Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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UserVoice is a third-party platform for product feedback. Please note that feedback is voluntary, and you give Adobe a right to use feedback you provide without restrictions.

For all other questions and discussions, visit the Premiere Pro community forum.

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  1. Please Contact DJI Osmo Mobile 3 for their MIMO app Codec

    Please Contact DJI Osmo Mobile 3 and get their Codec for their MIMO App, PrPro will not play their video if it goes thru the MIMO app, it does however play Apple iPhone video without a problem.

    ps., please don't recommend HandBrack to transcode and fix the problem - too much time is wasted doing this, besides we're purist's and always want to use the original clips.

    Thank you Adobe :))

    1 vote
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  2. Fix iPhone Xs Max footage

    My iPhone Xs Max footage plays back in Premiere Pro very gltichy and is unusable. Using a third party app such as "Hand Break" to make the frame rate constant instead of variable will make the footage not glitchy. However, it is a very time consuming process to do that for each video clip you want to use, and most of the time you are wokring with lots of video files. If Adobe could please somehow fix this problem that would be amazing. Have edited previous iPhone footage before from later model iPhones and never had this problem. Maybe it…

    6 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  3. Iphone XS footage glitchy and unusable. Fix bug!

    Footage from iPhone XS unusable and glitchy in premiere. When imported into timeline, it skips around and repeats different parts a clip. Footage is fine in other programs. Please fix the bug or I will cancel my subscription. Only purchased Premiere to edit my iPhone footage. Please correct the issue.

    3 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  4. Have better support for HEIC image filetypes.

    Apple is using HEIC now for images, using these in your project I have found tends to make it crash. There needs to be better support for HEIC images in the media library and sequence.

    3 votes
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  5. Respect Color Metadata When Decoding Video Files

    Video files carry three pieces of color metadata (color primary, transfer function and matrix coefficients), Premiere Pro ignores all of them and decodes using BT.709 by default.

    Some cameras encode files using BT.601 matrix and when decoded incorrectly with BT.709 matrix, the color will be wrong.

    Emerging format such as Hybrid Log Gamma for HDR uses BT.2020 matrix, again when this is decoded using BT.709 matrix, the color will be wrong.

    Please respect the color metadata tags when decoding video files.

    4 votes
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  6. 4K HEVC Variable Frame Rate - iPhone HEVC not working with PPro 13.0.2 (or 13.0.1) aka PPro CC 2019

    PPro is recognizing my footage as Variable Frame Rate (see this in footage properties).

    File Path: X:\20120229 TR2016\20181204 FFR Fluid Fuel Reactors eBook\Gord Pimping FFR\IMG_2042 Gord **** FFR AirPodMic 4K MoviePro.mov
    Type: MPEG Movie
    File Size: 1.38 GB
    Image Size: 3840 x 2160
    Frame Rate: 30.00
    Source Audio Format: 48000 Hz - compressed - Stereo
    Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
    Total Duration: 00;08;47;27
    Pixel Aspect Ratio: 1.0
    Alpha: None
    Video Codec Type: HEVC 4:2:0
    Variable Frame Rate Detected

    ...however unlike other Variable Frame Rate clips shot in H264, I'm NOT shown a Variable…

    9 votes
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  7. High quality x264 encoder

    Why there is no high quality H.264 encoder within Premiere/MediaEncoder?

    x264 provides much better quality at same or even lower bitrates.
    This would make it much easier for encoding to webservices without losing so much quality and using so much bandwidth.

    This is must if you are directly sharing files from ME to your website. Almost every proper videohosting site (Netflix, YouTube, Vimeo etc) encodes their H.264 complaint videos with x264

    If you are going to add this encoder, please make sure it actually is to specs according to H.264 standards.

    If you want easy way to see difference, just…

    9 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  8. 5 votes
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  9. BUG: Adobe Premiere Pro 13.0.2 does NOT support ProRes 4444 +

    Version 13.0.2 added support for ProRes formats, including 4444. However, this version does not support ProRes 4444 with alpha or (millions+). My production facility uses multiple source files that have been encoded in this 4444+ format and have been used successfully in previous versions of Premiere Pro.

    This bug is preventing the roll out of Premiere Pro 2019 to the majority of editors in my facility.

    Screenshots of the errors generated by 13.0.2 are attached.

    5 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  10. Support for Adobe's own DNG format images from DJI Osmo Pocket

    DJI Osmo Pocket produces still images in Adobe DNG format, but Adobe Premiere Pro cannot use them. Please add support for Osmo Pocket DNG images. I can't send you a sample, you reject it as invalid file type!

    3 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  11. Support for Adobe's own DNG format images from DJI Osmo Pocket

    DJI Osmo Pocket produces still images in Adobe DNG format, but Adobe Premiere Pro cannot use them. Please add support for Osmo Pocket DNG images.

    2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  12. Either: make PrPro quickly handle hevc properly OR: admit it doesn't and can't and warn about it!

    Hours of wasted time of my own and with Adobe agents trying to find out the reason for bizarre behaviour. It might all be due to PrPro's inability to deal with hevc.

    4 votes
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  13. Allow user to change how Premiere Debayers RAW CDNG footage.

    The CDNG feature of Premiere doesn’t allow the user to change how Premiere debayers raw DNG sequences. This is critical as motion pictures require color spaces other than Rec709 for cinema projectors. It would also be very nice to be able to choose what gamma curve Premiere adds to the raw data so we can grade it in a more traditional workflow.

    2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  14. DNG RAW 3:1 and 4:1 support for codec

    Updating the Codec support for DNG Raw including support for 3:1 and 4:1 compressed version of Cinema DNG files. With the new Blackmagic Pocket 4K camera using these file This will soon be a deal breaker form many smaller video companies, independent film makers and individuals.

    24 votes
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    5 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  15. 6 votes
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  16. Limited or Full Range Video Levels check boxes

    I have a problem with Adobe Premiere since the v13.1 update.

    It interprets video levels incorrectly, not being consistent with interpreting video as Limited Range 16-235 or Full Range 0-255, depending on the codec.

    This is making it impossible to do any reliable colour correction work with Lumetri and also is making it impossible to generate reliable DCPs as the video levels are way off.

    It will either add too much crush or flatten the image depending on the source. Sometimes affecting different clips differently depending on which codecs with which flags are in the timeline

    If there was a…

    1 vote
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  17. Sony ARW format

    Please provide the ARW format from sony cams for premiere pro. Thank you!

    5 votes
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  18. I vote for the Social Publishing Panel

    I vote for the Social Publishing Panel

    9 votes
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  19. Bug with lifted Gamma on import of Pro Res 422 .mov files.

    Noticing a new issue with Pro Res 422 files looking blown out, like having lifted Gamma on imported footage. I have tried it on 3 different Mac machines and all of them are interpreting the imported footage the same way. They all look as though they are over exposed. When the same footage is imported into DaVinici on the same machines the footage is fine. When it’s viewed it the QuickTime player on the desktop the footage is fine. I can’t downgrade to earlier versions of Premiere now because I won’t be able to access the new projects created with…

    2 votes
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  20. Adobe Premiere works "randomly" with the Canon C200 Raw files, sometimes it can read them, s

    Adobe Premiere read outs of the RAW files files from the Canon C200 is really really random ! Sometimes you can access the game and LUTS, sometimes you… don't. Same files, same camera.

    1 vote
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