The new importing menu is great. But I have some issues and bugs.

1. Why can't you add a button near "project location" where you can save the Premiere Pro file in the same folder where raw files are? Otherwise, when importing the files and creating a new project I had to choose the locating of the raw files first, and then I need to choose the folder where to save the project file again. I think this is time-wasting and confusing. I already lost some Premiere Pro files and it turned out they were saved in the previous location.

2. There is a bug when creating a new sequence. When I title the sequence with the period in the timeline the title loses the part after the period. For example, I title the sequence 4.01 Premiere Pro in the importing menu. But then in the "project" and in "timeline", it has only "4" as a title.

When i want to drag the Dji mp4 files from my drone a serious problem occur.
It freeze and cause a complete white screen and even a Alt/ctrl/delete is not possible.
Just a restart of the computer can make it to work again.
If i then Import the files in the "normal" procedure, it will work perfect.
Why can´t i drag and drop those files directly to the timeline, without the crazy shootdown ?
I hope that you can come up with a solution on this, as it is a lot easier, when we just need to see and cut in those clips.
Kindly regards
Frank Floutrup

Frame.io is great, however using it for the first time on a commercial I think I've found a glaring issue...

Shoot in the US, edit in London. Director spends his entire flight from NY on Frame.io adding comments to the rushes: favourite takes etc.

Great I think, I've already imported the footage, I'll look for the 'import comments button' and when he gets here I'll have everything ready.

But no... nothing!

Turns out Frame.io can only syncronize comments from a sequence, not clips!

Now, I realise it's possible to view comments in the Frame.io panel, and that might be fine if it's only a couple, but 100+ comments, over 6 days worth of rushes, on a deadline, forget it!

Director's always make shot selections so it was inevitable they'd use Frame.io for exactly this.

Please please add this functionality. Should be easy now you own the company ;)

Premiere is not recognizing the audio on my C100 footage when I import it. When I look at the audio in the source monitor, there is no wave form there is no audio on playback. When I try to sync by audio Premiere gives me an error that it can't beacause there is no audio. The audio is there when I play it back in VLC media player. Sometimes when I replace the footage, or make it offline and then relink it premiere will pick up the audio. But not always. This is happening on 3 different Intel based PC's running Windows 10. All are running Premiere v22.0.

Hi,

For my projects, I still use a rigorous approach in copying all assets to a designated project folder before they are imported into a PPro project. This way, I prevent any assets from getting lost in the process, because they originated from temporary drives, download folders or other drives on your system beyond the project drive.

However, things would get a lot easier if PPro offered the possibility that anything that gets added to the project bin via drag & drop or the import feature, actually get copied over to the folder, perhaps as a background process. Meanwhile copying takes place PPro accesses the original source and when copying is done it replaces the instances with the copied file in the project folder on the hard drive.

This way, at the end of the project, you only need to copy the entire project folder on one or two archive drives to complete the archiving stage of the project.

I came here to see if anyone had requested introducing optical flow to fix frame rate issues that sometimes occur when capturing to video (especially when shooting 4K video on mobile devices). For the most part, my Galaxy S21 can record smooth 30fps video clips at 4K, but I do still get a frames that appear to stutter / double up when I step through them on the timeline.

Basically this option would use the clip's captured frame rate (or one set by interpret footage) to step through the frames, identify where there have been no visual changes, and then attempt to use optical flow to interpolate the motion between the frames that do change. I proposed this feature request in the Rush section as well, but figure that optical flow might be a tad too expensive for most mobile devices.

Note that this feature really needs to be applied ahead of any attempt to stabilize motion using an effect on the timeline...those doubled-up frames really mess with the warp stabilizer.

I have sort of been able to achieve this "fix" by cutting two frame clips and using speed (of 50%) with optical flow enabled to force an interpolated frame between the two frames, but obviously this can be a tedious process on a long clip with random dropped frames. I then create a sequence from the fixed sequence to which I apply the warp stabilizer. Makes a huge difference.