Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

  • Type into the idea field to search for submissions or choose from the categories in the sidebar
  • Check out other submissions and vote for the ideas you like
  • If your feature idea or issue is not listed, post it

The UserVoice feedback pages are for feature requests and bug reports only. Upload only content that you have permission to use and refrain from posting personal information (e.g. address, phone number, email, or credit card) or abusive content (spam, phishing links, vulgar language, etc.). Tips for submitting useful feedback

UserVoice is a third-party platform for product feedback. Please note that feedback is voluntary, and you give Adobe a right to use feedback you provide without restrictions.

For all other questions and discussions, visit the Premiere Pro community forum.

  • Hot ideas
  • Top ideas
  • New ideas
  • My feedback
  1. BUG: Need To Add Full H265 10-bit Support

    This is an addition to my previous post. So far i've had fairly decent results color correcting and editing H265 10-bit files from my Lumix S1H. However, certain effects, such as Posterize Time, Neat Video and other temporal effects cause the image to not only have a magenta color shift, but also cause color blotching / artifacting that are not actually there. A color shift would have been one thing that could have easily been fixed with another color correction layer. But blotching / artifacts can't be removed and thus require me to first render my clip to ProRes, before…

    3 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  2. Please fix support Khmer fonts in MOGRT

    Please fix support Khmer fonts in MOGRT

    1 vote
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  3. BUG: Premiere Pro 2020 (P2 broken)

    Premiere Pro 2020 seems to have broken the P2 folder format and importing clips to bins. No longer will the clips appear at the root folder. When trying to load a clip, the software wants to mine into the individual folders, thus unlinking the audio from the video, making them separate clips.

    2 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  4. Implement support for braw NATIVELY

    Please add support for braw natively within Premiere Pro, Media Encoder and After Effects which doesn't rely on third party developers. This has been widely sought after for some time and many feel that support and updates should be implemented and exercised through Creative Cloud updates.

    6 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  5. Support WEBM

    I can encode VP9 by using 3rd party software or plugin, but we need more than 3 hours to encord 6 min video. I tried other ways.[Use CUDA, Open CL etc...]
    Google has movd into VP9, so please support it!

    6 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  6. Video clipping issue with various codecs

    I have run into what seems like a very disturbing bug in Premiere Pro. Currently running 13.1.2 on an iMac with OS 10.14.1 and Blackmagic IO card.

    I have a 1920x1080 23.976p sequence with Maximum Bit Depth and Maximum Render Quality selected.

    I have camera original clips of various codecs. The problem occurs when a camera original clip has levels above 100ire.

    When I put a .mp4 based clip with over 100 levels in the sequence the levels are preserved.

    When I put a .mov file containing an XDCam 35 codec with over 100 levels in the sequence, the levels…

    4 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  7. Improve Project Manager in Premiere

    I would like a simple, effective way of consolidating an edited project. Quit forcing me to conform my footage to a single format!!!!.

    FCP 7 had the option to simply trim and not transcode source material for a media managed backup, and this was available over 10 years ago!!!!!

    Why will adobe not add this feature? I could trim the project, and not lose any quality from my source material through re-encodes! I would love to have this as a feature!!!!! PLEASE PLEASE PLEASE ADD IT ASAP!

    When working on a project with multiple formats, resolutions and codecs, your Project…

    33 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    9 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  8. Support .XMLFCPX and .MXF files

    Please support this file, my clients have been limited due to the problems in moving from FCP to Pr. I couldn't get MXF files to open or even find a way to transcode them.

    4 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  9. Improve recognition of MOV files recorded on iPhone XS and higher devices

    When importing .MOV files recorded on the iPhone XS to the premiere timeline, it often only imports audio, other times it doesn't, and in some cases it imports video and audio.

    Improvement is needed in this resource that hinders video producers and editors to do their work in a practical way.

    1 vote
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  10. Canon XF705 file support STILL BUGGY

    still does not see my 4K footage, only audio track. Parent folder structure is intact. I9 processor NVIDIA GTX 2070 graphics card. All up to date.

    2 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  11. ProRes RAW, and replace lumetri for a better color grading option, maybe Camera Raw

    ProRes RAW, and replace lumetri for a better color grading option, maybe Camera Raw

    11 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  12. VHS / MiniDV Capability

    Hi there,

    After a couple of sessions being assisted by your amazing support staff they advised me to write to you.

    I work a lot with VHS and older formats. Because Premiere doesn't recognise the Mpeg4 formats in CC18/19 I now have to convert my VHS footage to ProRes in order to keep the sync and have playable video. This isn't too much of a hassle. However, I would plead to Adobe to please not ditch the function of capturing from tape in future versions.

    Many of us who use older formats really depend on this ability to ingest our…

    3 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  13. I want to rewrap AVCHD material to other formats (MOV etc.).

    Recently, recording on tapes has decreased, and recording on cards has been increasing rapidly.
    In particular, it is often recorded in AVCHD.
    However, AVCHD is very cumbersome because multiple clips are stored in one file.
    I can not handle clips as single files. There are several disadvantages associated with this.


    1. It is inconvenient for delivery because the clip can not be treated as a single unit


    2. When migrating projects with multiple editing software such as AAF and XML, file management becomes complicated and difficult to handle.


    3. It is very confusing because each card has a clip with the same name…

    15 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    4 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  14. Support legacy Apple LiveType .ipr files.

    Support legacy Apple LiveType .ipr files.
    Older FCP7 Projects are full of these and it would make PP even more compatible

    2 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  15. 2 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  16. Ability to batch change specific RED metadata

    I'm sharing this idea from another user, Niko Pueringer (thank you, Nick!), as there's no need to rewrite this. If you do a quick Google search, you'll find that several users are in dire need of this feature...

    From Nick's Post:

    There are only a few things holding back Lumetri from being a perfect powerhouse for my coloring workflow, and the inability to batch change specific RED metadata changes has been my biggest challenge when coloring R3D files in Premiere.

    There are a lot of situations where I need this. For example, if I want to change the gamma space…

    5 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  17. P2

    I cannot get P2 video to import into Premiere after updating to V14. Did we lose P2 support?

    1 vote
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  18. Allow for multi channel audio when encoding to a transport stream

    Allow for multi channel audio when encoding transport stream.

    When selecting a transport stream as multiplexer there is currently no option to export multichannel audio, only stereo or stereo variations.

    We would like to export a .m2t file with 4 channel audio.

    This is possible in pretty much every other encoding system and even via command line ffmpeg.

    I had a remote session with one of your engineering team who confirmed its not currently possible and suggested this feature request.

    2 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  19. Hello,

    Hello,
    I would like to bring in light the fact that adobe premiere pro cc 2019 does not support h.265 format and its really frustrating.
    If its possible do bring the codec in update as it does import in the 2017 version but does not In the 2019 version

    2 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  20. 2 votes
    Sign in Sign in with: Adobe ID
    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  • Don't see your idea?

Feedback and Knowledge Base