In almost every large documentary project I work on with huge amounts of different media there is always some bad media that causes massive playback issues, which is really frustrating when I need to work quickly.

While I like the fact you don't have to transcode everything to a native format like in Avid, therefore avoiding big and expensive workflows, I do think Premiere should assess all media upon import and tell you if it wont be able to play it back well, and if it can't then it should ask you if you'd like to transcode this media to a more premiere friendly format using Encoder, eg Pro Res.

Something like this would help all projects run smoother, without constant lagging and playback issues. Im on an iMac with 32gb RAM, 8gb graphics, 4.2 GHz Intel Core i7 - this should be plenty to run Premiere!

Hello,

I would like to report a bug. Which was most likely caused by a recent update of the Premiere Pro Software. When importing .srt subtitles it automatically convert them in to the frame rate of the movie file. By doing so it also change the entire timecode of the subtitle I'm using . In the past it used to be left at 25fps all the time. Since .srt don't really have any timecode.

That's sort of okay, however if I manually revert the subtitle file back to 25fps and save my session, once I open it again, it will go back to play at the frame rate of the movie.

At first I thought, it was just an issue with my unit. But I recently send some subtitle files to some people, who tested them in premiere and they basically came back to me thinking that the subtitles were wrong due to that bug. So I'm thinking that I might not be the only one to have that bug.

It appears to be on Mac exclusively, I haven't had this issue on Windows so far.

Hi community,
it was kind of shocking to me when I learned, that the full CC subscription does not include any software for doing screen recording. I find that so fundamental for a subscription which is made for video producers, that I am trying this way now to make Adobe aware omit and maybe one day having a feature request for a simple utility shipping with CC helping Premiere users to stay in CC universe when needing screen recording as a source for their projects...

So if you are feeling with me, regardless if you already use something else, can you please vote this up?

Thank you very much.

MS

If you change the frame rate of a video files after you create the proxy the edit is different in the timeline with the proxy and the original media.
More your in point is far more the clip in the timeline change between orignal & Proxy files. I think the change for the frame rate is not apply to proxy files. I found the pb with the latest CC2020 in juin 2020. It is very easy to reproduce the pb. Chose an 24P original media, create proxy, change the frame rate to 25P ad the clip in a new 25P with an in&out point. Change the viewer between Proxy/original the first and last picture change for every clip in the timeline with the same edited Framerate and change all your timeline coherence.

It seems like there is a bug in Premiere Pro regarding .mov files with h.264 video and multiple pcm audio tracks.

If I make a video with a h.264 video track and three pcm audio tracks (https://shared-assets.adobe.com/link/0059d80c-6cde-4a0d-6c28-3d2573c6bf38), Premiere can import the file fine, but it will only use one audio track.

If I make a .mov file with h.264 video and three AAC audio tracks (https://shared-assets.adobe.com/link/8442d229-2cd2-4c2f-5a1a-0058493c2150), Premiere will import the file fine and see all available audio tracks.

It seems strange to me to make Premiere able to read a h.264 video with multiple AAC audio tracks in a .mov container, but not able to read a h.264 video with multiple PCM audio tracks in a .mov container.

It is also not a container limitation, since many other programs can see and read the audio tracks fine.