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In an effort to improve communications between you and the Premier Pro team, we are moving this feedback forum to the Premiere Pro page on the Adobe Support Community. As requested, bugs and feature requests will be able to live separately in that forum.

This move is happening in part to acknowledge that we haven't been responsive enough here, and we are combining our forums to help remedy that. Ideas and their attached comments from this UserVoice forum will be migrated based on how many people voted for them. Check your profile on the Adobe Support Community to see any migrated posts that you've created or commented on. If you have an item here that did not make the migration, please bring it over to our new home.

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211 results found

  1. Support for ARRI all ARRI Formats e.g. ALEXA Mini LF and MXFApple ProRes

    Support for ARRI all ARRI Formats e.g. ALEXA Mini LF and MXFApple ProRes.
    An also the metadata should be correct. ARRI Look File support is missing. Also the metadata readout from the header is not supported. Reel Names or Tape Names are also missing.

    Please fix it.

    3 votes

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  2. Restore ALL file formats

    I have seen countless posts of people requesting formats back. I would make a general inquiry to reinstate ALL previous file formats.

    I get how the market works, I get how some formats might not be ideal or whatever. But as an editor, that should be OUR choice, why should Adobe decide what formats or codecs I am allowed to use? If you don't want to answer the questions in regards to older or less effective codecs and formats, just don't allow technical support for those specific items? Who thought it was a good idea to just remove them all…

    6 votes

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  3. 3200x1800 black border

    The Arri format of 3200x1800 3.2K is shot technically at 3200x1824... other softwares, AVID and quicktime recognize this... Premiere doesn't seem to be recognizing this and I get a letterbox effect of 24 black pixels at the bottom of the frame.

    1 vote

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  4. 3200x1800 black border

    The Arri format of 3200x1800 3.2K is shot technically at 3200x1824... other softwares, AVID and quicktime recognize this... Premiere doesn't seem to be recognizing this and I get a letterbox effect of 24 black pixels at the bottom of the frame.

    0 votes

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  5. ********

    your ******* system just shut down and didnt safe my work from 10 Days so ******** hard and your ******* system

    1 vote

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  6. ZRAW support

    Please support ZRAW from Z CAMs.

    3 votes

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  7. MP4 Format failing to import

    Make Premiere Pro the actual "premiere video editing software of the world" start by having PPro import common formats without problems.
    MP4 is a standard format. MKV is a standard format. Why can't they be imported into PPro 2020?

    9 votes

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  8. Render and replace option for time remapping

    When rendering and replacing and 2020, time remapping is not correctly baked in, and the underlying media rendered becomes incorrect. It would be helpful to have the ability to correctly render these using render and replace.

    5 votes

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  9. Rush needs to be compatible to Samsung Galaxy S20 series

    The Samsung Galaxy S20 series has been out since March, and Premiere Rush is still not compatible. I know the pandemic still rolls on, but engineers can work from home to fix this.

    1 vote

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  10. FFV1 Support

    Hi,

    I am hoping for FFV1 support in Adobe Premiere and AE. FFV1 is nationally recommended file format for long term preservation here in Finland (See more info: http://digitalpreservation.fi/files/File-Formats-1.7.0-en.pdf)

    23 votes

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  11. Add .flv to your supported software

    Add .flv to your supported software

    2 votes

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  12. Multiple Aspect Ratios in one video

    Hello there!
    I would really like to be able to have multiple aspect ratios in one video, for example, the first part of my video is in 16:9 and the second in 4:3, it would be a new mode in the projects aspect ratio menu called fluid ratio or changeable ratio or something like that where the aspect raion isn't fixed but changes every time it detects different aspect ratio of the videos imported. I know some famous directors like Christopher Nolan are using this so why not make it a normal thing. It would make our life that much…

    1 vote

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  13. Bring back support for Avid 1:1 codec

    Please bring back support for the old Avid 1:1 codec (standard definition) for Premiere and Media Encoder. The Quicktime files with this codec used to be able to be imported years ago, but seemed to have lost support maybe about 4-5 years ago. My workplace could still use this support for our older videos. Avid Media Composer doesn't seem to have a good alternative export option for lossless SD format that I can see. So still stuck with Avid 1:1 for these videos. Yeah, Avid sucks. Thank you.

    1 vote

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  14. Adobe Rush Format For Collaboration That Retains Edits/Transitions/Changes

    Rush files that can be shared that include transitions and edits stored within the file. Rush is much easier to use than Premiere Pro, however there is 0 collaboration because I cannot share a RAW Rush file for someone else to tweak edits, transactions, audio, titles, ETC.

    I think this would be very beneficial, especially in a school setting getting students comfortable with RUSH and certain terminologies before introducing them to Premiere Pro

    4 votes

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  15. 2 votes

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  16. Sequence setting for iPhone Live Photos

    Apple's Iphone Live Photos (specifically, the .mov files) do not import correctly, and there doesn't seem to be an existing preset for them. They look squashed. The format should import with a 4:3 ratio, but the frames come in with a black border at top and bottom. One must manually expand the vertical scale to 133.33 percent (or shrink the horizontal to 75 percent) to get the images to look right. I suspect premiere is misreading the actual pixel aspect ratio. Please address this.

    2 votes

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  17. Proxy Dimensions in Dialog Box

    So, we've finally had to move up to CC2020 (14.0.4), and proxy ingest names have been changed. You no longer have dimensions visible right there in the dialog box, but instead you're given options of Low, Medium, and High resolution.

    Initially I thought that Adobe had finally implemented a change we've been asking for, where proxies are based off of the source media dimensions (say half res, third, quarter, etc), but no. It appears as though they're still sticking to specific dimensions (1280x720, 1024x540, etc), but they've just gotten rid of a quick and easy way to spot this by…

    2 votes

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  18. Prores raw

    Hey! We still wait for the support for ProRes Raw! The beta version doesn't work with it :(

    3 votes

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  19. Using captions to subtitle a feature film. Am making corrections to the captions, though the corrections appear in the list of captions corr

    Using captions to subtitle a feature film. Am making corrections to the captions, though the corrections appear in the list of captions correctly, the old incorrect caption keeps appearing on screen. I have deleted all preview files and render files for the project and tried it both Premiere 14.0.1 and 13.1.5. I am using the Open Captions format for the captions.BTW: I am using a Mac OSX 10.14.6

    4 votes

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  20. 2 votes

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