Error... Correction needed ASAP.

GoPro10 shoots time-lapse that is not supported yet by Adobe Premier Pro or Rush if you take the time-lapse video and try to render it, the video freezes and/or very choppy. You can run it in "encoder" to have a work around but since GoPro10 is the latest camera out by GoPro, Adobe should be keeping up with the latest formats and offer support for those newer cameras.

I think if Adobe could somehow add Rec.2100HLG as a Mastering Display Color Volume (Color Primaries) Export option for HEVC/H.265; like how it's an option with QuickTime, it would make everyone's lives better! I have a threadripper 3970X so I don't care if it's software or hardware. Please Adobe, PLEASE, PLEASE, PLEASE Add Rec.2100HLG as an export option to H.265 🙏🏻🙏🏻🙏🏻
Rec2020 just isn’t the same and doesn’t show up as HDR on YouTube.

On the latest update for M1 macs an error message appears that “frame couldn’t be found” due to not finding my external drive.

Seems like the export causes the drive to not function properly. This is a huge issue, please fix ASAP.

Please enable 'custom' frame rate option on export settings,
so that users who are editing for example source footage
coming from 8mm or 16mm based on frame rates like 16fps or 18fps,
can export them to such frame rates or other.
you can check the thread here:
https://community.adobe.com/t5/premiere-pro/export-18fps-sequence/td-p/10486209?page=1

Remove the "analyzing" overlay on exports

When exporting from Adobe Premiere 2021 to H.264, there are audio issues in Quicktime playback. If you start from the beginning it is fine, but scrubbing along the timebar creates an exponential audio lag. This issue did not occur in Adobe Premiere 2020 or other previous versions.

Just add a button or option in the transcript window to export the transcript as an srt/text file

Currently Premiere can't export H.264 files with odd number of resolutions. I tried to export 620x891 because this is resolution demand on biggest Finnish newspaper Helsingin Sanomat.

If you adjust the speed of a clip or animation on the timeline in Premiere Pro BETA, it doesn't export properly.. its jitters and looks dreadful. as soon as you go into timeline and reset clip/animation speed, it exports fine. SO wont be using at the moment on the M1 Mac mini ( PS.. After Affects M1 versions????)

I'm editing a live-to-tape performance. I have 5 cameras and 7 audio sources all synced using a Multiclip.

I edited using the Multi-Camera menu to select both cameras and sound sources.

Once I'm finished, and I send my exported audio project as an AAF, I encounter a very bad problem. All my audio selections are ignored, and replaced by whichever tracks is top-most is the original multiclip.

The same happens when I flatten an audio multiclip selection. You can see it in the attached screenshot.

Please note how all the audio clips change name when I flatten.

I'm editing a live-to-tape performance. I have 5 cameras and 7 audio sources all synced using a Multiclip.

I edited using the Multi-Camera menu to select both cameras and sound sources.

Once I'm finished, and I send my exported audio project as an AAF, I encounter a very bad problem. All my audio selections are ignored, and replaced by whichever tracks is top-most is the original multiclip.

The same happens when I flatten an audio multiclip selection. You can see it in the attached screenshot.

Please note how all the audio clips change name when I flatten.

It says that "some clips have frame sizes, rates, field or aspect ratio differing from the selected preset" while they're absolutely identical (see the screenshots please).

Also, what's the POINT of transcoding, if one can't convert stuff freely??

It says that "some clips have frame sizes, rates, field or aspect ratio differing from the selected preset" while they're absolutely identical (see the screenshots please).

Also, what's the POINT of transcoding, if one can't convert stuff freely??

It says that "some clips have frame sizes, rates, field or aspect ratio differing from the selected preset" while they're absolutely identical (see the screenshots please).

Also, what's the POINT of transcoding, if one can't convert stuff freely??

It says that "some clips have frame sizes, rates, field or aspect ratio differing from the selected preset" while they're absolutely identical (see the screenshots please).

Also, what's the POINT of transcoding, if one can't convert stuff freely??

The video limiter effect does not appear to actually "stick" to exports (specifically for DNxHD SQ 1080i MOV exports, but perhaps others).

This is the case whether the addition video limiter setting within the Media Encoder dialog box is used or not.

The bug was introduced with version 15.0, but is not fixed as of 15.2.

I tested this by exporting an MOV file with the limiter effect applied and then bringing it back into Premiere, and checking the levels within the Lumetri Scopes panel.

It would be great if the project file stores the last location you exported to.

So when I open a project that I worked on yesterday and I choose Export Media, the export location is set to the last time I exported for that project.

If I never used Export Media in that project, it should go to the last export location I used in a different project.