Premiere Pro
Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.
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UserVoice is a third-party platform for product feedback. Please note that feedback is voluntary, and you give Adobe a right to use feedback you provide without restrictions.
For all other questions and discussions, visit the Premiere Pro community forum.
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Support Blackmagic RAW
Please add support for Blackmagic RAW .BRAW files as soon as possible! This would be a tremendous help to our workflow! .BRAW was released today: https://www.blackmagicdesign.com/products/blackmagicursaminipro/blackmagicraw
1,610 votesUnder Review ·AdminPatrick Palmer (Director of Product Management, Pro Video and Motion Design, Adobe DVA) responded
Thanks for all the feedback. It’s pretty clear that we’ve got to look into the workflow using this format more closely, there are enough reports about gaps at this point to reopen this item. I’ll post more info about next steps shortly. In the meantime, a couple of questions are easy to answer:
- The plugin is designed for Premiere Pro. It currently doesn’t provide support for After Effects.
- It does work with AME, so if you want to use it for batch processing, that’s very doable
- If you’ve started a project with Autokroma, there’s no easy way to transfer it to be running with the new plugin.Patrick
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Restore MKV Format Support
Removing MKV Format support has a negative impact on the workflow of people that work with broadcasting software like OBS. Restore MKV support. Having native support for MKVs, even if they don't edit well without generating proxies, saves me a ton of time that I'd otherwise have to spend remuxing/transcoding files.
828 votesIn Progress ·AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded
Hi all,
MKV support is actively being worked on. I don't have a release date to share currently but when that changes, I will update this message.
Regards,
Fergus
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LTC Time Code
We need the ability to read the Timecode when recording audio LTC timecode to the file. Currently I have to use davinci Resolve to read the code. AVID already has this capability.
290 votes -
"I-frame first" fast seeking for inter frame compressed video files
When you are "seeking," (which means QUICKLY looking through a long video by clicking and dragging the playhead with the cursor,) there is sometimes very high "prefetch latency," meaning that frames will load slowly, resulting in very few frames being shown. This can make it very difficult to find what you're looking for.
But when seeking, perfect frame accuracy is not nearly as important as seeing what you're doing. Therefore, to reduce the "prefetch latency," I suggest that the nearest I-frame is loaded and displayed FIRST, (because I-frames are always the fastest to load) while the exact B or P…
236 votesIn Progress ·AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded
Hi all,
The I-frame first idea is implemented in multiple codecs, including anything that is LongGOP in an MXF wrapper, XDCAM in a MOV wrapper, and it's being added for the work that will be released soon that will hardware accelerate AVC Intra on Apple silicon in MXF.
Regards,
Fergus
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CinemaDNG
Premiere Pro does not properly support CinemaDNG media. For starters, not all versions can be imported, specifically the media coming from the Blackmagic Ursa cameras.
But even for the versions that can be imported, support for the format is still lacking to the point of unusability.
The Media Browser will not see all the clips at the same time. We're forced to go into every individual clip folder for import duties. This is untenable.
The RAW controls available are limited to Temp, Tint and Exposure. The controls that are possible and must be implemented are:
White Balance
Color Space
Gamma…173 votes -
proxy media and full resolution media must have matching audio channels
I feel like you should be able to attach proxies to full resolution media based on video and not just audio - I have hours worth of proxies that a DIT made and the audio channels don't match the source files so I can't connect them.
I can do this the traditional way, working with proxies, until picture lock, unlinking and then re-linking to full resolution media, however I'd prefer to have both on hand in Premiere.94 votes -
ProRes RAW ISO, white-balance and tint controls
Give ProRes Raw control over White-Balance, ISO and tint in raw controls as well as log conversion. Then it will be useable.
59 votesIn Progress ·AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded
Hi all,
I'm a product manager in the video team at Adobe and I've recently become the product manager specifically responsible for formats.
My apologies that we have not responded already to this post. ProRes RAW is definitely important to us - and, more specifically, the additional controls that are being ask for here.
Raw support is very important to us, particularly as it becomes more common thanks to devices like the Ninja V and cameras that support it directly like the Nikon Z9.
Currently, there are two raw formats ahead of ProRes RAW in terms of urgency for us to support better. I understand that might be frustrating to people eager for better ProRes RAW support but I want ensure you all that it's not a matter of indifference or neglect.
While I don't have a date for improved ProRes RAW support that I'm willing to share at this…
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Support for Nikon NRaw
Can we please get support for Nikon's NRAW codec? Resolve and Edius already have it cooked up and ready to go. This reactive rather proactive approach to codec integration is really disappointing. First it was Prores RAW (still ongoing issues) and now NRAW. How about Adobe show Nikon shooters a bit of love here?
34 votesUnder Review ·AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded
Hi all,
Thanks for the feedback on N-RAW. It is a format we are interested in supporting but we don't currently have date for when that will happen. II will provide an update when I have more information to share.
Note: There were a couple of comments in the thread about ProRes RAW, including some useful tips. I have deleted those, as I want to make sure that this thread is dedicated to N-RAW. There is a separate thread regarding improving support for ProRes RAW.
Regards,
Fergus
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Compability with WebM - Fnordware not working on Mac OS
To import and export WebM formats. There is a external pluging from fnordware that is not compatible with OSX
26 votes -
FFV1 Support
Hi,
I am hoping for FFV1 support in Adobe Premiere and AE. FFV1 is nationally recommended file format for long term preservation here in Finland (See more info: http://digitalpreservation.fi/files/File-Formats-1.7.0-en.pdf)
23 votes -
Support frame rates greater than 60FPS
It would be helpful to video formats that can support frame rates at 120 or 144FPS. Such frame rates are admittedly rare, but with gaming being as popular as it is there is a real potential for its use.
20 votes -
Better Controls to Export an Animated GIF
On behalf of editors, I request better controls for exporting an animated GIF file from Premiere Pro. Currently, the file size of these files is often too large to post on websites and social media sites. The results are better using Photoshop > Save for Web (Legacy). Editors would rather not use Photoshop and simply need more control over the size and quality of the exported file. Is this possible?
This forum post currently has over 56,000 visits. Kindly upvote this feature request so that others may have this ability to create GIFs easily and with a lower file size.…
17 votes -
Support of Smart Rendering for H.264
It would be very helpful for me if you would support smart rendering for the H.264 format
17 votes -
I want to rewrap AVCHD material to other formats (MOV etc.).
Recently, recording on tapes has decreased, and recording on cards has been increasing rapidly.
In particular, it is often recorded in AVCHD.
However, AVCHD is very cumbersome because multiple clips are stored in one file.
I can not handle clips as single files. There are several disadvantages associated with this.It is inconvenient for delivery because the clip can not be treated as a single unit
When migrating projects with multiple editing software such as AAF and XML, file management becomes complicated and difficult to handle.
It is very confusing because each card has a clip with the same name…
16 votes -
Problem with flickering MXF files
Started seeing this flickering recently and just seems to be getting worse, seems to happen with MXF files, but not all the time - sometimes it'll play ok, but then just randomly begins - here's a sample:
https://vimeo.com/726308581/57952872e815 votesIn Progress ·AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded
Hi all,
I'm very glad to report that we found the cause of this issue and have fixed it. The fix will be in the next version of Premiere Pro, which will be released later this month.
Regards,
Fergus
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Hello, New Sigma FP camera is launched and it records in Cinema DNG Format, it would be nice if we can import these files and edit it native
Hello, New Sigma FP camera is launched and it records in Cinema DNG Format, it would be nice if we can import these files and edit it natively, as these cameras are designed for independent filmmakers , the whole idea is to get a project done with lil resources and less heads involved. would really want u to consider and get these files be able to import and edit natively.
15 votes -
18fps
I lik adobe premiere CC, But it misses the ability to set an aribrary number of frames/sec in the timeline.
In our company we use adobe premiere to editing projects for digitized films shot at 16 or 18 frames/second. It is essential for our customers that the frame rate remains identical to the source.
This is not possible in Adobe Premiere so we are looking now for an alternative editing program. Sony Vegas has this ability.
Basically the request is to have the choice for any frame rate on the timeline and when exporting.
15 votes -
Sony ARW format
Please provide the ARW format from sony cams for premiere pro. Thank you!
14 votes -
13 votes
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Import/Export VTT caption files
It would be useful to be able to import and export VTT caption files. More platforms seems to be using VTT in business (Microsoft Stream, Webinar Platforms etc.) and require VTT caption files to be worked with.
13 votes
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