Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Compability with WebM - Fnordware not working on Mac OS

    To import and export WebM formats. There is a external pluging from fnordware that is not compatible with OSX

    24 votes

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  2. Better Controls to Export an Animated GIF

    On behalf of editors, I request better controls for exporting an animated GIF file from Premiere Pro. Currently, the file size of these files is often too large to post on websites and social media sites. The results are better using Photoshop > Save for Web (Legacy). Editors would rather not use Photoshop and simply need more control over the size and quality of the exported file. Is this possible?

    This forum post currently has over 56,000 visits. Kindly upvote this feature request so that others may have this ability to create GIFs easily and with a lower file size.…

    13 votes

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  3. Support for Nikon NRaw

    Can we please get support for Nikon's NRAW codec? Resolve and Edius already have it cooked up and ready to go. This reactive rather proactive approach to codec integration is really disappointing. First it was Prores RAW (still ongoing issues) and now NRAW. How about Adobe show Nikon shooters a bit of love here?

    3 votes

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  4. URGENT - AVCHD spanned clip audio no longer importing and playing in 22.3.2 build 2 - URGENT

    HELP!!!!
    When importing media from cameras with the AVCHD media folder structure using the Media Browser (as you have to, in order to get metadata such as timecode), Premiere will no longer register any audio for spanned clips (clips made up of multiple files to account for legacy systems that cannot use media files over 2GB). On the timeline, the entire video clip is present, but there is no peak file data or audio. When you look in the media folder on the hard drive, Premiere creates a peak (.pek) file for the first media file, but not for the…

    2 votes

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  5. R3D Playback in Premiere Pro on MacBook Pro with M1 Max

    I edited the trailer for a documentary project on my old Intel iMac on Mojave this past August with no issue. The majority of the footage in the project are R3D files. I recently started editing the full-length film (same footage) with a new MacBook Pro with M1 Max, Mac OS 12.2, and Premiere 22.1.2, and I'm now getting a number of issues.

    -Most importantly, I'm getting corrupted frames (see below) on export, and sometimes when just opening a sequence or pausing in the timeline.
    -When loading Multicam clips in the source monitor, I see the two correct camera angles…

    3 votes

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  6. Apple M1 and CFHD format incompatible

    I consolidated my project with the Rosetta version of Premiere and now thought things might be better. So I trying to open this project in Premiere 22.2 and now ALL my consolidated footage (using Cineform CODEC) do not import. It says CFHD is unsupported compression type?! How can this be?

    3 votes

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    Hi Steven,

    CineForm is currently not supported when Premiere Pro is running natively in Apple silicon mode. I don’t have more information about when/if that will change but I will find out for you and get back to you earlier next week.

    I did notice that our article on CineForm support (https://helpx.adobe.com/premiere-pro/using/gopro-cineform-codec.html) does not mention lack of Apple silicon support. I will make sure that is updated.

    Regards, Fergus

  7. Bug Report: Premiere Pro 22.2 Canon Cinema RAW Light Audio Playback Issues

    When playing back canon cinema RAW light footage from my C200 the audio will drop out after 4 seconds while the video keeps playing. Then when I start stop the audio will start playing again before dropping out. The audio meter also drops out. When pairing the clip with separate audio it works fine. But even unlinking audio from the camera this doesn't help the issue. Anytime the audio from the camera is paired with the clip I see the same issue. Makes it impossible to playback clips to watch and review unfortunately.

    2 votes

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    Hi Cody, 

    Can you tell me a few things about your setup? 

    1. What operation system & version are you using? 
    2. What version of Premiere Pro? 
    3. What frame rate is the video from your C200? 
    4. Is this a new problem; have you previously been able to use C200 media successfully? 

    C200 media is playing fine on my computer so it would be good to get some more info from you. 

    Regards,

    Fergus

  8. Autoreframe custom size

    Currently there's no option to set pixel size (width) when auto reframing. For instance, choosing 4:5 defaults to 864x1080, which is not the recommended size for Some (1080x1350 is, as of now).

    5 votes

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  9. write audio timecode into regular timecode metadata for multicam sync

    I often have to mix and match footage from multiple cameras that support regular timecode input with cameras that only have audio timecode to sync for multicam. Premiere doesn't offer this option.

    Synching by audio timecode never seems to work properly to begin with. But even if it did there's no option to combine multicam clips where some cams have normal free run TC in the metadata and others audio TC.

    DaVinci Resolve let's me convert audio time code to metadata TC in the media pool through one click in the context menu. However I've so far found no way…

    2 votes

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  10. Bring back the quality slider for animated GIFs!

    There used to be a compression quality slider for exporting animated GIFs. You could get them down to a very small size. Where did that go?

    2 votes

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  11. BUG: GoPro Cineform not supported in current builds of Premiere Pro on OS X 11.5

    All current versions of After Effects will render GoPro Cineform 10 bit with alpha files and AE, Davinci, and Blender on an M1 Mac. The codec will not work in Premiere Pro, with or without an alpha channel.

    Give it a try. Create a shape layer in a new comp and render in AE with an Alpha channel using the GoPro Cineform codec. Import the rendered comp into AE. Everything is fine. Try the same file in Premiere Pro and you get an Incompatible format error message.

    Photoshop will also no longer open movie files, but that's another post for…

    8 votes

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  12. Import of mp4-files: only audio-part is imported

    I can't import mp4-files on my brandnew HP Workstation Z8 G4 in Adobe Premiere 22. Only the audio-part is imported. Same with Premiere 15. Only with Premiere 14.9 (2020) mp4-import works as it should. Adobe support couldn't help till now. New installation of Windows and CC didn't help. Has anybody any suggestions?

    2 votes

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  13. Support OpenEXR, OpenEXR MultiLayer

    I am experimenting with rendering computer graphic animations in an image format called OpenEXR. Unfortunately, Premiere doesn't appear to support OpenEXR in any useful way.

    While there is a 3rd-party addon that allows Photoshop to open and edit OpenEXRs, there doesn't appear to be one that does the same for Premiere. As much as I loathe learning a new video editing app, the solution for me is to switch to a 3rd-party option like DaVinci Resolve.

    Unlike Premiere, DaVinci Resolve easily imports OpenEXR sequences (Premiere will import them, but they display as black frames). Please Adobe, I'd prefer to stick…

    2 votes

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  14. ProRes RAW ISO, white-balance and tint controls

    Give ProRes Raw control over White-Balance, ISO and tint in raw controls as well as log conversion. Then it will be useable.

    51 votes

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    Hi all, 

    I'm a product manager in the video team at Adobe and I've recently become the product manager specifically responsible for formats. 

    My apologies that we have not responded already to this post. ProRes RAW is definitely important to us - and, more specifically, the additional controls that are being ask for here. 

    Raw support is very important to us, particularly as it becomes more common thanks to devices like the Ninja V and cameras that support it directly like the Nikon Z9. 

    Currently, there are two raw formats ahead of ProRes RAW in terms of urgency for us to support better. I understand that might be frustrating to people eager for better ProRes RAW support but I want ensure you all that it's not a matter of indifference or neglect. 

    While I don't have a date for improved ProRes RAW support that I'm willing to share at this…

  15. 12 votes

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  16. I can’t play back Sony a7s 3 footage

    Don’t a7s 3 footage doesn’t playback well in premier. I’m sick of proxies.

    3 votes

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  17. 1 vote

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  18. transcribing captions punctuation options

    it would be great if you could option off punctuation when transcribing a sequence captions e.g. no full stops or comas

    2 votes

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  19. Windows10のPremierePro 2022ではHEVCを読み込まないかもしれない

    Windows10とNVIDIA GeForce GTX 1660 Tiの組み合わせの環境下でのPremierePro 2022ではHEVC(H.265)のmp4ファイルを「インポーターから一般的なエラー」とメッセージが表示され、読み込めませんでした。
    なお、PremierePro 2021にダウングレードしたら読み込みができました。

    1 vote

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  20. Premiere Pro not recognizing WebM Alpha Channel

    I use the fnord plugin for Media Encoder to export aep's into WebM formats. I import the WebM into Premiere Pro 2022 (PC, W10) and the software does not recognize the Alpha Channel in the Interpret Footage window. This was not an issue in previous versions of Premiere.

    2 votes

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