Recently, recording on tapes has decreased, and recording on cards has been increasing rapidly.
In particular, it is often recorded in AVCHD.
However, AVCHD is very cumbersome because multiple clips are stored in one file.
I can not handle clips as single files. There are several disadvantages associated with this.

1. It is inconvenient for delivery because the clip can not be treated as a single unit




2. When migrating projects with multiple editing software such as AAF and XML, file management becomes complicated and difficult to handle.




3. It is very confusing because each card has a clip with the same name (such as 0001.mts).
   It can not be renamed because it is stored in the AVCHD package.

It is difficult to manage files in various situations.
Also, if it is rewrapping, since the codec inside is not converted, the file size does not increase and it is easy to handle.
If rewrapping is possible, many disadvantages will be solved at once.
I hope you can use this feature.

AVCHDの素材を、他のフォーマット（MOVなど）にリラップしたい。
最近ではテープでの収録が少なくなり、カードでの収録が急増している。
特にAVCHDで収録することが多い。
しかし、AVCHDは、複数のクリップが一つのファイルに格納されていてとても扱いにくい。
クリップを単体のファイルとして扱えない。これによっていくつものデメリットが発生している。

1.クリップを単体として扱えないので、受け渡しに不便。

2.AAF・XMLなど、複数の編集ソフトでプロジェクトを移行する時、ファイル管理が複雑になり扱いづらい。

3.カードごとに同じ名前の（0001.mtsなど）クリップが存在するのでとても混乱する。
　AVCHDパッケージの中に格納されているため、ファイル名の変更もできない。

様々なシチュエーションでファイル管理がしにくくなっている。
またリラップであれば、中のコーデックは変換されないので、ファイルサイズも大きくならず扱いやすい。
リラップが可能になれば、多くのデメリットが一気に解決する。
ぜひ、この機能を使えるようにして欲しい。

I would like a simple, effective way of consolidating an edited project. Quit forcing me to conform my footage to a single format!!!!.

FCP 7 had the option to simply trim and not transcode source material for a media managed backup, and this was available over 10 years ago!!!!!

Why will adobe not add this feature? I could trim the project, and not lose any quality from my source material through re-encodes! I would love to have this as a feature!!!!! PLEASE PLEASE PLEASE ADD IT ASAP!

When working on a project with multiple formats, resolutions and codecs, your Project Manager is useless!!!!

All I get are Audio mismatch errors, unknown errors, and entire original footage clips copied to the backup folder because you are constraining me to transcode all footage to one format that may be incompatible with some of the source material. **** even freeware like MPEG Streamclip can trim without re-encoding.

The Project Manger is the absolute weakest feature of Premiere. I am offering you a simple solution that I feel would make most editors content with the backup performance.

FIX IT!!!!!!!!

I'm sharing this idea from another user, Niko Pueringer (thank you, Nick!), as there's no need to rewrite this. If you do a quick Google search, you'll find that several users are in dire need of this feature...

From Nick's Post:

There are only a few things holding back Lumetri from being a perfect powerhouse for my coloring workflow, and the inability to batch change specific RED metadata changes has been my biggest challenge when coloring R3D files in Premiere.

There are a lot of situations where I need this. For example, if I want to change the gamma space of my footage without affecting individual ISO settings or white balance. This is vital for using LUTs!

There is also no way to batch reload RMD settings for the footage in my project. Using another program to tweak metadata becomes unviable.

In the past this was possible, but now it's broken!

Past method of batch reloading metadata:

Select all the clips in the bin.
Disable Masterclip settings.
Right click on the group of selected clips, go to "source settings".
Click "Reload from RMD", and it would do so, shot-by-shot, based on each shot's RMD settings.

This no longer works. Now it breaks at the end. It loads the settings of the ONE shot you right-clicked on, and applies that to EVERY clip selected.

None of this would be necessary, nor would I have to turn to an external program, if I could selectively change metadata settings (like white balance, ISO, gamma space) for a batch of selected clips without overwriting the rest of the settings.

DaVinci handles this by giving you the option apply only the changes across the selected clips.
Redcine handles this by letting you save a look preset, which contains a list where you can check on or off the settings you wish to affect.

Premiere Pro does not properly support CinemaDNG media. For starters, not all versions can be imported, specifically the media coming from the Blackmagic Ursa cameras.

But even for the versions that can be imported, support for the format is still lacking to the point of unusability.

The Media Browser will not see all the clips at the same time. We're forced to go into every individual clip folder for import duties. This is untenable.

The RAW controls available are limited to Temp, Tint and Exposure. The controls that are possible and must be implemented are:

White Balance
Color Space
Gamma
ISO
Color Temp
Tint
Exposure
Sharpness
Highlights
Shadows
Color Boost
Saturation
Midtone Detail
Lift
Gain
Contrast

Finally, because we do not have access to the Color Space or Gamma, the footage comes in with a preset "LUT" applied, making the original Log footage unusable.

Advertising has changed. My colleagues and I work exclusively within mobile ad formats for Facebook, Instagram, Snapchat, etc. I'd like to see sequence set ups for 1080:1920 and 1536:1920 and 1920x1920 ( 9:16 and 4:5 and 1:1 ) More importantly I'd really like to see a way to work exclusively and seamlessly with h.264 codec across Ae and PPro. We are not in cinema so we really dont' need large file size codecs with optimal resolution. Yes we can convert on export. But our world is an exclusively electronic/in the cloud world. Large projects usually need to be uploaded in their entirety upon completion - not just the deliverables. .... with .avi and prores and animation codecs, these can get huge and troublesome to upload. -even with fiber. :) We are extremely busy and demand with major brands has been fantastic as the planet is flocking to social media to spend their advertising dollar. These features would be very welcome tweaks to incorporate in our workflows. Thank you. Brian Cooney, Owner: BooneTown Social Media Post. www.boonetownmedia.com . PS: We've tried several of the Windows h.264 3rd party codec solutions out there and each one has issues and leaves undesirable and unpredictable results.

I imported a .ts video format into my project, and after rendering the clip, started working on it. I made various cuts, moved around the audio and video, and then exported it.

However, the exported video didn't match the edited clip on my timeline. Different clips ended up getting exported instead.

The length of the clip remained the same, but certain shots that I didn't use ended up appearing in my exported video and replaced shots I did use.

This happened even after I restarted the program, created a new sequence and even a new project. I even restarted my system, but the error kept getting repeated.

I eventually converted the .ts clip into a .mp4 clip, and that finally resolved the issue.
But I ended up wasting over a day trying to figure it out.