On my previous iMac and my current MacBook Pro the audio in Premiere and After Effects would switch to headphones when headphones were plugged in and switch back to the speakers when I unplugged, all without having to go up to Audio Hardware in preferences and switching.

Now, on the iMac Pro that is not the case. Each time I plug in headphones, the timeline stops playing and i have to go up to preferences and audio hardware and select external headphones or iMac Pro speakers if I'm unplugging them.

I was on the phone with Apple about this as well as Adobe, and what the Apple rep and I found out is that the iMac handles audio a little differently. When you plug in headphones it sees it as a new audio source while the previous iMac and the current MacBook Pro switches it.

On the older iMac and the current MacBook Pro in Preferences/Audio Hardware/Default Output you see Built-in Output (this will be whatever the output is for the computer it self)

On the iMac Pro in Preferences/Audio Hardware/Default Output you see iMac Pro Speakers and if headphones are plugged in External Headphones. It's reading it as two different sources.

Also, which I think is a complete bug is if you are on External Headphones and you unplug them, it won't play the video any more even if you switch the audio hardware to iMac Speakers, you have to quit (sometimes force quit) and reopen the application.

Hello. I'd like to see a master key to assign effects OR a way to map effects and presets to the keyboard using the Keyboard Shortcut tool.

I've submitted this request before having come from Final Cut Pro and it was a huuuuuge time saver for me in the editing process as I used this feature on FCP multiple multiple times on every single edit I did, every day, and I can't imagine others would not have the same reason for using it as me and I likely very frustrated at how long it takes to apply the Warp Stabiliser effect, for example, to a clip or a series of clips. This is a very consistent task that I do in every edit and many many times in each edit usually. I'm sure I'm not the only person who is constantly adding warp stabiliser to shots by dragging the thing onto every clip and then setting the smoothness percentage. I can't even manage to just select every clip I want to throw the stabiliser on to and then copy paste a version of the effect that I've set the smoothness percentage for. This can't be unusual. Any clip shot handheld with a dslr will need this, just about, if you want to get rid of that minor jitter. Many dslr users out there you reckon..?

I would love to see this, it is a massive massive time saver and I'm confident many many editors would need this feature for the same reason.

I also would love to see functionality so that when you stop your playhead over a clip during playback or by moving the playhead that it automatically selects that clip so that it's settings are ready to play with in the effect controls window. This seems so basic common sense to me to me and I'm trying not to get angry because I know you are good people in there, but it seems some mind numbingly obvious to me as an editor that you would want the clip that you are now looking at to be the one that is selected and presenting it parameters in the effect controls window. FCP did this automatically. PP will do this when the Lumetri Colour window is open...why not for Effect Controls??

Thank you, I appreciate you listening to my rant. I would be over the moon with these changes!!

The autokeyframe by default on things loke opacity has been a source of many a frustrations for me.

I set an opacity value. Then later I change it. Play it back and I wonder why it isn't set where I wanted. So I open it up an goddammit the autokeyframe was on by default so to get rid of it I push the stop watch and that warning is thrown right at my face. I never wanted the keyframes in the first place so why did you assume I would, adobe?!

This problem would not be nearly as aggravating if the behavior of keyframes was consistent. Not like now, when autokeyframe is on by default for some values but not others. Pick one and stick to it.

This has not been fixed even though Adobe has claimed to fix this.

I have the media in one master project. My assistant has a their shared project. I open a small sequence from that project and drag the media from it it into my main project. EVEN THOUGH I ALREADY HAVE ALL THE MEDIA, I STILL GET DUPLICATED MEDIA. And on top of that it creates a separate folder for each small clip of footage. Take a look at the attached screenshot.

This is horrible. Fix this asap please. What's the point of shared projects if we can't move media back and forth between them?

After Effects allows you to use Bicubic, bilinear, and nearest neighbor ("draft") for scaling. (Also known as "sampling" or "interpolation.")

Premiere should absolutely have the option for the Motion effect to use Nearest Neighbor. (It would still be bicubic by default, as it is now.)

This is very important for sprite art, screenshots, screen recordings, etc.

Here is a forum thread on the issue from 2012, where most people unfortunately don't even understand what the problem is:
https://forums.adobe.com/thread/1061901

NOTE: The TRANSFORM effect currently has the option for bilinear and bicubic. It would be good to add nearest neighbor here, but that should not be the ONLY place where it is available. The Transform effect still has severe issues with buggyness, instability, and choppy movement. Again, it is important that the MOTION effect has the option for Nearest Neighbor.