meaning that frames will load slowly, resulting in very few frames being shown. This can make it very difficult to find what you're looking for.

    But when seeking, perfect frame accuracy is not nearly as important as seeing what you're doing. Therefore, to reduce the "prefetch latency," I suggest that the nearest I-frame is loaded and displayed FIRST, (because I-frames are always the fastest to load) while the exact B or P…

    241 votes

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    22 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →

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  7. shift + drag solo audio tracks

    Shfit + Click and drag on solo button selects and deselects solos for each track dragged over. This allows you to solo say A5-A8 in one action instead of having to click the solo button for each track.

    1 vote

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    1 comment  ·  Audio  ·  Flag idea as inappropriate…  ·  Admin →

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    Hi Ryan, 

    Boy, do I have good news for you!

    https://community.adobe.com/t5/premiere-pro-beta-discussions/click-and-drag-to-select-multiple-track-targets-in-premiere-pro-beta/m-p/13171928#M6300

    We were originally going to release this feature for just track targeting but based on feedback like yours, decided to keep working on it to add more capability. It will ship later this year but it's available now in beta if you'd like to try it out. 

    Regards,

    Fergus


  8. Implement your beta features

    For a long time now there have been features in your beta version that I would LOVE to see implemented in an update.

    1: The metadata effect. This enables me to burn-in info other than clip name, clip TC etc.This effect enables the user to burn in any info from any column in the project window into an export. This is super valuable as the sound department loves seeing slate info burned in. Sidenote: the new metadata effect doesn't seem to work too well yet, so maybe sort that out first. When I try to burn-in the "scene" or "shot"…

    1 vote

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    1 comment  ·  User experience/interface  ·  Flag idea as inappropriate…  ·  Admin →

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  9. Bug: 960x540 DNxHR LB clip in MXF OP1a container stays as media pending after import and wrongly shows as 1280x540

    We rendered a 960x540 DNxHR LB clip in MXF OP1a container out of DaVinci Resolve.

    Upon trying to import it into Premiere Pro, the Project Panel metadata wrongly shows that clip as being 1280x540, even though VLC and DaVinci Resolve show it correctly as 960x540. After importing, the clip is stuck showing the "Media Pending" graphic and won't show that actual footage.

    Rendering the same clip from DaVinci Resolve as 960x540 DNxHR LB in a QuickTime MOV container allows Premiere Pro to import the clip fine, show it correctly as 960x540, and show the footage just fine.

    So this appears…

    3 votes

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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →

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  10. Getting asked 3 times to confirm overwriting a file is overkill

    Premiere version 22.5.0

    I used an existing filename to overwrite an existing file and had to confirm that I wanted to overwrite it 3 times in three different popup windows. 3 TIMES??? Such a waste of my time. One confirmation is a great way to not accidentally overwrite a file. It used to be 2 and that was a little annoying, but now 3. I really don't understand.

    2 votes

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    1 comment  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →

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  11. Timecode bug with Sony FX3 and possibly FX6 footage

    Premiere pro cannot detect the timecode embedded in Sony FX3 footage. This timecode is not audio timecode, but embedded timecode using their new dongle and a Diety TC-1 timecode box.

    Davinci can detect and sync the timecode in seconds while adobe premiere has the timecode option for syncing grayed out.

    Please implement the following changes:
    -Sync entire folders of footage using timecode even if a few clips are missing timecode (put clips with missing timecode at the start or end of the sync). Currently, the sync fails if any clip is missing timecode. Our b-roll does not have timecode and…

    1 vote

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    0 comments  ·  Stability  ·  Flag idea as inappropriate…  ·  Admin →

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    Hi Phillip, 

    We are aware of this issue and have developed a fix for it. If you'd like to test it, it is in the beta of Premiere Pro - v23.1 - that is available in the Beta apps section of the Creative Cloud app. 

    Also, I believe this only occurs when you choose to embed a LUT in the XAVC file. Perhaps not embedding the LUT would be a workaround for you. 

    Regards,

    Fergus

  12. PP tells AME to overwrite files (again)!

    Since the 22.3 update when I export a file that I need to overwrite and I send it to AME, AME doesn't overwrite the file like before, despite telling PP to 'Replace' the file. Even the 22.3.1 update didn't fix this.

    2 votes

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    2 comments  ·  Export  ·  Flag idea as inappropriate…  ·  Admin →

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  13. MXF OP1a Strobing on Sequence in V22.5 Bug

    MXF OP1a clips strobe when played on a suitable sequence in V22.5. The strobing appears to be a grey overlay on 4K clips shot in Rec 709 color space and is very bad. Rolled back to V22.4 and the issue is not present. Please issue a fix to this asap.

    1 vote

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    0 comments  ·  Playback  ·  Flag idea as inappropriate…  ·  Admin →

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  14. Bug Premiere Pro 2020 crash when changing sequence settings

    In the latest version I'm able to crash Premiere every time I make changes to a sequences setting - e.g. put in a new frame rate, change field order etc.

    39 votes

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  15. Provide the ability to notify the user once render queue is complete.

    Provide the ability to notify the user once render queue is complete, such as in after effects by checking the "Notify when queue completes" checkbox.

    2 votes

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  16. ProRes RAW ISO, white-balance and tint controls

    Give ProRes Raw control over White-Balance, ISO and tint in raw controls as well as log conversion. Then it will be useable.

    67 votes

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    32 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →

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    Hi all, 

    I'm a product manager in the video team at Adobe and I've recently become the product manager specifically responsible for formats. 

    My apologies that we have not responded already to this post. ProRes RAW is definitely important to us - and, more specifically, the additional controls that are being ask for here. 

    Raw support is very important to us, particularly as it becomes more common thanks to devices like the Ninja V and cameras that support it directly like the Nikon Z9. 

    Currently, there are two raw formats ahead of ProRes RAW in terms of urgency for us to support better. I understand that might be frustrating to people eager for better ProRes RAW support but I want ensure you all that it's not a matter of indifference or neglect. 

    While I don't have a date for improved ProRes RAW support that I'm willing to share at this…

  17. Premiere stuck on 15% when draggin (some) .mogrt files on timeline

    For me (and apparently some other users) PP gets stuck on 15% when draggin an Essential Graphics clip on my timeline. Tried uninstalling everything (including using the CC Cleaner Tool) and quite a few other things but I can't figure out what the problem is.
    NOTE: It's not on every .mogrt file. Only some "more complicated" that we did ourselves, the "simpler" ones we did work fine.

    1 vote

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    1 comment  ·  Essential Graphics  ·  Flag idea as inappropriate…  ·  Admin →

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    Unfortunately, it looks like there is a fundamental breakage in AE 22.0/22.0.1 on Windows for Dynamic Linked Compositions and Mogrts that use the Cinema 4D renderer.
    One workaround at this point is to go back to the 2021 versions of AE, PPro and AME. You can also check out the latest beta versions of 22.1.1.
    The After Effects team is working on getting this fixed as quick as possible.

  18. Restore MKV Format Support

    Removing MKV Format support has a negative impact on the workflow of people that work with broadcasting software like OBS. Restore MKV support. Having native support for MKVs, even if they don't edit well without generating proxies, saves me a ton of time that I'd otherwise have to spend remuxing/transcoding files.

    855 votes

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    257 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →

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  19. I think it would be 2 useful and simple functions. 1) remove inactive clips from timeline 2) bring all active clips in sequence to a singl

    I think it would be 2 useful and simple functions.

    1) remove inactive clips from timeline

    2) bring all active clips in sequence to a single video track.

    Just saying.

    2 votes

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    0 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →

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  20. Audio cross dissolve playback glitching.

    Since the most recent update, I get glitching in audio playback. It happens when the playhead crosses almost any audio crossdissolve. It does not seem to effect exported video but only during playback. It makes accurate editing difficult, though.

    15 votes

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    17 comments  ·  Audio  ·  Flag idea as inappropriate…  ·  Admin →

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    This is fixed in Premiere Pro (Beta) 14.6.0 Build x42 or later that is available in the Beta apps section of the Creative Cloud Desktop Application. This will be fixed in the next release of Premiere Pro as well.

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