Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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For all other questions and discussions, visit the Premiere Pro community forum.

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  1. 480i@60 footage mistakenly seen as 30fps

    I capture gameplay footage from a PS2 using an AVerMedia Game Capture HD (C281). The video is 480i@60Hz

    Here's some sample footage: https://mega.nz/#!so4XCa5Q!sMxRIbsqT9ByIktSYs6TV4VBkA47vWagDULOqZ53b0g

    Premiere Pro mistakenly recognises this as 29.97 rather than the correct 59.94

    Hopefully this is of help for you to fix the problem

    1 vote
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  2. Adobe Premiere works "randomly" with the Canon C200 Raw files, sometimes it can read them, s

    Adobe Premiere read outs of the RAW files files from the Canon C200 is really really random ! Sometimes you can access the game and LUTS, sometimes you… don't. Same files, same camera.

    1 vote
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  3. Have better support for HEIC image filetypes.

    Apple is using HEIC now for images, using these in your project I have found tends to make it crash. There needs to be better support for HEIC images in the media library and sequence.

    3 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  4. ProRes RAW, and replace lumetri for a better color grading option, maybe Camera Raw

    ProRes RAW, and replace lumetri for a better color grading option, maybe Camera Raw

    11 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  5. Bug with lifted Gamma on import of Pro Res 422 .mov files.

    Noticing a new issue with Pro Res 422 files looking blown out, like having lifted Gamma on imported footage. I have tried it on 3 different Mac machines and all of them are interpreting the imported footage the same way. They all look as though they are over exposed. When the same footage is imported into DaVinici on the same machines the footage is fine. When it’s viewed it the QuickTime player on the desktop the footage is fine. I can’t downgrade to earlier versions of Premiere now because I won’t be able to access the new projects created with…

    2 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  6. Respect Color Metadata When Decoding Video Files

    Video files carry three pieces of color metadata (color primary, transfer function and matrix coefficients), Premiere Pro ignores all of them and decodes using BT.709 by default.

    Some cameras encode files using BT.601 matrix and when decoded incorrectly with BT.709 matrix, the color will be wrong.

    Emerging format such as Hybrid Log Gamma for HDR uses BT.2020 matrix, again when this is decoded using BT.709 matrix, the color will be wrong.

    Please respect the color metadata tags when decoding video files.

    4 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  7. Iphone XS footage glitchy and unusable. Fix bug!

    Footage from iPhone XS unusable and glitchy in premiere. When imported into timeline, it skips around and repeats different parts a clip. Footage is fine in other programs. Please fix the bug or I will cancel my subscription. Only purchased Premiere to edit my iPhone footage. Please correct the issue.

    3 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  8. Support for Adobe's own DNG format images from DJI Osmo Pocket

    DJI Osmo Pocket produces still images in Adobe DNG format, but Adobe Premiere Pro cannot use them. Please add support for Osmo Pocket DNG images. I can't send you a sample, you reject it as invalid file type!

    3 votes
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  9. Support for Adobe's own DNG format images from DJI Osmo Pocket

    DJI Osmo Pocket produces still images in Adobe DNG format, but Adobe Premiere Pro cannot use them. Please add support for Osmo Pocket DNG images.

    2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  10. Allow user to change how Premiere Debayers RAW CDNG footage.

    The CDNG feature of Premiere doesn’t allow the user to change how Premiere debayers raw DNG sequences. This is critical as motion pictures require color spaces other than Rec709 for cinema projectors. It would also be very nice to be able to choose what gamma curve Premiere adds to the raw data so we can grade it in a more traditional workflow.

    2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  11. Cannot import h265 files that used to work on 13.0.

    I'm working with h265 footage from a Mavic 2 Pro that used to be compatible on Pr 13.0 and with 13.1 I can't import anymore.

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  12. Prevent .MTS files from being imported via drag-and-drop

    This is a tale that spans months in the life of a miserable, frustrated agency editor.

    My company owns 2 Canon C100s which we use to shoot interviews. These cameras generate MTS files buried inside an AVCHD folder structure.

    I, the unsuspecting! I, the naive! I, the victim of my own folly! I imported these MTS files via drag and drop.

    I've done it for years: used Windows file explorer to navigate to the clips, then dragged-and-dropped them into a bin. And normally, nothing bad happens. All's well. The project is quickly edited and out the door. BUT.

    BUT.

    If…

    3 votes
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  13. Bug: Cannot Import Standard JPEG 2000 Profile 0 MXF Files

    Premiere won't import standard Profile 0 JPEG 2000 MXF files.

    Sample test file:

    https://www.dropbox.com/sh/avpb3hyvd6x2m5t/AAAxN1gLWhNF9OkhItYtlHa?dl=0

    Expected: Adobe Premiere should be able to import this fully compliant file.

    2 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  14. 1 vote
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  15. Please, support more file formats

    Please support more file formats like "JPEG-fil" and much more, it's really annoying going to handbrake and all those file converters all the time. From my perspective Premiere Pro doesn't support that many file formats, so I would be happy to not switch editing software because of file formats.

    2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  16. Fix AJA ProRes support!!!!

    Yesterday I found out the hard way while working on a time critical live event that ProRes 422 files recorded by AJA recorders (the standard for live show records) are totally incompatible with Premiere 13.0.3. The video file would not playback at all, and it would brick my external hard disk the file was on. We experienced this on multiple systems. Finally another editor let me know 12.1.2 would work. While 12.1.2 would edit and play the file. It would drop audio or drop frames every 20 seconds during playback in premiere. Making for the most frustrating editing experience I…

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  17. Sometimes there is a slight glitch, usually within the first 5 seconds of the .H265 files that come off the Phantom 4 Pro.

    Regular media players show the glitch, but continue playing through it, and the glitch resolves itself after about a second, and the file plays normally. Premiere however cannot play this files at all, and it completely freezes if you attempt to pull the up in the source window. In addition, Adobe Media Encoder is unable to transcode these files and renders out nothing but a red or green screen for the duration of the clip. I have been having to use Handbrake in order to transcode these files. Why is Handbrake and every other media player able to work through…

    1 vote
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  18. I want to rewrap AVCHD material to other formats (MOV etc.).

    Recently, recording on tapes has decreased, and recording on cards has been increasing rapidly.
    In particular, it is often recorded in AVCHD.
    However, AVCHD is very cumbersome because multiple clips are stored in one file.
    I can not handle clips as single files. There are several disadvantages associated with this.


    1. It is inconvenient for delivery because the clip can not be treated as a single unit


    2. When migrating projects with multiple editing software such as AAF and XML, file management becomes complicated and difficult to handle.


    3. It is very confusing because each card has a clip with the same name…

    15 votes
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    3 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  19. 5 votes
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  20. Either: make PrPro quickly handle hevc properly OR: admit it doesn't and can't and warn about it!

    Hours of wasted time of my own and with Adobe agents trying to find out the reason for bizarre behaviour. It might all be due to PrPro's inability to deal with hevc.

    4 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
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