211 results found

1. Bug! Premiere plays audio from HEVC too early. Possible Codec Issue

   Premiere plays HEVC audio up to two frames too early and displays up to two frames of no audio at the end of clips. Not an issue in Resolve or Final Cut Pro

   I make small H.264 proxies of HEVC footage from Canon C70 cameras so editors can download footage quickly. Sometimes clips have 4 channel audio so I have to make proxies in Compressor or EditReady. We noticed that there is a discrepancy in the audio of two frames between the original footage and the proxy footage. This is a HUGE problem and waste of time when reconnecting full res for final export. After emailing Canon they suggested I try it in a different NLE, lo and behold, it lines up perfectly in Resolve and Final Cut Pro. Canon informed me that if it lined up in other software the problem is likely a codec issue with the software I was using which is Adobe Premiere.

   Originally we thought the proxies just didn't line up; that it was a sound sync issue with proxies. But it appears to be a problem with how Premiere plays back and displays audio in HEVC footage.

   I'm Working on a 2019 MBP with macOS 10.15.7
   This problem happens in Premiere 22.0.0 and 15.4.2
   And it doesn't matter if the audio is LPCM or AAC, stereo or 4 channel, or if the codec is 35Mbps or 100 Mbps, 422 or 420, it still happens.
   The length of the video also doesn't matter and it is not a drift issue.

   Check out these screen grabs and take note of the waveforms at the location of the playhead in each photo. Premiere plays the HEVC audio two frames too early in this particular clip.

   Premiere plays HEVC audio up to two frames too early and displays up to two frames of no audio at the end of clips. Not an issue in Resolve or Final Cut Pro

   I make small H.264 proxies of HEVC footage from Canon C70 cameras so editors can download footage quickly. Sometimes clips have 4 channel audio so I have to make proxies in Compressor or EditReady. We noticed that there is a discrepancy in the audio of two frames between the original footage and the proxy footage. This is a HUGE problem and waste of time when reconnecting full… more

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2. Time Tuner audio cut off when exporting from populated sequence

   I have four :30 promos on a sequence. There are six Mono Tracks with Video and Titles. I want to take the fourth spot on the timeline and speed it up from :51 to :45. I mark In and Out, Ctl-M for Export, Select the Time Tuner and set the duration to :45 (which by the way always has to be manually typed in). After export, the video is perfect but the audio cuts out half way through the spot. Silence.

   The workaround was to duplicate the sequence. Remove everything I did not want Time Tuned and bring the spot to the beginning of the timeline. Mark In and Out, select Time Tuner and export. That worked.

   It would be nice to have the Time Tuner work like that without the extra steps. This has happened in both 2020 and 2022 versions of Premiere Pro.

   Thanks,
   Rob K.

   I have four :30 promos on a sequence. There are six Mono Tracks with Video and Titles. I want to take the fourth spot on the timeline and speed it up from :51 to :45. I mark In and Out, Ctl-M for Export, Select the Time Tuner and set the duration to :45 (which by the way always has to be manually typed in). After export, the video is perfect but the audio cuts out half way through the spot. Silence.

   The workaround was to duplicate the sequence. Remove everything I did not want Time Tuned and bring the spot… more

   3 votes

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3. Bug Report: Premiere Pro 22.2 Canon Cinema RAW Light Audio Playback Issues

   When playing back canon cinema RAW light footage from my C200 the audio will drop out after 4 seconds while the video keeps playing. Then when I start stop the audio will start playing again before dropping out. The audio meter also drops out. When pairing the clip with separate audio it works fine. But even unlinking audio from the camera this doesn't help the issue. Anytime the audio from the camera is paired with the clip I see the same issue. Makes it impossible to playback clips to watch and review unfortunately.

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   Needs More Info  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

   Hi Cody, 

   Can you tell me a few things about your setup? 

   1. What operation system & version are you using? 
   2. What version of Premiere Pro? 
   3. What frame rate is the video from your C200? 
   4. Is this a new problem; have you previously been able to use C200 media successfully? 

   C200 media is playing fine on my computer so it would be good to get some more info from you. 

   Regards,

   Fergus

4. Hevc with alpha channel support

   https://developer.apple.com/videos/play/wwdc2019/506/

   24 votes

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5. Autoreframe custom size

   Currently there's no option to set pixel size (width) when auto reframing. For instance, choosing 4:5 defaults to 864x1080, which is not the recommended size for Some (1080x1350 is, as of now).

   5 votes

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6. Bring back the quality slider for animated GIFs!

   There used to be a compression quality slider for exporting animated GIFs. You could get them down to a very small size. Where did that go?

   3 votes

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7. ProRes RAW ISO, white-balance and tint controls

   Give ProRes Raw control over White-Balance, ISO and tint in raw controls as well as log conversion. Then it will be useable.

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   In Progress  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

   Hi all, 

   I'm a product manager in the video team at Adobe and I've recently become the product manager specifically responsible for formats. 

   My apologies that we have not responded already to this post. ProRes RAW is definitely important to us - and, more specifically, the additional controls that are being ask for here. 

   Raw support is very important to us, particularly as it becomes more common thanks to devices like the Ninja V and cameras that support it directly like the Nikon Z9. 

   Currently, there are two raw formats ahead of ProRes RAW in terms of urgency for us to support better. I understand that might be frustrating to people eager for better ProRes RAW support but I want ensure you all that it's not a matter of indifference or neglect. 

   While I don't have a date for improved ProRes RAW support that I'm willing to share at this point, I will update this note when that changes. 

   Lastly, I'm alway happy to talk 1:1 with you about our formats support. It's critically important to us and getting your feedback directly is always welcome. 

   Regards,

   Fergus

   Hi all, 

   I'm a product manager in the video team at Adobe and I've recently become the product manager specifically responsible for formats. 

   My apologies that we have not responded already to this post. ProRes RAW is definitely important to us - and, more specifically, the additional controls that are being ask for here. 

   Raw support is very important to us, particularly as it becomes more common thanks to devices like the Ninja V and cameras that support it directly like the Nikon Z9. 

   Currently, there are two raw formats ahead of ProRes RAW in terms of urgency for us to support better. I understand that might be frustrating to people eager for better ProRes RAW support but I want ensure you all that it's not a matter of indifference or neglect. 

   While I don't have a date for improved ProRes RAW support that I'm willing to share at this… more

8. BUG: GoPro Cineform not supported in current builds of Premiere Pro on OS X 11.5

   All current versions of After Effects will render GoPro Cineform 10 bit with alpha files and AE, Davinci, and Blender on an M1 Mac. The codec will not work in Premiere Pro, with or without an alpha channel.

   Give it a try. Create a shape layer in a new comp and render in AE with an Alpha channel using the GoPro Cineform codec. Import the rendered comp into AE. Everything is fine. Try the same file in Premiere Pro and you get an Incompatible format error message.

   Photoshop will also no longer open movie files, but that's another post for another forum.

   All current versions of After Effects will render GoPro Cineform 10 bit with alpha files and AE, Davinci, and Blender on an M1 Mac. The codec will not work in Premiere Pro, with or without an alpha channel.

   Give it a try. Create a shape layer in a new comp and render in AE with an Alpha channel using the GoPro Cineform codec. Import the rendered comp into AE. Everything is fine. Try the same file in Premiere Pro and you get an Incompatible format error message.

   Photoshop will also no longer open movie files, but that's another post for… more

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9. Import of mp4-files: only audio-part is imported

   I can't import mp4-files on my brandnew HP Workstation Z8 G4 in Adobe Premiere 22. Only the audio-part is imported. Same with Premiere 15. Only with Premiere 14.9 (2020) mp4-import works as it should. Adobe support couldn't help till now. New installation of Windows and CC didn't help. Has anybody any suggestions?

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10. Support OpenEXR, OpenEXR MultiLayer

    I am experimenting with rendering computer graphic animations in an image format called OpenEXR. Unfortunately, Premiere doesn't appear to support OpenEXR in any useful way.

    While there is a 3rd-party addon that allows Photoshop to open and edit OpenEXRs, there doesn't appear to be one that does the same for Premiere. As much as I loathe learning a new video editing app, the solution for me is to switch to a 3rd-party option like DaVinci Resolve.

    Unlike Premiere, DaVinci Resolve easily imports OpenEXR sequences (Premiere will import them, but they display as black frames). Please Adobe, I'd prefer to stick with Premiere. Thanks!

    I am experimenting with rendering computer graphic animations in an image format called OpenEXR. Unfortunately, Premiere doesn't appear to support OpenEXR in any useful way.

    While there is a 3rd-party addon that allows Photoshop to open and edit OpenEXRs, there doesn't appear to be one that does the same for Premiere. As much as I loathe learning a new video editing app, the solution for me is to switch to a 3rd-party option like DaVinci Resolve.

    Unlike Premiere, DaVinci Resolve easily imports OpenEXR sequences (Premiere will import them, but they display as black frames). Please Adobe, I'd prefer to stick… more

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11. Import/Export VTT caption files

    It would be useful to be able to import and export VTT caption files. More platforms seems to be using VTT in business (Microsoft Stream, Webinar Platforms etc.) and require VTT caption files to be worked with.

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12. Option for classic HLG workflow on rec709 timeline. OR add color spaces to proxies.

    If you import an HLG clip to Premier pro it is now over-exposed and requires that you change the clip color space to rec709. It was not this way in v15.

    However the generated proxies don't respect the color space and are still over exposed.

    Either give us option to interpret everything as rec709 (as before) or add color spaces to proxies.

    thanks
    /J

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13. I can’t play back Sony a7s 3 footage

    Don’t a7s 3 footage doesn’t playback well in premier. I’m sick of proxies.

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14. There should be a method to highlight important post to me in the “My follows”

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15. transcribing captions punctuation options

    it would be great if you could option off punctuation when transcribing a sequence captions e.g. no full stops or comas

    2 votes

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16. Windows10のPremierePro 2022ではHEVCを読み込まないかもしれない

    Windows10とNVIDIA GeForce GTX 1660 Tiの組み合わせの環境下でのPremierePro 2022ではHEVC(H.265)のmp4ファイルを「インポーターから一般的なエラー」とメッセージが表示され、読み込めませんでした。
    なお、PremierePro 2021にダウングレードしたら読み込みができました。

    1 vote

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17. Premiere Pro not recognizing WebM Alpha Channel

    I use the fnord plugin for Media Encoder to export aep's into WebM formats. I import the WebM into Premiere Pro 2022 (PC, W10) and the software does not recognize the Alpha Channel in the Interpret Footage window. This was not an issue in previous versions of Premiere.

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18. Over exposure clip HLG Rec 709

    Please fix the last issue about the overexposure problem on hlg clip. Every single clip created from Sony with REC709 have an over exposition when I drag the clip video on the timeline.

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19. Restore MKV Format Support

    Removing MKV Format support has a negative impact on the workflow of people that work with broadcasting software like OBS. Restore MKV support. Having native support for MKVs, even if they don't edit well without generating proxies, saves me a ton of time that I'd otherwise have to spend remuxing/transcoding files.

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    In Progress  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

    Hi all, 

    MKV support is actively being worked on. I don't have a release date to share currently but when that changes, I will update this message. 

    Regards,

    Fergus

20. Bring back DV importing on Mac

    Bring back DV importing on Mac

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    Needs More Info  ·  4 comments  ·  Formats  ·  Flag idea as inappropriate…Flag idea as inappropriate…  ·  Delete…  ·  Admin →
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