Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Adobe Premiere Pro - REQUEST: ADD RAW! Black Magic RAW, F*CK you Apple and ProRes!

    Adobe, LOOK! No more excuses, its FREE, its ready and they will assist! - https://www.blackmagicdesign.com/products/blackmagicursaminipro/blackmagicraw

    https://youtu.be/AYswt0WM7gU

    1. It FREE!!!! 4:25
    2. It contains all Metadata (camera, lens, f-stop, ISO, shutter and etc...) - 3:30
    3. The SDK is already available!!! 3:55
    4. They will assist anybody who wants to implement it into their products 5:40

    QUOTE "Black magic is not about limiting people to use our own proprietary software or hardware, and being open to as many people as possible, and being integrated into as many manufacturers as of TODAY"

    6 votes

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  2. Support Blackmagic RAW

    Please add support for Blackmagic RAW .BRAW files as soon as possible! This would be a tremendous help to our workflow! .BRAW was released today: https://www.blackmagicdesign.com/products/blackmagicursaminipro/blackmagicraw

    1,618 votes

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    Thanks for all the feedback. It’s pretty clear that we’ve got to look into the workflow using this format more closely, there are enough reports about gaps at this point to reopen this item. I’ll post more info about next steps shortly. In the meantime, a couple of questions are easy to answer:

    - The plugin is designed for Premiere Pro. It currently doesn’t provide support for After Effects.
    - It does work with AME, so if you want to use it for batch processing, that’s very doable
    - If you’ve started a project with Autokroma, there’s no easy way to transfer it to be running with the new plugin.

    Patrick

  3. f5/55 raw

    Since 12.1.2 support for F5/F55 raw video has been broken. All I get with these clips is a white screen. It worked before 12.1.2.

    5 votes

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  4. CC2018 msut fix H.264 Bluray Error that CC 2017 and prior did fine.

    Premiere Pro CC2018 no longer properly creates H.264 Bluray files for Encore. Encore now gives an error that it cannot import the file.

    6 votes

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  5. proxy media and full resolution media must have matching audio channels

    I feel like you should be able to attach proxies to full resolution media based on video and not just audio - I have hours worth of proxies that a DIT made and the audio channels don't match the source files so I can't connect them.
    I can do this the traditional way, working with proxies, until picture lock, unlinking and then re-linking to full resolution media, however I'd prefer to have both on hand in Premiere.

    104 votes

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  6. Quick time codec

    Please, bring back Quick Time PNG, JPEG, MJPEG and all previous codecs. Thank You!

    6 votes

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  7. Premiere should be able to import DV files. Come on, guys.

    I can't believe Premiere won't import QuickTimes encoded with the DV codec. Especially when it EXPORTS THEM!

    7 votes

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  8. Sony Venice X-OCN ST clips show up as white

    Footage shot on on the Sony Venice camera at the full 6k resolution using the XOCN LT or ST codec shows up as white/black in the timeline.

    We've noticed that this only happens when shooting footage that is not one of the two base ISO(500 or 2500). For example a clip shot at ISO 2500 shows up just fine in Premiere, but a clip shot at ISO 3200 shows up black. Also a clip shot at ISO 800 shows as white.

    The clips we have are too big for uploading here, but we can find a way to share them.

    4 votes

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  9. Support of Smart Rendering for H.264

    It would be very helpful for me if you would support smart rendering for the H.264 format

    17 votes

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  10. Multitrack Audio Export

    We deal with clients they need multitrack audio export for AVI and MP4 formats. Currently we can’t do this with Adobe Media Encoder.

    6 votes

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  11. Support same CODECs as After Effects

    I have a project that uses a lot of flv files (not my choice, this is what I'm given). Premiere Pro doesn't recognise this CODEC but After Effects does! In fact, if I create an After Effects wrapper of this media (i.e., an After Effects project that simply has a composition congaing the media in its raw form), Premiere Pro then happily renders the content via After Effects. But I shouldn't have to do this. If After Effects supports a format, so should Premiere Pro and vice versa.

    3 votes

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  12. DNxHR wrapped in MOV from DaVinci Resolve plays as solid red frame

    DNxHR wrapped in MOV that's rendered out from DaVinci Resolve plays as a solid red frame. MXF OP1a works fine. Seems like Premiere's implementation of the QuickTime MOV wrapper is suffering from a bug.

    2 votes

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  13. AVI CODEC and all kind of OLD CODEC

    We need AVI CODEC for Vatican Television, becouse we doesn't convert all our history in .mp4..

    We need your help for a Amazing New Version of PREMIERE PRO CC!

    3 votes

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  14. Ability to set seqences to native ProRes codecs.

    Even if Adobe doesn't want to shell out for export licensing of ProRes codecs, it would be nice to have the option to create ProRes sequences so they're a native match when working with imported ProRes footage.

    7 votes

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  15. We request! Premiere Pro should support the file format of swf.

    We request! Premiere Pro should support the file format of swf.
    Animate CC is very wonderful software making animation. I want to merge the animation made by Animate CC into video on Premier Pro CC.
    Of course, Animate CC has a function of export the MOV file.
    But this function take a lot of time and a file size is more the tendacy of heavy.
    SWF is very light and possible to export super fast.
    AE can handle it. But I want to handle it by Premiere Pro.

    7 votes

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  16. Prores on Windows version of 2018 Premiere not reproducing colors correctly. Works fine on Mac and previous Windows versions.

    Record a Prores file with known color bars. Play back on the current version of Premiere in Windows (Windows 10 tested) and compare with source color bars. Look at it on the scope also, not just visually.

    3 votes

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  17. Problems with DJI X7 Cinema dng Sequences

    Premiere is not debayering cinema dng sequences captured with the DJI X7 properly. See attached still, and note the magenta cast and log-like color space. After Effects, photoshop, and Davinci Resolve are all rendering the image perfectly. This issue is with Premiere alone.

    5 votes

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  18. Integrate codec with Sony and Nikon better, no issues with Canon in 4K

    I had playback issues in Premiere Pro 2017 with Sony footage. I had to convert to Mp4. Canon seems to be the only format I don't have issues with in 4K.

    5 votes

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  19. Barely Supports Iphone new video format.

    I'm just saying, whenever I try to use IPhone videos in Premiere, I have to change all my files in a file converter, as the audio is out of sync or is non existent if I don't. Sometimes the actual video doesn't show up either.

    4 votes

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  20. Stop tightening file "restrictions"

    I get far too much of this stuff:

    I can take this file into Quicktime 7 Pro and re-wrap it; I can do the same in MPEG Streamclip, VLC or any number of other programs. However, YOUR stuff refuses to recognize any number of types of files, movs, aifs, mp4s...having to go to an external program and re-wrap a file (which I DIDN'T HAVE TO DO BEFORE the 2018 update) is counterproductive and lessens the chance I'll recommend Adobe products to anyone except the Trump campaign.

    2 votes

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