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My projects involve multiple cameras, most of which are different from each other and shoot in a variety of formats.

The ONLY means to sort all the content into a chronological time sequence is to sort by the File Attribute "Modified Date" which accurately tracks the datetime of creation for JPG, MTS, MOV, AVI, MP4 files. Despite being called the "Modified" date it never seems to change even with multiple edits on the file BUT STAYS locked to the true datetime it was first created.

Sorting on that Windows File Attribute of "Modified Date" works for ALL files from mixed image capture/creation sources and. Using the File Explorer in Windoes and sorting on "Date" results in a perfect chronological timeline ordering which seems to be based on the values in the "Modified Date" field.

I have built a Metadata Premier Panel with EVERY ONE of the date attributes and not a single one of them tracks this Modified Date File Attribute. All of the Premier Metadata items have empty values for one media format type of another. None of those Metadata items are tied to the File Modified Date Attribute.

PLEASE, PLEASE, PLEASE fix this!

If you can't fix it then add a null Metadate column header item that has ZERO sort effect on the Bin list/icons.

I can properly sort the files in Windows File Explorer by Date but when I then drag those sorted items into the Bin they immediately get resorted by whatever Metadata column is Active.

Just disable that on Import until the header item is clicked on by the user if desired !!!

This issue has existed since at least the 2020 versions and still in 2021. When animating Motion properties like scale and position in Premiere Pro and then bringing the sequence into After Effects via Dynamic Link or via import, keyframe interpolation does not always match. For example, if Ease In or Ease Out are set for Scale keyframes in Premiere, these keyframes show up in After Effects as bezier keyframes with 0.01 influence, and are effectively linearly interpolated. Position keyframes set with Ease In / Ease Out / Bezier interpolation in Premiere come into After Effects with correct interpolation sometimes but not others. Auto Bezier keyframes on either property export to After Effects with different interpolation most of the time. In the particular case of exactly two scale keyframes with Ease In / Ease Out interpolation in Premiere, manually setting the influence to 33% (not 33.333%) in After Effects seems to make the animation match between the two programs. But this workaround is not a solution with more complicated keyframe setups.