Premiere Pro
Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.
- Type into the idea field to search for submissions or choose from the categories in the sidebar
- Check out other submissions and vote for the ideas you like
- If your feature idea or issue is not listed, post it
The UserVoice feedback pages are for feature requests and bug reports only. Upload only content that you have permission to use and refrain from posting personal information (e.g. address, phone number, email, or credit card) or abusive content (spam, phishing links, vulgar language, etc.). Tips for submitting useful feedback
UserVoice is a third-party platform for product feedback. Please note that feedback is voluntary, and you give Adobe a right to use feedback you provide without restrictions.
For all other questions and discussions, visit the Premiere Pro community forum.
-
Please permit / allow Premiere Pro to read LTC timecode directly and use it for syncing.
Please allow PP CC to read LTC (audio track) timecode and use them in the syncing feature.
1 vote -
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files.
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files. They are importing but the colours are very different from the original files.
1 vote -
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files.
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files. They are importing but the colours are very different from the original files.
1 vote -
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files.
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files. They are importing but the colours are very different from the original files.
1 vote -
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files.
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files. They are importing but the colours are very different from the original files.
1 vote -
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files.
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files. They are importing but the colours are very different from the original files.
1 vote -
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files.
I am using Pr 2020(Beta M1) and I am importing HEVC(h.265) 10 bit 4.2.0 files. They are importing but the colours are very different from the original files.
1 vote -
Better crm Canon raw file editing ability
Increase the raw adjustment ability when working with crm Canon raw files. The three perameters we have at the moment is not where near as many as you get with red footage native in premiere. Using canons own **** software you have loads.
Small thing but would help a load. Thanks, Jacob
1 vote -
Please bring back the ability to capture DV using firewire
Please bring back the ability to capture DV using firewire 1394
Terrible that this feature was removed in Catalina. We need to be able to import older tape based material.2 votes -
.M2T error retrieving frames - (SOLVED) kinda
To be honest I'm a bit tired of this.
Had issues with .M2T (rarely with .MTS). Issue started since one of the updates in summer. Basically I and my colleagues can't load ANY .M2T files anymore.
When problem started in summer I was left alone in studio, all my colleagues went for vacation. I contacted Adobe Care, they said that they didn't find ANY problem. At this point I had no more time to deal with Adobe Care, cause of project deadlines as I was the only editor at the time.Can't edit any old projects with .M2T files. Can't…
1 vote -
red Komodo files
I just dropped red Komodo R3D files into premiere and keep getting this error? The files are playing fine in Red CineX. Anyone have any clues?
2 votes -
3200x1800 black border
The Arri format of 3200x1800 3.2K is shot technically at 3200x1824... other softwares, AVID and quicktime recognize this... Premiere doesn't seem to be recognizing this and I get a letterbox effect of 24 black pixels at the bottom of the frame.
1 vote -
3200x1800 black border
The Arri format of 3200x1800 3.2K is shot technically at 3200x1824... other softwares, AVID and quicktime recognize this... Premiere doesn't seem to be recognizing this and I get a letterbox effect of 24 black pixels at the bottom of the frame.
0 votes -
********
your system just shut down and didnt safe my work from 10 Days so hard and your **** system
1 vote -
Gamma shift problem when importing jpg and png files, bmp and psd files look fine
When importing jpg or png files, when exporting (or viewing in the monitor with color management off), there is a significant gamma shift.
In the image supplied, the top half shows what the original image looked like, with the text on the left showing the color values of each bar, and the bottom half shows what happens to the image after it's exported through Premiere (since v13), with the red text on the right showing the color values of the modified image in contrast.
1 vote -
Eliminate Re-Conforming Files
Premiere Pro constantly performs and redoes "conforming" of files each time a project is opened. The same files are redone each time.
This seems to happen most often with MP3 files.
Rather than re-doing the same work on the same files each time, Premiere should save these conforms so they can be referred to rather than redone.
1 voteNormally, each file is conformed only once, and conform files persist across sessions.
Is the media perhaps on a file server, whose clock is not synchronized to the edit system? That’s one common cause of reconforming.
-
Enable HDR for XAVC-L Codec
For UHD 50P HDR Production I need the smallest possible Codec to not fill-up my shared storage. With the latest Adobe Premiere 14.4 release you presented a HDR Workflow for Broadcasters.
https://helpx.adobe.com/premiere-pro/using/hdr-workflows.html
That's really awesome and I really appreciate. Thank's a lot.But when UHD 50p HDR comes to a daily Business for Braodcasters it's necessary to use XAVC-L 200Mbit/s to have a balance between quality and amount of datas.
2 votes -
Rush needs to be compatible to Samsung Galaxy S20 series
The Samsung Galaxy S20 series has been out since March, and Premiere Rush is still not compatible. I know the pandemic still rolls on, but engineers can work from home to fix this.
1 vote -
Multiple Aspect Ratios in one video
Hello there!
I would really like to be able to have multiple aspect ratios in one video, for example, the first part of my video is in 16:9 and the second in 4:3, it would be a new mode in the projects aspect ratio menu called fluid ratio or changeable ratio or something like that where the aspect raion isn't fixed but changes every time it detects different aspect ratio of the videos imported. I know some famous directors like Christopher Nolan are using this so why not make it a normal thing. It would make our life that much…1 vote -
BUG: OBS Files are not working anymore (APP v14.3.2)
From Adobe Premiere Pro Version 14.3.2 (Build 42) on, MP4 x264 CBR Files created by OBS Software don't work anymore, which destroys my current workflow completely. The last working version is 14.3.1 (build 45).
2 votes
- Don't see your idea?