Recently I was not able to use my fonts installed in my system if they are also in the Adobe fonts library. This makes me obliged to keep a copy from the font installed in my system if I also want to use it outside the Adobe software environment. If I keep a local copy and a cloud copy to use inside and outside Premiere pro, in all other software like Illustrator for example there will be various font conflicts resulting in missing fonts, even if I have the font installed on my computer. This has been a problem that consumes lots of time once the "find font" option works terribly and takes a very long time to find the missing fonts (which are not missing at all) and in most of the cases, it just keeps loading and loading forever, needing multiple restarts from my adobe cloud account until it is able to find the fonts. What once was a very simple procedure of just installing the fonts locally and using them turned into a recurring problem take is taking way more time than it should. If it ain't broken, don't fix it.

Got 2 external monitors, through a Razer Chroma X (Radeon VII) and my 15" MacBook lid closed when working.
I use my second monitor for Program-view when editing, and first monitor for timeline, source, project-bin and such.
It's activated under Preferences -> Playback and Video Device where I have checked the desired monitor to show Program-view.

If I close, and try to open any project in any way. Premiere Pro will freeze while loading the project.
To avoid this, I have to open Premiere Pro, and before I open project I uncheck the monitor (any monitor, for that matter) in Preferences -> Playback -> Video devices. And when project opens I just re-check the monitor again.

I have a Macbook Pro 15" 2018, with monitors running on Razer X Chroma and a AMD Radeon VII, and latest 14.6.0 Build 51 installed.

I got my new X-Touch Mini today, and I have to say that I'm very disappointed with how little support Audition and Premiere Pro have for it. For instance, support is limited to Mackie Control (MC) mode, the encoder knobs are limited to panning, and the buttons to their default functions, some of which don't work.

This device is relatively inexpensive and is extremely popular with Lightroom Classic users (using the midi2lr plugin). It is unfortunate that the developers couldn't invest a little bit of time to make this device awesome in Audition and Premiere Pro by creating one or more maps for it to make this and other control surfaces as useful as possible.

Though similarly limited in the default MC mode, Presonus' Capture One supports full MIDI mapping. I was able to switch the controller to MIDI mode and by adjusting the settings in the X-Touch editor and mapping them in Capture One, I was able to control 16 tracks of audio.

It shouldn't be difficult for Adobe to purchase the few common control surfaces out there and have its dev team create some default map options for them so that they work well in Premiere Pro and Audition (and Lightroom Classic).

Hi,
By simply launching the latest Lightroom Classic (9.3), it will set the shared media caches locations for Premiere Pro, After Effects, Audition and Media Encoder to the default Lightroom video cache location.

/Users/{USERNAME}/Library/Caches/Adobe/Lightroom/Video

Even though Lightroom's own media cache location might be custom set to something else.

Running the latest app versions available on MacOS Catalina 10.15.5

Does this also mean that the rather small cache size limitations usually set in lightroom now apply to the video editing apps shared cache too? Will Lightroom also delete cache files from Pr, Ae, Au, Me ?

This bug has been reported for years. It's been marked as solved before by suggesting newer versions would not show this behaviour.

Well its still here, I guess someone has to really look into this.

@Adobe: Could you please provide a workaround, if there is one, for the time being until this gets eventually fixed?

Cheers
Andi

I have a 2020 iMac (P3 display) and a 1080p 24" Dell ultrasharp (sRGB) as second monitor that I use for Mercury Transmit in Premiere and After Effects.

It looks like the color management feature in Premiere Pro only look at the main display color space - the display with the menu bar. This results in having OK colors in the program monitor on the iMac screen but it darkens the picture on the Dell monitor. Meanwhile, this doesn't happen in After Effects at all, using Display Color Management in After Effects works with each ICC profile of any attached monitor. Meaning I can have OK color on both the iMac screen and Dell monitor.

I have a 2020 iMac (P3 display) and a 1080p 24" Dell ultrasharp (sRGB) as second monitor that I use for Mercury Transmit in Premiere and After Effects.

It looks like the color management feature in Premiere Pro only look at the main display color space - the display with the menu bar. This results in having OK colors in the program monitor on the iMac screen but it darkens the picture on the Dell monitor. Meanwhile, this doesn't happen in After Effects at all, using Display Color Management in After Effects works with each ICC profile of any attached monitor. Meaning I can have OK color on both the iMac screen and Dell monitor.