Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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For all other questions and discussions, visit the Premiere Pro community forum.

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  1. Support for Adobe's own DNG format images from DJI Osmo Pocket

    DJI Osmo Pocket produces still images in Adobe DNG format, but Adobe Premiere Pro cannot use them. Please add support for Osmo Pocket DNG images.

    2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  2. Either: make PrPro quickly handle hevc properly OR: admit it doesn't and can't and warn about it!

    Hours of wasted time of my own and with Adobe agents trying to find out the reason for bizarre behaviour. It might all be due to PrPro's inability to deal with hevc.

    4 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  3. Allow user to change how Premiere Debayers RAW CDNG footage.

    The CDNG feature of Premiere doesn’t allow the user to change how Premiere debayers raw DNG sequences. This is critical as motion pictures require color spaces other than Rec709 for cinema projectors. It would also be very nice to be able to choose what gamma curve Premiere adds to the raw data so we can grade it in a more traditional workflow.

    2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  4. 6 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  5. Sony ARW format

    Please provide the ARW format from sony cams for premiere pro. Thank you!

    5 votes
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  6. I vote for the Social Publishing Panel

    I vote for the Social Publishing Panel

    9 votes
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  7. Bug with lifted Gamma on import of Pro Res 422 .mov files.

    Noticing a new issue with Pro Res 422 files looking blown out, like having lifted Gamma on imported footage. I have tried it on 3 different Mac machines and all of them are interpreting the imported footage the same way. They all look as though they are over exposed. When the same footage is imported into DaVinici on the same machines the footage is fine. When it’s viewed it the QuickTime player on the desktop the footage is fine. I can’t downgrade to earlier versions of Premiere now because I won’t be able to access the new projects created with…

    2 votes
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  8. Adobe Premiere works "randomly" with the Canon C200 Raw files, sometimes it can read them, s

    Adobe Premiere read outs of the RAW files files from the Canon C200 is really really random ! Sometimes you can access the game and LUTS, sometimes you… don't. Same files, same camera.

    1 vote
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  9. Support of Smart Rendering for H.264

    It would be very helpful for me if you would support smart rendering for the H.264 format

    16 votes
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  10. If you don't intend to support a common video format: offer built-in conversion to an editing-friendly format

    I understand that some formats don't lend well to editing, but I'm bothered by having to seek out dodgy free internet apps to do a conversion because this premium software can't.

    1 vote
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  11. Cannot import h265 files that used to work on 13.0.

    I'm working with h265 footage from a Mavic 2 Pro that used to be compatible on Pr 13.0 and with 13.1 I can't import anymore.

    1 vote
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  12. Prevent .MTS files from being imported via drag-and-drop

    This is a tale that spans months in the life of a miserable, frustrated agency editor.

    My company owns 2 Canon C100s which we use to shoot interviews. These cameras generate MTS files buried inside an AVCHD folder structure.

    I, the unsuspecting! I, the naive! I, the victim of my own folly! I imported these MTS files via drag and drop.

    I've done it for years: used Windows file explorer to navigate to the clips, then dragged-and-dropped them into a bin. And normally, nothing bad happens. All's well. The project is quickly edited and out the door. BUT.

    BUT.

    If…

    2 votes
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  13. pls improve the adaptability of R3D raw files in Premiere CC 2019 and Prelude CC 2019

    First, it is very amazing that Premiere has supported R3D file from Red Cinema Camera for a long time, you can import those files directly and adjust the raw settings in the Master Effect Panel and source settings when right click on the footage. But there are two things that really slows down the workflow on r3d files.


    1. In Premiere, everytime you open a project with r3d files, it will regenerate all the audio peak files for the r3d file. Since it was already generated when importing, why everytime needs to re-generate again. Sometimes I really needed to wait until…

    6 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  14. Bug: Cannot Import Standard JPEG 2000 Profile 0 MXF Files

    Premiere won't import standard Profile 0 JPEG 2000 MXF files.

    Sample test file:

    https://www.dropbox.com/sh/avpb3hyvd6x2m5t/AAAxN1gLWhNF9OkhItYtlHa?dl=0

    Expected: Adobe Premiere should be able to import this fully compliant file.

    2 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  15. Adobe RAW support for DNG files

    Just like in AE when you import a DNG files you can use the adobe camera raw function, that would be incredibly helpful to use with Premiere CC as well

    11 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  16. 3 votes
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  17. Fix AJA ProRes support!!!!

    Yesterday I found out the hard way while working on a time critical live event that ProRes 422 files recorded by AJA recorders (the standard for live show records) are totally incompatible with Premiere 13.0.3. The video file would not playback at all, and it would brick my external hard disk the file was on. We experienced this on multiple systems. Finally another editor let me know 12.1.2 would work. While 12.1.2 would edit and play the file. It would drop audio or drop frames every 20 seconds during playback in premiere. Making for the most frustrating editing experience I…

    1 vote
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  18. blackmagic DNG 4:1 support

    add compressed raw support for ursa pro dng filles with 3:1, 4:1 compression

    21 votes
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    4 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  19. RGB 444 (ProRes444 and CineformRGB) Sources do not transcode properly, Levels Issue

    Video footage provided as 444 (RGB) does not transcode to 422 (YUV) properly. I believe it misinterprets the levels, making the image appear low contrast and milky on playback yet transcodes to 422 have clipped blacks and expanded contrast. I tested this using CineformRGB (444) and ProRes4444 and it provided the same results: Adobe Media Encoder or Premiere results in clipped blacks and stretched contrast compared to an identical transcode using DaVinci Resolve on the same machine.

    In further testing, 422 sources (CineformYUV, DNxHR HQ and ProRes422) do not have the same issue and can be transcoded without issue.

    Please…

    3 votes
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  20. Support for SVG images

    Instead of bridging through Illustrator, just directly support SVGs.

    4 votes
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