Premiere Pro
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586 results found
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Do not automatically add an Input LUT to Arri footage
When I ingest ProRes source footage from an Arri camera, I do NOT want there to be a LUT auto-applied. Add an option in Premiere to disable the auto-lut.
I am familiar with the Interpret Footage > Color Management > Input LUT workaround. I work on projects with ~1200 Arri clips every two weeks... constantly using this workaround is not a good use of my time.
1 vote -
Fix the Import shortcut design flaw in Folder Windows
When you open a folder in list mode and the number of folders fills the window from top to bottom, there is no 'empty folder background' space in which to right click to import files or folders. You can only click on one of the folder rows which will import new assets into a subfolder which is not what we want. There needs to ALWAYS be a sliver of open 'right-clickable' space, either in the margins or at the top and bottom of the folder, regardless of how many subfolders are in a folder. This problem seems to go away…
1 vote -
Ingest Destinations: Add options for next to original file and/or to mimic the folder structure from the source
it is not often useful to only have 1 master destination set for Ingest transcodes
1 vote -
There should be Import button in Bin
most of us use to Dubble click in bin to import anything, but when bin is full we are unable to find empty space for dubble click. I personally want import button in bin tab to quickly click on it and get to the files in PC.
1 vote -
Import photos directly from LR to PR PRO
All the work done in Lightroom should be easy to transfer directly to Premiere Pro or cross platforms…. Really frustrating!!!
2 votes -
Ascept Ratio Issues with H.264-SDI Codecs Recorded in Blackmagicdesign Hyperdeck Studio
The Hyperdeck Studio Pro, released by Blackmagicdesign, has H.264 - SDI recording.
H.264 - High (Mid/Low) has a 4:2:0 chroma sampling file, and H.264 - SDI has a 4:2:2 chroma sampling file.
There may be some differences between the two settings, but the H.264 codec is the same.
By the way, there is no problem when importing H.264 High file, but when importing H.264 SDI file, Ascept Ratio imports 1.0075 strangely.
I thought it might be a problem with the file, so I imported it to Davinci Resolve, Final Cut Pro, Fusion Studio, and it has the same Ascept Ratio…
1 vote -
Bug: Dragging folder directly into bins is only importing some not all files
I have several folders of 30 or more shots and if I import them by dragging the folder into a bin, only 4 shots will import with the folder. The only thing they have uncommon is they are .mp4 but there are other .mp4s that do not import too. If I select them all and drag them into a bin I create they will all import at the same time, just not if I drag in the folder.
1 vote -
Check box for VR Properties in Create New Sequence in Import tab
Creating new sequence from the Import tab sourcing 2:1 clips adds unintended VR properties. Check box to enable VR or not
1 vote -
Videos section is broken.
The movies tab can not access files properly. On top of it being the only file that's name has been forcibly changed from "videos" to "movies". Figuring that out is an waste of time for anyone who opens the program.
On top of that, there must be some special set up to make the folder work by default. None of my files would appear in my "videos/movies" folder. Once I moved the file out of the folder, it showed up anywhere else.1 vote -
Import and Export buttons do not work
Import and Export buttons do not work
1 vote -
Pointing a file to a new/updated source
I needed to take over an edit for a day to cover for a coworker.
All I needed to do was to replace some footage that was being updated, render it and get it in front of the client.
I did so by selecting the footage in the Project Panel, right clicking & selecting "Replace footage..."
I pointed it to the updated footage (same everything except some OST had been changed in After Effects, let's call it v002)
Everything I expected to happen did, the file in the Project Panel reflects the new rev'd filename v002, the source in the…1 vote -
New import interface - Ability to use template new projects
It boggles my mind how so much work was put into the new import interface, yet the ability to create template projects wasn't added.
I do this manually by creating a .prproj file with my default bin structure and common elements like adjustment layers HD & UHD, white mattes, black video, etc. Then I copy & paste that .prproj file in Windows Explorer to the project folder.
Really wish it was just an incorporated feature, and if so, the templates get saved to the cloud along with my settings.
2 votes -
Read the marks created by the "Clip Flag" button on Sony cameras
A lot of cameras can do this but in my case, the FX6 has a button to save a clip flag which is embedded in the file. It would be great if Premiere could see this and show something in response.
This would speed up workflow by being able to quickly navigate to key moments in the footage.
Right now Premiere doesn't feature it, so that button on the FX6, one of the most popular cameras out there, is practically useless for Premiere editors.
1 vote -
Play button in the import section
It would be nice with a play button on each clip in the import section to be able to wiew the clip in motion.
1 vote -
Proxy Workflow:
I think it would be a tremendous help if Premiere Pro )or Media Encoder= could automatically create a folder named after the open project when generating proxies. So it would be easy to identify the proxies when dealing with multiple projects.
1 vote -
Can adobe read this codec : Linear PCM, Timecode, XAVC Intra codec. It's a codec from a sony fs7 that went through final cut.
When import within premiere you only have 4 layers of sounds, no video.
The only way I found to bypass this issue without losing too much quality was to transcode in apple pro res HQ within compressor. The only down with this method is that you lose the S or V log, which will be harder to colour grading down the line.
1 voteNeeds More Info ·
AdminFergus Hammond
(Product Manager, Video & Audio Cloud Workflows, Adobe DVA)
responded
Hi Daniel,
Can you provide more information and, ideally, a sample file? When you say "It's a codec from a sony fs7 that went through final cut", do you mean that it was imported into Final Cut Pro first?
Thanks,
Fergus
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Capture Video and Audio from PC-Cam, Web-Cam
Need to record from live PC-Cam or Webcam or virtual cam.
Would be nice to record directly to Premiere.1 vote -
stop premiere from renaming my clips upon import
when i drag certain mxf files into premiere, it alters the name of the clip from whatever its called on the finder level to whatever its called in the metadata "package name". Bruce Bullis who works at Adobe confirmed theres no current way to fix this. not even bringing it in through media browser. the only work around i've discovered is right click on "frame rate" column to bring up "metadata displays", and then checkmark "media file name". and that displays it correctly (as opposed to the "name" column that displays it as something entirely different then what its called…
1 vote -
Rendering anything out in After Effects causes Premiere to think all the dynamics linked items are offline
Rendering anything out in After Effects causes Premiere to think all dynamics linked items are offline.
1. Have a Premiere project with a bunch of AE comps dynamically linked.
2. Open up that AE project and render ANYTHING out using the render queue.
3. Go back to Premiere and it will think all those dynamically linked objects are offline.
4. Quit Premiere, and relaunch.
5. Everything is fine.This bug has been around for YEARS and I am blown away that it still exists. I honestly forgot about it till today.
Also note that there was no good option for…
1 vote -
Active capture from Dv
Premiere Pro 2022 works fine on a windows pc, but not on a Mac with the most recent OS.
I found out that you have stopped the possibility to capture DV but not HDV on the Mac
I guess that there are many besides me who have tons of dv films and want to convert them.1 vote
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