Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. CinemaDNG

    Premiere Pro does not properly support CinemaDNG media. For starters, not all versions can be imported, specifically the media coming from the Blackmagic Ursa cameras.

    But even for the versions that can be imported, support for the format is still lacking to the point of unusability.

    The Media Browser will not see all the clips at the same time. We're forced to go into every individual clip folder for import duties. This is untenable.

    The RAW controls available are limited to Temp, Tint and Exposure. The controls that are possible and must be implemented are:

    White Balance
    Color Space
    Gamma …

    139 votes
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    14 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  2. Limited or Full Range Video Levels check boxes

    I have a problem with Adobe Premiere since the v13.1 update.

    It interprets video levels incorrectly, not being consistent with interpreting video as Limited Range 16-235 or Full Range 0-255, depending on the codec.

    This is making it impossible to do any reliable colour correction work with Lumetri and also is making it impossible to generate reliable DCPs as the video levels are way off.

    It will either add too much crush or flatten the image depending on the source. Sometimes affecting different clips differently depending on which codecs with which flags are in the timeline

    If there was a…

    4 votes
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  3. Premiere 12.1.2 - X-OCN ST clips show up as black

    I have MXF clips from the Sony Venice recorded at 23.98 with the "F55X-OCNST38402160" video codec, which produce a black screen for video playback. The ISO was set to 500 on the camera. Nowhere does it say this format isn't supported by 12.1.2, only the XT format is listed as not working. Is there a patch codec I can download / install for 12.1.2 to get it to work or am I forced to upgrade Premiere?

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  4. Mobile Ad Features for PPro and AE

    Advertising has changed. My colleagues and I work exclusively within mobile ad formats for Facebook, Instagram, Snapchat, etc. I'd like to see sequence set ups for 1080:1920 and 1536:1920 and 1920x1920 ( 9:16 and 4:5 and 1:1 ) More importantly I'd really like to see a way to work exclusively and seamlessly with h.264 codec across Ae and PPro. We are not in cinema so we really dont' need large file size codecs with optimal resolution. Yes we can convert on export. But our world is an exclusively electronic/in the cloud world. Large projects usually need to be uploaded in…

    1 vote
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  5. Please replace DPX support in Premier. It's gone after 12.0.0 and we can't go back to 12.0.0

    I often times receive DPX files directly from a high quality film scanner and need to convert to video for color correction, editing and creating content. Why was the support removed from Premier after 12.0.0 ? Will this ever be added back in to the newer versions? This is a HUGE issue now that I've discovered the real issue.
    Thanks,
    Tim

    3 votes
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  6. proxy media and full resolution media must have matching audio channels

    I feel like you should be able to attach proxies to full resolution media based on video and not just audio - I have hours worth of proxies that a DIT made and the audio channels don't match the source files so I can't connect them.
    I can do this the traditional way, working with proxies, until picture lock, unlinking and then re-linking to full resolution media, however I'd prefer to have both on hand in Premiere.

    35 votes
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    9 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  7. Adding Nikon .nef files to supported still images

    Can we please get the Nikon .nef file supported for still images? We have Canon, Panasonic, and Sony native file support but not Nikon.

    1 vote
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  8. I imported a .ts video format into my project, and after rendering the clip, started working on it. I made various cuts, moved around the au

    I imported a .ts video format into my project, and after rendering the clip, started working on it. I made various cuts, moved around the audio and video, and then exported it.

    However, the exported video didn't match the edited clip on my timeline. Different clips ended up getting exported instead.

    The length of the clip remained the same, but certain shots that I didn't use ended up appearing in my exported video and replaced shots I did use.

    This happened even after I restarted the program, created a new sequence and even a new project. I even restarted my…

    1 vote
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  9. Fix iPhone Xs Max footage

    My iPhone Xs Max footage plays back in Premiere Pro very gltichy and is unusable. Using a third party app such as "Hand Break" to make the frame rate constant instead of variable will make the footage not glitchy. However, it is a very time consuming process to do that for each video clip you want to use, and most of the time you are wokring with lots of video files. If Adobe could please somehow fix this problem that would be amazing. Have edited previous iPhone footage before from later model iPhones and never had this problem. Maybe it…

    6 votes
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    3 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  10. 480i@60 footage mistakenly seen as 30fps

    I capture gameplay footage from a PS2 using an AVerMedia Game Capture HD (C281). The video is 480i@60Hz

    Here's some sample footage: https://mega.nz/#!so4XCa5Q!sMxRIbsqT9ByIktSYs6TV4VBkA47vWagDULOqZ53b0g

    Premiere Pro mistakenly recognises this as 29.97 rather than the correct 59.94

    Hopefully this is of help for you to fix the problem

    1 vote
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  11. Bug: Monochrome 16-bit TIFFs (RLE compressed) results in black image

    As the titles says, monochrome (1-channel) TIFFs in 16 bit depth don't render at all, I am forced to convert them all to RGB TIFFs for this to work and thus the file size balloons unnecessarily

    1 vote
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  12. Something wrong with C300 Mark ii processing

    There's a lot of banding and artifacts when you bring in footage from the C300 Mark II footage. It took me awhile to notice it because it was so slight. When I bring my footage in Resolve the banding and artifacts are no longer there. What are you guys doing to C300 footage.

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  13. Please Contact DJI Osmo Mobile 3 for their MIMO app Codec

    Please Contact DJI Osmo Mobile 3 and get their Codec for their MIMO App, PrPro will not play their video if it goes thru the MIMO app, it does however play Apple iPhone video without a problem.

    ps., please don't recommend HandBrack to transcode and fix the problem - too much time is wasted doing this, besides we're purist's and always want to use the original clips.

    Thank you Adobe :))

    1 vote
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  14. Iphone XS footage glitchy and unusable. Fix bug!

    Footage from iPhone XS unusable and glitchy in premiere. When imported into timeline, it skips around and repeats different parts a clip. Footage is fine in other programs. Please fix the bug or I will cancel my subscription. Only purchased Premiere to edit my iPhone footage. Please correct the issue.

    3 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  15. 4K HEVC Variable Frame Rate - iPhone HEVC not working with PPro 13.0.2 (or 13.0.1) aka PPro CC 2019

    PPro is recognizing my footage as Variable Frame Rate (see this in footage properties).

    File Path: X:\20120229 TR2016\20181204 FFR Fluid Fuel Reactors eBook\Gord Pimping FFR\IMG_2042 Gord **** FFR AirPodMic 4K MoviePro.mov
    Type: MPEG Movie
    File Size: 1.38 GB
    Image Size: 3840 x 2160
    Frame Rate: 30.00
    Source Audio Format: 48000 Hz - compressed - Stereo
    Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
    Total Duration: 00;08;47;27
    Pixel Aspect Ratio: 1.0
    Alpha: None
    Video Codec Type: HEVC 4:2:0
    Variable Frame Rate Detected

    ...however unlike other Variable Frame Rate clips shot in H264, I'm NOT shown a Variable…

    10 votes
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  16. Have better support for HEIC image filetypes.

    Apple is using HEIC now for images, using these in your project I have found tends to make it crash. There needs to be better support for HEIC images in the media library and sequence.

    3 votes
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  17. Respect Color Metadata When Decoding Video Files

    Video files carry three pieces of color metadata (color primary, transfer function and matrix coefficients), Premiere Pro ignores all of them and decodes using BT.709 by default.

    Some cameras encode files using BT.601 matrix and when decoded incorrectly with BT.709 matrix, the color will be wrong.

    Emerging format such as Hybrid Log Gamma for HDR uses BT.2020 matrix, again when this is decoded using BT.709 matrix, the color will be wrong.

    Please respect the color metadata tags when decoding video files.

    4 votes
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  18. High quality x264 encoder

    Why there is no high quality H.264 encoder within Premiere/MediaEncoder?

    x264 provides much better quality at same or even lower bitrates.
    This would make it much easier for encoding to webservices without losing so much quality and using so much bandwidth.

    This is must if you are directly sharing files from ME to your website. Almost every proper videohosting site (Netflix, YouTube, Vimeo etc) encodes their H.264 complaint videos with x264

    If you are going to add this encoder, please make sure it actually is to specs according to H.264 standards.

    If you want easy way to see difference, just…

    9 votes
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    3 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  19. Sony ARW format

    Please provide the ARW format from sony cams for premiere pro. Thank you!

    8 votes
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  20. Adobe Premiere works "randomly" with the Canon C200 Raw files, sometimes it can read them, s

    Adobe Premiere read outs of the RAW files files from the Canon C200 is really really random ! Sometimes you can access the game and LUTS, sometimes you… don't. Same files, same camera.

    2 votes
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