Premiere used to allow labeling each splice of the same movie clip with a different color label. Now, within the last few versions, it seems to globally apply the color label to the entire clip.

For over a decade now, this has been my workflow for breaking down footage to label sections of the same clip into a quick visual indicator of Great/Good/Useable/No Good footage. Now that feature has been taken away. I would like that back, PLEASE!

Sometimes when merging a batch of clips, one makes a mistake. For instance there were two claps and you accidentally set the wrong in point. Avid has the per slip option which allows you to slip the audio into sync after the clip has been merged.

Organization is key in any project, documentaries especially. Your timeline is a chaotic living creature, adding the extra 8 label colors helped immensely in individual clip ordination. Now what about segment organization. Having the extra freedom to color your markers differently then the 8 offered would give editors the next level of speed and organization as they can quickly navigate feature length timelines with 16 options of colored markers. Not the most critical of feedback but...

If I use UltraKey on a layer and then apply a Drop Shadow effect and then Lumetri Color the layer shifts position down and to the right. The displacement comes out in the rendering as well. If I correct the position and then overlay anything over that track it shifts again as the track cross dissolves in. The shifting can be mitigated by putting the Lumetri Color layer before the Drop Shadow layer, but then it shifts when the overlay comes in.

Mac Pro (classic) with Radeon 580 GPU, OS X 10.13, latest CC2018

File metadata fields drawing is very buggy. See 1st pic. The black boxes are missing as is the data inside them.
After scrolling back and forth slowly, opening new bin windows and other cajoling I can finally make Premiere show those fields with the actual data that's in them (2nd pic).

Anyone else experiencing this?

I don't know why but I end up clicking things twice to get them to work a lot of the time.
For example, locking a track requires you to click it twice to work.
Very often I have to copy attributes twice before I can paste them.

It's such a pain when you use this software all day, every day for your job.

Give More Control Over Start Screen And Being Able to Limit The Quantity We Want Shown Just Like In Photoshop CC Or Completely Removing The Recents All Together

Currently you can move Thumbnails into a order but loosely around the bin with a customizable amount of space and rows. All that is available is a simple grid view. It would be nice to have a "light-table" of sorts to around clips in scene bins.

The new-ish "Close Gaps" command is great, but it doesn't work quite the same way as doing a ripple delete. For instance, I can ripple delete anything as long as there are no edges to be affected. For instance, I edit under a LOCKED Adjustment Layer or color correction. Ripple delete works great, however "Close Gaps" does not, it only functions if I move my clips out from under the LOCKED Adjustment Layer.

I would love a "Reveal Bin in New Window" option when you right click a clip in timeline or source monitor. This would open the bin containing that clip in a new project panel window and let you quickly browse nearby clips regardless of what your project panel is showing at the time.

You should have the option of not removing clips from a timeline when you delete them from the project. In FCP7 you could simply have a single timeline, without referencing specific imported clips.

Also, it would be great to click on a timeline and have Premiere generate the clips that are missing.

You guys are terrible. Not paying. Declined payment options to you until you resolve my issue. Please call me regarding it. 27 days left to pay or it expires. Then ill just go buy sony vegas. Lose a customer or help a customer. Your call

What is it good for? Why did you develop a function that good for nothing???

???!!!

When working with a 4K multicam clip inside a 1080 sequence, the multicam view shows the cropped 4K, not the full frame. It should show the "set to frame size" views...it's hard to see what you're doing the way it is now.

Zoom in Title Designer... PLEASE, I AM BEGING YOU!!!

Greetings from Poland :)