WS in PP has always worked great for me with a little tweaking. However, recently it has become useless. It's as if it has suddenly started analyzing (or locking on to) foreground instead of the background. Were changes made in an update or something? Can this be fixed without having to bounce back and forth from PP to AE and back?

When setting variable bitrates the new export window seems to round digits to whole values, I.e. if I input 2.55mbps manually, the value will automatically change to 3mbps. The only way to make fine adjustments is with the slider which is incredibly clunky and hard to control.

I need to be able to precisely control the bitrate so I can deliver specific file sizes for my clients online output. Previous versions of premiere have worked fine in this regard.

often occur! when I put the audio in the sequence, the wav audio doesn't appear even the sound! maybe this is a bug?

Very counter intuitive and completely ruins the speed and flow I used to work at. I never provide feedback. This is so bad I'm actually taking the time to provide feedback. Please adobe, fix this!

Premiere intermittently displays the full screen of the Program panel even when I'm not working in Premiere. When minimizing the window, Premiere will display the Program panel timeline image and not allow me to click on anything to make it go away. I have to wildly move my mouse and pound my keyboard until I get control of my screen again. Version 22.6.2 Build 2.

Again, this happens while Premiere is idle in the background and has no apparent repeatable trigger.

https://www.youtube.com/watch?v=-zm2ga9fFgk

mogrts troubled relationship with media management contiues. Tried importing a mogrt into a project only to have it created hundreds of duplicate clip instances in the Motion Graphics Template Media bin.

Stop "improving" your product and make something that will actually load. This can't be real... right? Who updates a product to a non-functional product?

Issue with XDCAMEX footage wrapped in .MOV files. Since version 22.4 reverse playback is jittery with these files. Disabling mercury playback with CUDA lets reverse playback plays smooth but you lose the benefits of GPU. When reverting back to version 22.3.1 the issue is gone & everything is perfect again. Something happened with this starting in version 22.4 onward.

Can you add a colour space for fuji F Gammut / F-log to use with pro Res RAW footage. You have the space for C Log, D Log, N Log, V Log, and S Log can you please add the F Log space so we can use our fuji cameras. Its possible to do this in Resolve its annoying its not available in premier.

This would add to a faster workflow. Not having to scroll all the way down to the color wheels to do so. Often you don't want to touch your highlights or shadows - and the picture is still too dark.

Hi,
Why Pr can't add decimal numbers by entering "number >dot>number" in the Bitrate Settings box (I mean just by typing the numbers and dot in the box)? But you can add it by dragging the slider (we have to get the exact number by the up/down arrow key). That's frustrating!

Please bring back the Change To Color effect. I know it caused some projects to run slow, but there is NO suitable alternative available, and it was absolutely necessary. Please return this effect to availability.

I have been using automatic subtitles in my videos in Spanish, and it works very well; in fact, the recognition of the words is accurate, but it's always room for improvement, and that is why I would like to have the function of "Spell Check" in SPANISH.
That would save me a lot of time in my workflow.
Thank you!

I LOVE the new Fade Position slider in the ESP, but it will be a rare situation where I use a setting other than 5 - this would be a much better default.

return the render to the way it was !

This fall between some categories, but please allow for folderstructure remain intact when importing folder structur even ewhen it only contains 1 file or is just empty, at least the option to turn it on/off