Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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For all other questions and discussions, visit the Premiere Pro community forum.

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  1. Support WEBM

    I can encode VP9 by using 3rd party software or plugin, but we need more than 3 hours to encord 6 min video. I tried other ways.[Use CUDA, Open CL etc...]
    Google has movd into VP9, so please support it!

    3 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  2. Support legacy Apple LiveType .ipr files.

    Support legacy Apple LiveType .ipr files.
    Older FCP7 Projects are full of these and it would make PP even more compatible

    2 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  3. 2 votes
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  4. I want to rewrap AVCHD material to other formats (MOV etc.).

    Recently, recording on tapes has decreased, and recording on cards has been increasing rapidly.
    In particular, it is often recorded in AVCHD.
    However, AVCHD is very cumbersome because multiple clips are stored in one file.
    I can not handle clips as single files. There are several disadvantages associated with this.


    1. It is inconvenient for delivery because the clip can not be treated as a single unit


    2. When migrating projects with multiple editing software such as AAF and XML, file management becomes complicated and difficult to handle.


    3. It is very confusing because each card has a clip with the same name…

    15 votes
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    3 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  5. P2

    I cannot get P2 video to import into Premiere after updating to V14. Did we lose P2 support?

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  6. Canon XF705 file support STILL BUGGY

    still does not see my 4K footage, only audio track. Parent folder structure is intact. I9 processor NVIDIA GTX 2070 graphics card. All up to date.

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  7. Improve Project Manager in Premiere

    I would like a simple, effective way of consolidating an edited project. Quit forcing me to conform my footage to a single format!!!!.

    FCP 7 had the option to simply trim and not transcode source material for a media managed backup, and this was available over 10 years ago!!!!!

    Why will adobe not add this feature? I could trim the project, and not lose any quality from my source material through re-encodes! I would love to have this as a feature!!!!! PLEASE PLEASE PLEASE ADD IT ASAP!

    When working on a project with multiple formats, resolutions and codecs, your Project…

    19 votes
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    4 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  8. Ability to batch change specific RED metadata

    I'm sharing this idea from another user, Niko Pueringer (thank you, Nick!), as there's no need to rewrite this. If you do a quick Google search, you'll find that several users are in dire need of this feature...

    From Nick's Post:

    There are only a few things holding back Lumetri from being a perfect powerhouse for my coloring workflow, and the inability to batch change specific RED metadata changes has been my biggest challenge when coloring R3D files in Premiere.

    There are a lot of situations where I need this. For example, if I want to change the gamma space…

    4 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  9. ProRes RAW, and replace lumetri for a better color grading option, maybe Camera Raw

    ProRes RAW, and replace lumetri for a better color grading option, maybe Camera Raw

    7 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  10. Allow for multi channel audio when encoding to a transport stream

    Allow for multi channel audio when encoding transport stream.

    When selecting a transport stream as multiplexer there is currently no option to export multichannel audio, only stereo or stereo variations.

    We would like to export a .m2t file with 4 channel audio.

    This is possible in pretty much every other encoding system and even via command line ffmpeg.

    I had a remote session with one of your engineering team who confirmed its not currently possible and suggested this feature request.

    2 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  11. Hello,

    Hello,
    I would like to bring in light the fact that adobe premiere pro cc 2019 does not support h.265 format and its really frustrating.
    If its possible do bring the codec in update as it does import in the 2017 version but does not In the 2019 version

    2 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  12. 2 votes
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  13. CinemaDNG

    Premiere Pro does not properly support CinemaDNG media. For starters, not all versions can be imported, specifically the media coming from the Blackmagic Ursa cameras.

    But even for the versions that can be imported, support for the format is still lacking to the point of unusability.

    The Media Browser will not see all the clips at the same time. We're forced to go into every individual clip folder for import duties. This is untenable.

    The RAW controls available are limited to Temp, Tint and Exposure. The controls that are possible and must be implemented are:

    White Balance
    Color Space
    Gamma …

    126 votes
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    13 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  14. Premiere 12.1.2 - X-OCN ST clips show up as black

    I have MXF clips from the Sony Venice recorded at 23.98 with the "F55X-OCNST38402160" video codec, which produce a black screen for video playback. The ISO was set to 500 on the camera. Nowhere does it say this format isn't supported by 12.1.2, only the XT format is listed as not working. Is there a patch codec I can download / install for 12.1.2 to get it to work or am I forced to upgrade Premiere?

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  15. Mobile Ad Features for PPro and AE

    Advertising has changed. My colleagues and I work exclusively within mobile ad formats for Facebook, Instagram, Snapchat, etc. I'd like to see sequence set ups for 1080:1920 and 1536:1920 and 1920x1920 ( 9:16 and 4:5 and 1:1 ) More importantly I'd really like to see a way to work exclusively and seamlessly with h.264 codec across Ae and PPro. We are not in cinema so we really dont' need large file size codecs with optimal resolution. Yes we can convert on export. But our world is an exclusively electronic/in the cloud world. Large projects usually need to be uploaded in…

    1 vote
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  16. Please replace DPX support in Premier. It's gone after 12.0.0 and we can't go back to 12.0.0

    I often times receive DPX files directly from a high quality film scanner and need to convert to video for color correction, editing and creating content. Why was the support removed from Premier after 12.0.0 ? Will this ever be added back in to the newer versions? This is a HUGE issue now that I've discovered the real issue.
    Thanks,
    Tim

    3 votes
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    0 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  17. Adding Nikon .nef files to supported still images

    Can we please get the Nikon .nef file supported for still images? We have Canon, Panasonic, and Sony native file support but not Nikon.

    1 vote
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  18. I imported a .ts video format into my project, and after rendering the clip, started working on it. I made various cuts, moved around the au

    I imported a .ts video format into my project, and after rendering the clip, started working on it. I made various cuts, moved around the audio and video, and then exported it.

    However, the exported video didn't match the edited clip on my timeline. Different clips ended up getting exported instead.

    The length of the clip remained the same, but certain shots that I didn't use ended up appearing in my exported video and replaced shots I did use.

    This happened even after I restarted the program, created a new sequence and even a new project. I even restarted my…

    1 vote
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  19. 480i@60 footage mistakenly seen as 30fps

    I capture gameplay footage from a PS2 using an AVerMedia Game Capture HD (C281). The video is 480i@60Hz

    Here's some sample footage: https://mega.nz/#!so4XCa5Q!sMxRIbsqT9ByIktSYs6TV4VBkA47vWagDULOqZ53b0g

    Premiere Pro mistakenly recognises this as 29.97 rather than the correct 59.94

    Hopefully this is of help for you to fix the problem

    1 vote
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    2 comments  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
  20. Bug: Monochrome 16-bit TIFFs (RLE compressed) results in black image

    As the titles says, monochrome (1-channel) TIFFs in 16 bit depth don't render at all, I am forced to convert them all to RGB TIFFs for this to work and thus the file size balloons unnecessarily

    1 vote
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    1 comment  ·  Formats  ·  Flag idea as inappropriate…  ·  Admin →
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