It would be great to export a full timeline from Premier but instead of one video, each video clip on the timeline is exported individually. This is an option in DaVinci Resolve and I've found it to be really useful. Having to do it manually can definitely be a pain.

I use Premiere generated proxies with a baked in Rec709 LUT for my projects. For previews it would be nice to have the option to use these proxies and not the source clips when exporting.

Yes, you can choose to add a LUT in the export dialoge, but since I'm working with different cameras and log formats this is no option for me.

Please,

Remove or give us an option in the Preferences to turn off the prompt message: Your video was successfully exported"

It's very annoying...

To prevent accidentally exporting with a track disabled, show a warning before export

Show a warning if Warp Stabilizer is not analyzed before export

As we have done for years, bring back the QuickTime H.264 Mov. (not Mpeg 4) for exporting

Include ProRes 4444 XQ as export setting in Premiere for Mac.

My AAF exports consistently fail with the error 'AAFRESULTINSUFFTRAN_MATERIAL". I had to export an XML, open that in premiere 2017, and export the AAF from there.

Additionally, the AAFs apparently are not accurate once opened in Pro Tools.

Premiere Pro 2018 needs to be updated to resolve this.

I see this idea has been declined elsewhere but I'm afraid that's not good enough. I was under the impression that Adobe had been working closely with Apple when the iMac Pro was being developed - what's the point of a £6,£7 or £8K machine when it's processing power is not being utilised?

Is it not possible for Premiere and/or Encoder to utilise the full power of a multi core machine when exporting? FCPX can do it. Fancy effects are not worth very much if you can't deliver your project on time.

Users may want to always export to the same folder as their project, or their media, or any other standard location. We can set default folders for import/ingest, captured video and audio, etc, why not default export folders?!?

Please enable 'custom' frame rate option on export settings,
so that users who are editing for example source footage
coming from 8mm or 16mm based on frame rates like 16fps or 18fps,
can export them to such frame rates or other.
you can check the thread here:
https://community.adobe.com/t5/premiere-pro/export-18fps-sequence/td-p/10486209?page=1

Nvidia has included NVENC on its GPU cards. Adobe Premiere uses Mercury engine to accelerate effects but does not utilise the power of NVENC to speed up the h264/265 encoding this encodes takes a very long time. It seems silly to have this feature there in the gpu and not take advantage of it. Times would speed up by a factor of 4 if it was used.

Remove the "analyzing" overlay on exports

set the default option to the "Export" button and not "Queue"

I would love to be able to put out an excel or csv report with all the clips used in a sequence and the metadata i'd like to include from them. This would make usage reporting very simple and not require third party apps. Perhaps you could just license and intergrate Sequence clip reporter and make it OS agnostic?

Hello,

this is one massive problem that's a huge handicap for working together with the Sound Department.

When exporting an AAF from merged Clips, the original Audioclip name (e.g. T_31.wav) gets rewritten to something like "730a1070-9de4-xxxxx.wav"

There is no chance to reconform to the original Audiofiles with which the Sounddepartment is already working.

Could you make sure the Filenames stay as the original names.

That's really important for a professional workflow!

Would save a lot of export time to have a "Use Proxies" option when exporting, rather than using original media. I am currently working with 8K R3D files and my export for a 10 minute clip takes almost 2 hours for a 1080 work in progress cut. Would much prefer a lower res output using proxies to save time.