After Effects allows you to use Bicubic, bilinear, and nearest neighbor ("draft") for scaling. (Also known as "sampling" or "interpolation.")

Premiere should absolutely have the option for the Motion effect to use Nearest Neighbor. (It would still be bicubic by default, as it is now.)

This is very important for sprite art, screenshots, screen recordings, etc.

Here is a forum thread on the issue from 2012, where most people unfortunately don't even understand what the problem is:
https://forums.adobe.com/thread/1061901

NOTE: The TRANSFORM effect currently has the option for bilinear and bicubic. It would be good to add nearest neighbor here, but that should not be the ONLY place where it is available. The Transform effect still has severe issues with buggyness, instability, and choppy movement. Again, it is important that the MOTION effect has the option for Nearest Neighbor.

Captions in Premiere Pro 13.1.2 have several problems.

(Windows10. May be different on Mac.). Here is a thread of all of the problems I've found in captions so far. While there are several threads already that point out individual issues, I'm hoping that bringing all of the issues together in a single mega thread will help get captions Adobe's prompt attention. Here we go!

1. NO BURN IN: Exporting a video through Media Encoder doesn't burn in captions even if the "Burn Captions Into Video" option is selected in Premiere Pro's Export Settings. The captions only get burned in if the video is exported directly through Premiere Pro.




2. DUPLICATES: If a captions file is duplicated in the project window, any changes done to the duplicate don't appear in the Program Monitor. In order to have changes appear, Premiere Pro needs to be restarted.




3. SELECT ALL: The Captions window is missing the standard CTRL-A keyboard shortcut to easily select all captions at once. This strange omission makes it unnecessarily difficult to select all the captions in a clip to make global appearance changes.




4. LEADING CONTROL: Captions need an easy way to control the space between lines, such as a Leading control that can work on individual captions, or all of the selected captions at once. (See illustration “Captions 1”) The current "Set Vertical Position (%)" option only works on a single caption at a time and requires the user to manually select the text in the second line. This takes far more time and effort than it should for something so simple.




5. DEFAULT LEADING: The default leading in captions is far too large and therefore ugly. The default leading between caption lines should be reduced to an aesthetically pleasing amount (See “Captions 2”)




6. KERNING CONTROL: The Captions window is also missing a way to control the spacing between characters in a caption. A Legacy Titler-style Kerning control is needed for Open captions.




7. MOTION SETTINGS: Copy/pasting the Motion settings of one captions clip to another in the Timeline does not work.




8. OFF-CENTER: By default, captions are off-center to the right by 5 pixels. When using captions in a narrow format video (1x1, 4x5, etc.) in which captions can stretch out to the edges of the frame, this error can become apparent. This incorrect centering can also become apparent in any sized video when captions line up with another title or graphic that’s centered on screen. (see “Captions 3”)




9. SPACING: If a two line caption is turned back into a single line, the space between the last character of the first line and the first character of the second line becomes incorrectly large. Even if characters are added or removed from the caption, the larger gap remains (see “Captions 4”)




10. MULTI-MOVING: It’s possible to select and even Shift-select multiple captions in a captions clip. So why isn’t it possible to do anything whatsoever with this selection? At the very least, Premiere Pro should let editors move a selection of captions up or down the captions clip for retiming purposes. Imagine having a video with 100 captions, only to have the client request that something be added or removed halfway into the video. This currently requires the editor to manually correct the timing of all captions beyond the change one by one… by one… by one… by one… This is sheer insanity and needs to be fixed ASAP!




11. BIGGER HANDLES: Captions and handles remain the same tiny size in the Timeline, no matter how much the video track is expanded. This makes it all too easy for users to accidentally move the captions clip itself when trying to retime a caption/handle. Captions and handles should grow accordingly when increasing the size of the video track they’re on. (see “Captions 5”)

Do you know of any captioning issues I missed? If so, please add them to the list!

Please vote and comment to help get Adobe’s attention on this matter!

In this day and age of Facebook/Instagram videos, open captioning has become a must. We need captioning tools that work properly asap!

This has not been fixed even though Adobe has claimed to fix this.

I have the media in one master project. My assistant has a their shared project. I open a small sequence from that project and drag the media from it it into my main project. EVEN THOUGH I ALREADY HAVE ALL THE MEDIA, I STILL GET DUPLICATED MEDIA. And on top of that it creates a separate folder for each small clip of footage. Take a look at the attached screenshot.

This is horrible. Fix this asap please. What's the point of shared projects if we can't move media back and forth between them?

The autokeyframe by default on things loke opacity has been a source of many a frustrations for me.

I set an opacity value. Then later I change it. Play it back and I wonder why it isn't set where I wanted. So I open it up an goddammit the autokeyframe was on by default so to get rid of it I push the stop watch and that warning is thrown right at my face. I never wanted the keyframes in the first place so why did you assume I would, adobe?!

This problem would not be nearly as aggravating if the behavior of keyframes was consistent. Not like now, when autokeyframe is on by default for some values but not others. Pick one and stick to it.

SEARCH/FIND/BIN NOT WORKING!

After the update to Premiere Pro CC 13.0.2 (on a Macbook Pro running OS 10.13.6) I started having issues with the project panel bin filter search not showing clips that I knew were in the project - I'd search for a word in the name of a clip and no clips would show up. I tried using the Cmd-F tool instead, and Premiere would either find nothing or stall out and rainbow wheel. Creating a search bin also failed to work properly - I'd create one to search for a word that was in the name or description of dozens of clips, and the search bin would remain empty.

I tried multiple solutions discussed in this thread about CC 2018: Premiere Pro CC 2018 Doesn't seem to be able to search the Project Panel . I trashed preferences, deleted the media cache and database, uninstalled and reinstalled the software, and tried the lock project trick. I still saw the same behavior. Tried starting a brand new project containing only 4 clips. In one case, 2 of these clips contained the same word in the name; searching on that word in the project panel filter would locate only one. In another case searching for a different word in the name of one of the clips revealed nothing.

On my previous iMac and my current MacBook Pro the audio in Premiere and After Effects would switch to headphones when headphones were plugged in and switch back to the speakers when I unplugged, all without having to go up to Audio Hardware in preferences and switching.

Now, on the iMac Pro that is not the case. Each time I plug in headphones, the timeline stops playing and i have to go up to preferences and audio hardware and select external headphones or iMac Pro speakers if I'm unplugging them.

I was on the phone with Apple about this as well as Adobe, and what the Apple rep and I found out is that the iMac handles audio a little differently. When you plug in headphones it sees it as a new audio source while the previous iMac and the current MacBook Pro switches it.

On the older iMac and the current MacBook Pro in Preferences/Audio Hardware/Default Output you see Built-in Output (this will be whatever the output is for the computer it self)

On the iMac Pro in Preferences/Audio Hardware/Default Output you see iMac Pro Speakers and if headphones are plugged in External Headphones. It's reading it as two different sources.

Also, which I think is a complete bug is if you are on External Headphones and you unplug them, it won't play the video any more even if you switch the audio hardware to iMac Speakers, you have to quit (sometimes force quit) and reopen the application.

Hello. I'd like to see a master key to assign effects OR a way to map effects and presets to the keyboard using the Keyboard Shortcut tool.

I've submitted this request before having come from Final Cut Pro and it was a huuuuuge time saver for me in the editing process as I used this feature on FCP multiple multiple times on every single edit I did, every day, and I can't imagine others would not have the same reason for using it as me and I likely very frustrated at how long it takes to apply the Warp Stabiliser effect, for example, to a clip or a series of clips. This is a very consistent task that I do in every edit and many many times in each edit usually. I'm sure I'm not the only person who is constantly adding warp stabiliser to shots by dragging the thing onto every clip and then setting the smoothness percentage. I can't even manage to just select every clip I want to throw the stabiliser on to and then copy paste a version of the effect that I've set the smoothness percentage for. This can't be unusual. Any clip shot handheld with a dslr will need this, just about, if you want to get rid of that minor jitter. Many dslr users out there you reckon..?

I would love to see this, it is a massive massive time saver and I'm confident many many editors would need this feature for the same reason.

I also would love to see functionality so that when you stop your playhead over a clip during playback or by moving the playhead that it automatically selects that clip so that it's settings are ready to play with in the effect controls window. This seems so basic common sense to me to me and I'm trying not to get angry because I know you are good people in there, but it seems some mind numbingly obvious to me as an editor that you would want the clip that you are now looking at to be the one that is selected and presenting it parameters in the effect controls window. FCP did this automatically. PP will do this when the Lumetri Colour window is open...why not for Effect Controls??

Thank you, I appreciate you listening to my rant. I would be over the moon with these changes!!