12649 results found

1. Speech to text - Dutch

   Please add the Dutch language support

   146 votes

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2. Move Captions to the bottom of the screen

   It would be useful to be able to move the captions all the way to the bottom of the screen.

   145 votes

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   Needs More Info  ·  AdminFrancis Crossman (Sr. Product Manager, Adobe DVA) responded

   This is by design. We always keep captions within safe margins (10%). Would an option to defeat this restriction be useful or is it better to remove this safeguard all together. Opinions welcome.

3. Color Management Panel

   There are a good number of new color management settings and changed color management defaults in the 2022 release. I would expect we will be getting more as we go along. This is becoming a nightmare to manage!

   We need a single panel. One with perhaps two tabs:
   1) The overall Default options for color management settings, and for default options for various media types.

   2) The Override tab for clip or sequence overrides, covering the same items as in no. 1.

   Essentially, One Panel To Rule Them All.

   144 votes

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   In Progress  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

   We hear your frustrations about color management and we are working on multiple improvements. 

   I recently posted a note on Alister Chapman's excellent xdcam-user.com forum, in response to a post he'd made about color management in Premiere Pro. 

   While my response doesn't go into details on our long term plans, it describes what we're doing in the short term to make handling of log footage easier. 

   Here's what I wrote:

   
   

   Hi all,

   I’m a product manager at Adobe, on the video team. I thought I’d chime in to provide some info on what we’re doing.

   Color management is not going away – quite the opposite. As HDR-capable cameras and displays are becoming the default, and shooting in log or raw is becoming the norm, color management is critical. Gone are the days of only Rec709, the one color space to rule them all.

   You might have seen reports about HDR iPhone media not looking good in Premiere Pro. And you might have seen the great video my friend Karl made to explain the issue: https://youtu.be/odwptnEhxJs

   The problem occurs when HDR media is displayed on an SDR timeline. We’re attempting to squeeze wide color range footage into a small color space. Without a manual change, either to the footage or the timeline, the results look blown-out and bad.

   Our vision for color management in Premiere Pro is simple. You can drop footage in any color space onto a sequence and we will automatically convert the colors and range with pleasing tone mapping, and provide controls to tweak the tone mapping. You don’t need a LUT, the result is likely to be more accurate than using a LUT, and there won’t be any concerns about clipping. Of course, if you’d prefer to work with a LUT, that workflow will still be supported.

   Some of this is available now, like us recognizing some (but only some) color spaces. But that’s the problem with color management: it is complicated enough without having to worry about which pieces are available and which are not.

   So, as we are adding the remaining pieces, finessing our math, and working out the user experience, we are first going to add an application preference. You’ll be able to choose whether you want Premiere Pro to automatically use the color space of your log footage or whether you’d prefer that it is treated as Rec.709. There’s more than one way to do color and by adding this preference, you’ll be in control of how you’d like Premiere Pro to work by default (a default you can easily override for specific clips).

   Regards,

   Fergus

   
   

   
   

   We hear your frustrations about color management and we are working on multiple improvements. 

   I recently posted a note on Alister Chapman's excellent xdcam-user.com forum, in response to a post he'd made about color management in Premiere Pro. 

   While my response doesn't go into details on our long term plans, it describes what we're doing in the short term to make handling of log footage easier. 

   Here's what I wrote:

   
   

   Hi all,

   I’m a product manager at Adobe, on the video team. I thought I’d chime in to provide some info on what we’re doing.

   Color management is not going away – quite the opposite. As HDR-capable cameras and displays are becoming the default, and shooting in log or raw is becoming the norm, color management is critical. Gone are the days of only Rec709, the one color space to rule them all.

   You might have seen reports about HDR… more

4. Need an "Analyze all" button for all Warp Stabilizer and Morph Cut effects in a Sequence

   I very often modify clips later that have had Warp Stabilizer applied to them (especially when adding transitions to a sequence last). I then have to go back through very long sequences, perform an effects search, and manually click Analyze. It would be great if there was an "analyze all" button to analyze all effects in a sequence including Morph Cut. Thank you!

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5. BUG REPORT: Time remap of nested sequence results in black/empty video using GPU

   Only work-around seems to be to switch to "Mercury Playback Engine Software Only" which is brutal with 4K nested sequences.

   This has been discussed for years on the Adobe Forums
   https://forums.adobe.com/search.jspa?q=time%20remap%20nested%20sequence

   but I did not find it listed here, so I am posting it now.

   141 votes

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6. Display waveforms for audio clips while dragging

   Very simple idea, while dragging audio clips on the timeline, continually show the waveform rather than showing a blank box. This functionality is present in Audition, and is incredibly useful for manual synchronization. See attached gif for further explanation of what I mean by the "blank box".

   I'm aware you can sort of already achieve this by "nudging" the audio clip, but it would be great if this were always available when dragging. Thanks!

   •  

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7. Cursor Frame Behavior (Affecting In Out, Ripple Edits)

   Cursor Frame Behavior (Affecting In Out, Ripple Edits).

   Ok team, I know you had some guy complain about how the Cursor works in the timeline, and now you changed how it works, which completely screwed over the Ripple Trim to Previous Edit.

   What WORKED before yesterday was if you were on the front of a clip in the timeline, and you hit the Ripple Trim to Previous Edit, it would remove the first frame and obviously move the entire timeline up a frame to compensate.

   THIS WAS INSANELY HANDY because if you're trimming a clip, you could just hit that button a few times and make it work right.

   Now, because you guys changed how the cursor works, I have to hit Right on my keypad, and then hit the Ripple edit button, and it'll remove that first frame.

   Guys, you seriously screwed over an entire generation of editos who know how editing works. I know some people complain about how the cursor works, but this sucks.

   Why not just create a preference option where you can make the Cursor act like FILM or act like it is now. All NLEs were based on film editing, which lots of people expect and relied upon. Now, I have to hit an extra keystroke all the time which is massively time consuming.

   Can you please just put in a preference option to revert back or not? That would solve this issue for everyone instead of bowing to people that don't understand NLE history.

   Cursor Frame Behavior (Affecting In Out, Ripple Edits).

   Ok team, I know you had some guy complain about how the Cursor works in the timeline, and now you changed how it works, which completely screwed over the Ripple Trim to Previous Edit.

   What WORKED before yesterday was if you were on the front of a clip in the timeline, and you hit the Ripple Trim to Previous Edit, it would remove the first frame and obviously move the entire timeline up a frame to compensate.

   THIS WAS INSANELY HANDY because if you're trimming a clip, you could just hit that… more

   135 votes

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8. Maintain folder structures on import

   Add an option to preserve empty folder structures on import!

   Often I or an assistant editor will create a folder structure in the finder with empty folders to be populated with media later on in the production workflow (i.e. Final mix stems, color files, graphics). Currently if you import empty folders or folders with only one item in them, those empty folders disappear on import and the single item that was inside them is left outside any folder. This prevents planning and proper organization, and I'm not sure what the benefit of it is? Fewer folders? But I wanted those, that's why I made them.

   Just leave the folder structures as they are, don't change them. If some users want an option to "automatically remove empty folders on import" then add that, but don't make removing them the default.

   Importing empty folder structures is an essential organizational tool for any medium to large scale professional production. I made this same request in May of 2018 and have never gotten a response or seen it addressed, I really I hope I do this time!

   Add an option to preserve empty folder structures on import!

   Often I or an assistant editor will create a folder structure in the finder with empty folders to be populated with media later on in the production workflow (i.e. Final mix stems, color files, graphics). Currently if you import empty folders or folders with only one item in them, those empty folders disappear on import and the single item that was inside them is left outside any folder. This prevents planning and proper organization, and I'm not sure what the benefit of it is? Fewer folders? But I wanted those,… more

   132 votes

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9. For the Essential Graphics Text style, style preset windows like Legacy Title.

   The style presets in the Legacy title were very easy to see and use.

   The only way to display the Essential Graphics text styles is to show the icons in the project panel. We need a dedicated panel for styles that is easier to use.

   The styles are managed on a project-by-project basis, so when you create a new project, the styles you've been using are no longer available.

   Styles should be available at all times.

   エッセンシャルグラフィックステキストのスタイルのために、レガシータイトルのようなスタイルプリセットウインドウがほしい。

   レガシータイトルのスタイルプリセットはすごく見やすくて、使いやすかった。

   エッセンシャルグラフィックステキストのスタイルは、プロジェクトパネルにアイコン表示する方法しかない。もっと使いやすいスタイル専用のパネルが必要。

   プロジェクトごとの管理なので、新規プロジェクトを作ると、今まで使っていたスタイルが使えなくなる。

   スタイルはいつでもに使える状態にして欲しい。

   131 votes

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10. Timeline Snap options

    Right now the timeline Snap feature has no options - it works for all assets, and clips snap not to each other, but to TRANSITIONS, leaving gaps and unsynced layers, it's very annoying. Users have to manually check every clip for whether it snapped to other clip's border, or to it's transition border.

    It would be great to have an option to disable Snap for transitions or for keyframes or for other types of assets, like we have in "Snap to" feature in Effect Controls panel.

    Link to the discussion on Adobe forums https://forums.adobe.com/message/10377154

    131 votes

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11. Workspaces Panel changes are not saved

    Changes made to the Workspaces Panel via "Window/Workspaces/Edit Workspaces.." are not saved after restarting Premiere.

    Verified via the forms and with Adobe Community Professional.

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12. How about focusing on making this the most rock solid editing platform

    Stop finding new gimmicks that hardly anyone uses, yes they are a bit of fun but before you make those, focus on making Premiere the most rock solid editing platform the world has ever seen. Please do this before everyone including myself, start to migrate to resolve. I really don't want to learn another editing package but I need stability in my life. I'm giving it another 12 months.

    127 votes

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13. Lock Workspace

    PLEASE PLEASE PLEASE let us have the ability to LOCK a workspace once we have the panels and windows in place. Accidental click and drags causing windows and panels to shift and resize or disappear all-together when you're in the middle of editing is really frustrating.

    125 votes

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14. Enhance Markers Panel

    The markers panel is missing a lot of useful functions. It could allow you to:

    • delete markers
    • change the color of a marker
    • change the type of a marker

    (without having to double-click)

    124 votes

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15. New shortcuts to choose where to PASTE 'on the fly'! (highest, lowest or same video track)

    Timeline pasting is a daily, 'everybody-uses-it' editing function. So why has it still not been improved?

    Vastly improving pasting is simple: Give users the ability to choose 'on the fly' where they want their media pasted or insert-pasted:
    1. on the lowest enabled track (current behavior)
    2. on the highest enabled track
    3. on the same track in was copied from

    By providing new shortcut options, EVERYONE would be happy:
    1. Users who like the current way pasting works wouldn't notice any difference.
    2. Users who want media pasted to the highest enabled track where there's always the most free space to paste into would simply need to assign keyboard shortcuts to the 2 new functions offered: paste and insert paste to highest enabled track. If they plan on using these new options most or all of the time, they could set it to the default Ctrl+V and Ctrl+Shift+V shortcuts, while assigning other shortcuts to the current Paste/Paste Insert functions, should they ever want to use them.
    3. Users who would like media pasted/insert-pasted to the same video tracks it was copied from would also be taken care of, with 2 new keyboard shortcut-assignable functions. Once again, if this is the pasting method the user wishes to use most or all of the time, they could assign their current keyboard shortcuts to these 2 new functions, while giving new shortcuts to paste/insert paste to the highest and/or lowest video track, should they so choose.

    Given how often editors need to paste media on their timeline, this should be given priority over other new features that, while useful, may only ever be used seldomly by few editors.

    In case the benefit of allowing editors to paste to the highest enabled track is still not evident enough, please see the attached illustrations. In the all-too common editing example/'Game' illustrated, pasting to the highest vs the lowest enabled track would require 2 steps vs 5.

    PLEASE improve timeline pasting! It's long overdue. Thank you!!!

    Timeline pasting is a daily, 'everybody-uses-it' editing function. So why has it still not been improved?

    Vastly improving pasting is simple: Give users the ability to choose 'on the fly' where they want their media pasted or insert-pasted:
    1. on the lowest enabled track (current behavior)
    2. on the highest enabled track
    3. on the same track in was copied from

    By providing new shortcut options, EVERYONE would be happy:
    1. Users who like the current way pasting works wouldn't notice any difference.
    2. Users who want media pasted to the highest enabled track where there's always the most free… more

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    119 votes

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16. proxy media and full resolution media must have matching audio channels

    I feel like you should be able to attach proxies to full resolution media based on video and not just audio - I have hours worth of proxies that a DIT made and the audio channels don't match the source files so I can't connect them.
    I can do this the traditional way, working with proxies, until picture lock, unlinking and then re-linking to full resolution media, however I'd prefer to have both on hand in Premiere.

    119 votes

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17. Support Arabic Typing in Montion Graphics Templates

    Hello
    Please Support Arabic Typing in Montion Graphics Templates

    117 votes

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    In Progress  ·  AdminAnnika Koenig (Premiere Pro, Motion Graphics) (Software Quality Engineer, Adobe DVA) responded

    Please try out the current Premiere Pro Beta, which includes a universal Text Engine in Premiere Pro and After Effects. With this feature, there are no longer separate text engines for Latin/East Asian and Middle Eastern/South Asian found in the preferences. This means we no longer force the user to choose based on the script they want to use – all text layers should now be interchangeable.
    Also, the Paragraph Direction buttons in the Essential Graphics panel for graphics created in Premiere won’t ever be greyed out now so it is very easy to change any text layer between Left to Right and Right to Left as needed.
    You can find beta versions of apps in your Creative Cloud Desktop app. On the left, under Categories, click on Beta Apps. There you can install a separate version of Premiere Pro which does not overwrite your regular installation of Premiere Pro. To provide feedback you can use UserVoice or hop over to the Beta community forum! https://community.adobe.com/t5/premiere-pro-beta/ct-p/ct-premiere-pro-beta?page=1&sort=latest_replies&tabid=all

    Please try out the current Premiere Pro Beta, which includes a universal Text Engine in Premiere Pro and After Effects. With this feature, there are no longer separate text engines for Latin/East Asian and Middle Eastern/South Asian found in the preferences. This means we no longer force the user to choose based on the script they want to use – all text layers should now be interchangeable.
    Also, the Paragraph Direction buttons in the Essential Graphics panel for graphics created in Premiere won’t ever be greyed out now so it is very easy to change any text layer between Left to Right and Right to Left as needed.
    You can find beta versions of apps in your Creative Cloud Desktop app. On the left, under Categories, click on Beta Apps. There you can install a separate version of Premiere Pro which does not overwrite your regular installation of Premiere Pro.… more

18. Allow Audio Nesting

    Currently audio will not nest. According to forums this is not a feature. Please enable audio nesting.

    114 votes

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19. Please make it possible to register effects as "favorites" by default in the effects control panel

    Please make it possible to register effects as "favorites" by default in the effects control panel

    Effects Control Panel is where you want to register things you use frequently, like "crop".

    エフェクトコントロールパネルに、エフェクトを「お気に入り」としてデフォルト登録できるようにしてほしい。

    エフェクトの「クロップ」のように、頻繁に使うものを登録しておきたい！

    107 votes

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20. Re-enable Media Duration in Icon view / Premiere Pro

    Please re-enable Media Duration in Icon View inside Premiere Pro's Project Panel
    https://community.adobe.com/t5/premiere-pro-discussions/media-duration-in-icon-view-premiere-pro/td-p/12606259

    105 votes

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