Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. 4K HEVC Variable Frame Rate - iPhone HEVC not working with PPro 13.0.2 (or 13.0.1) aka PPro CC 2019

    PPro is recognizing my footage as Variable Frame Rate (see this in footage properties).

    File Path: X:\20120229 TR2016\20181204 FFR Fluid Fuel Reactors eBook\Gord Pimping FFR\IMG_2042 Gord **** FFR AirPodMic 4K MoviePro.mov
    Type: MPEG Movie
    File Size: 1.38 GB
    Image Size: 3840 x 2160
    Frame Rate: 30.00
    Source Audio Format: 48000 Hz - compressed - Stereo
    Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
    Total Duration: 00;08;47;27
    Pixel Aspect Ratio: 1.0
    Alpha: None
    Video Codec Type: HEVC 4:2:0
    Variable Frame Rate Detected

    ...however unlike other Variable Frame Rate clips shot in H264, I'm NOT shown a Variable…

    12 votes

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  2. Restore .dv file support

    Please restore the use of .dv files in Premiere. The last version of Premiere that supported them was Premiere CC 2017. Since I updated to Premiere CC 2018/2019, my projects will open but all the .dv files inside a project cannot be viewed and have the "media offline" overlay on them. This has crippled a workflow I have been using for years in Premiere.

    11 votes

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  3. High quality x264 encoder

    Why there is no high quality H.264 encoder within Premiere/MediaEncoder?

    x264 provides much better quality at same or even lower bitrates.
    This would make it much easier for encoding to webservices without losing so much quality and using so much bandwidth.

    This is must if you are directly sharing files from ME to your website. Almost every proper videohosting site (Netflix, YouTube, Vimeo etc) encodes their H.264 complaint videos with x264

    If you are going to add this encoder, please make sure it actually is to specs according to H.264 standards.

    If you want easy way to see difference, just…

    11 votes

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  4. I vote for the Social Publishing Panel

    I vote for the Social Publishing Panel

    11 votes

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  5. Support for SVG images

    Instead of bridging through Illustrator, just directly support SVGs.

    10 votes

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  6. Support Op-Atom MXF files with Correct Timecode

    Premiere pro is already able to load DNxHD Op-Atom MXF files, but it links audio to video for each instance of the file. For example; FILEA01, FILEA02, FILEA03, FILEA04, and FILE_V01 will all load into the project browser, and each will include 1 video track and 4 audio tracks. Honestly, we don't mind that, as it's helpful to have everything connect while editing.

    The issue is that at the moment Premiere cannot read the correct timecode from Op-Atom MXF files. Perhaps there is some inherent difference in how Op-Atom and Op-1a files are created, but for…

    10 votes

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  7. Bug! Premiere plays audio from HEVC too early. Possible Codec Issue

    Premiere plays HEVC audio up to two frames too early and displays up to two frames of no audio at the end of clips. Not an issue in Resolve or Final Cut Pro

    I make small H.264 proxies of HEVC footage from Canon C70 cameras so editors can download footage quickly. Sometimes clips have 4 channel audio so I have to make proxies in Compressor or EditReady. We noticed that there is a discrepancy in the audio of two frames between the original footage and the proxy footage. This is a HUGE problem and waste of time when reconnecting full…

    9 votes

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  8. BUG: GoPro Cineform not supported in current builds of Premiere Pro on OS X 11.5

    All current versions of After Effects will render GoPro Cineform 10 bit with alpha files and AE, Davinci, and Blender on an M1 Mac. The codec will not work in Premiere Pro, with or without an alpha channel.

    Give it a try. Create a shape layer in a new comp and render in AE with an Alpha channel using the GoPro Cineform codec. Import the rendered comp into AE. Everything is fine. Try the same file in Premiere Pro and you get an Incompatible format error message.

    Photoshop will also no longer open movie files, but that's another post for…

    9 votes

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  9. MP4 Format failing to import

    Make Premiere Pro the actual "premiere video editing software of the world" start by having PPro import common formats without problems.
    MP4 is a standard format. MKV is a standard format. Why can't they be imported into PPro 2020?

    9 votes

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  10. Fully support .avi and .mp4 video files. If they play in VideoLan, PP should be able to read them without transcoding them using Handbrake.

    Fully support .avi and .mp4 video files. If they play in VideoLan, PP should be able to read them without transcoding them using Handbrake.

    9 votes

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  11. Fix iPhone Xs Max footage

    My iPhone Xs Max footage plays back in Premiere Pro very gltichy and is unusable. Using a third party app such as "Hand Break" to make the frame rate constant instead of variable will make the footage not glitchy. However, it is a very time consuming process to do that for each video clip you want to use, and most of the time you are wokring with lots of video files. If Adobe could please somehow fix this problem that would be amazing. Have edited previous iPhone footage before from later model iPhones and never had this problem. Maybe it…

    8 votes

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  12. pls improve the adaptability of R3D raw files in Premiere CC 2019 and Prelude CC 2019

    First, it is very amazing that Premiere has supported R3D file from Red Cinema Camera for a long time, you can import those files directly and adjust the raw settings in the Master Effect Panel and source settings when right click on the footage. But there are two things that really slows down the workflow on r3d files.

    1. In Premiere, everytime you open a project with r3d files, it will regenerate all the audio peak files for the r3d file. Since it was already generated when importing, why everytime needs to re-generate again. Sometimes I really needed to wait until…

    8 votes

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  13. Support .MTS files (Still no audio)

    .MTS files have no audio. I don't get how this is still a problem.

    I've found a lot of posts about this online but no solution that works.

    Just spoke to the support over chat, and the official solution offered was to use Sony Vegas, export the files from there to mp4 or something, and then go ahead and edit in premiere. Insane.

    8 votes

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  14. Support for BMD cinemaDNG flat profile

    CinemaDNG when imports to PP uses some default sRGB LUT on it so the image appears overexposed..

    8 votes

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  15. DV Capture required

    Having always used Premier to capture video from my DV tapes on my mac in the past, I tried as usual today but the DV option is missing.
    After some lengthy discussion with a helpful adobe chat operative I was told to use my windows machine as DV is not supported in the mac version anymore as its now 64 bit. To me this seems like an issue with premier not mac os as it cant still import dv through third party apps, again as advised by the chat operative, but they were not able to tell me which apps…

    7 votes

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  16. Ability to batch change specific RED metadata

    I'm sharing this idea from another user, Niko Pueringer (thank you, Nick!), as there's no need to rewrite this. If you do a quick Google search, you'll find that several users are in dire need of this feature...

    From Nick's Post:

    There are only a few things holding back Lumetri from being a perfect powerhouse for my coloring workflow, and the inability to batch change specific RED metadata changes has been my biggest challenge when coloring R3D files in Premiere.

    There are a lot of situations where I need this. For example, if I want to change the gamma space…

    7 votes

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  17. Limited or Full Range Video Levels check boxes

    I have a problem with Adobe Premiere since the v13.1 update.

    It interprets video levels incorrectly, not being consistent with interpreting video as Limited Range 16-235 or Full Range 0-255, depending on the codec.

    This is making it impossible to do any reliable colour correction work with Lumetri and also is making it impossible to generate reliable DCPs as the video levels are way off.

    It will either add too much crush or flatten the image depending on the source. Sometimes affecting different clips differently depending on which codecs with which flags are in the timeline

    If there was a…

    7 votes

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  18. Fix Phantom cine support

    Support for Phantom Flex CINE files is poorly implemented, causing workflow issues-- the current implementation uses incorrect timecode interpretation and color science, causing images to look inconsistent across platforms and breaking the ability to conform via XML/EDL/AAF in finishing platforms like Baselight and Resolve

    7 votes

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  19. Premiere should be able to import DV files. Come on, guys.

    I can't believe Premiere won't import QuickTimes encoded with the DV codec. Especially when it EXPORTS THEM!

    7 votes

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  20. Ability to set seqences to native ProRes codecs.

    Even if Adobe doesn't want to shell out for export licensing of ProRes codecs, it would be nice to have the option to create ProRes sequences so they're a native match when working with imported ProRes footage.

    7 votes

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