Hello. I'd like to see a master key to assign effects OR a way to map effects and presets to the keyboard using the Keyboard Shortcut tool.

I've submitted this request before having come from Final Cut Pro and it was a huuuuuge time saver for me in the editing process as I used this feature on FCP multiple multiple times on every single edit I did, every day, and I can't imagine others would not have the same reason for using it as me and I likely very frustrated at how long it takes to apply the Warp Stabiliser effect, for example, to a clip or a series of clips. This is a very consistent task that I do in every edit and many many times in each edit usually. I'm sure I'm not the only person who is constantly adding warp stabiliser to shots by dragging the thing onto every clip and then setting the smoothness percentage. I can't even manage to just select every clip I want to throw the stabiliser on to and then copy paste a version of the effect that I've set the smoothness percentage for. This can't be unusual. Any clip shot handheld with a dslr will need this, just about, if you want to get rid of that minor jitter. Many dslr users out there you reckon..?

I would love to see this, it is a massive massive time saver and I'm confident many many editors would need this feature for the same reason.

I also would love to see functionality so that when you stop your playhead over a clip during playback or by moving the playhead that it automatically selects that clip so that it's settings are ready to play with in the effect controls window. This seems so basic common sense to me to me and I'm trying not to get angry because I know you are good people in there, but it seems some mind numbingly obvious to me as an editor that you would want the clip that you are now looking at to be the one that is selected and presenting it parameters in the effect controls window. FCP did this automatically. PP will do this when the Lumetri Colour window is open...why not for Effect Controls??

Thank you, I appreciate you listening to my rant. I would be over the moon with these changes!!

After Effects allows you to use Bicubic, bilinear, and nearest neighbor ("draft") for scaling. (Also known as "sampling" or "interpolation.")

Premiere should absolutely have the option for the Motion effect to use Nearest Neighbor. (It would still be bicubic by default, as it is now.)

This is very important for sprite art, screenshots, screen recordings, etc.

Here is a forum thread on the issue from 2012, where most people unfortunately don't even understand what the problem is:
https://forums.adobe.com/thread/1061901

NOTE: The TRANSFORM effect currently has the option for bilinear and bicubic. It would be good to add nearest neighbor here, but that should not be the ONLY place where it is available. The Transform effect still has severe issues with buggyness, instability, and choppy movement. Again, it is important that the MOTION effect has the option for Nearest Neighbor.

This has not been fixed even though Adobe has claimed to fix this.

I have the media in one master project. My assistant has a their shared project. I open a small sequence from that project and drag the media from it it into my main project. EVEN THOUGH I ALREADY HAVE ALL THE MEDIA, I STILL GET DUPLICATED MEDIA. And on top of that it creates a separate folder for each small clip of footage. Take a look at the attached screenshot.

This is horrible. Fix this asap please. What's the point of shared projects if we can't move media back and forth between them?

For the Lumetri Color Effect’s curves controls (Hue vs Sat, Hue vs Hue, and Hue vs Luma), cyan is in the center, while red is on the far left and right sides. This is inconvenient, because most users will probably want to adjust skin tones more than anything else, and skin tones are almost always somewhere in the reds and yellows. Therefore, I propose that red be in the center by default, while cyan is on the edges.
NOTE: Because a horizontal scroll bar is already available, it is possible for the user to essentially do this themselves... but because skin tones are the most common thing I adjust, I find that I have to manually scroll that bar all the way to the left or right, 80% of the time I use these controls. So it would definitely be less hassle (for me) if red was already in the center.
There may be a good reason to have cyan in the middle, but I can't think of it.

If you enable the check box in Preferences > General > Display color management, it will adjust the colors on the Source and Program monitors according to that monitor’s associated .icm file. However, this is only for viewing purposes on that specific monitor.
For an eyedropper to work properly, it must sample the color as it exists BEFORE color management is applied to it. But most of the eyedroppers inside of Premiere will only sample a color AFTER it has been adjusted by color management.
You can prove this by turning on color management, then trying to use a Color Matte’s color picker to match something else with solid colors. The results will always be different. (As shown in the image with the color bars.)
Currently, the only way to properly sample any color is to turn off color management first, as I demonstrate in this short clip. (45:41 to 46:21)
https://youtu.be/QPubgoqtfbk?t=2741

Currently, only the eyedroppers inside the Lumetri Color effect work correctly when color management is enabled. (As far as I know)