While most people seem to be taking XML's for sending projects to resolve or whatever, I still would really love to see more EDL options in Premiere.

The reason being is that they are INCREDIBLY useful for creating documents for production. I've had to work on Avid for a project recently and the amount of options Avid gives you for EDL's was such a tremendous help and it's killing me that premiere doesn't have the same options, such as

1.) No limit on the number of audio and video tracks that can be exported

2.) being able to export frames as well as timecode. (This one in particular is useful in animation as animators tend to work in frames, so it lets them know which frames we are and aren't using.)

I cannot stress how useful this is and really hope that Adobe push to make this better. As an edit assist, this saves a LOT of time

Our team is unable to export an AAF when media is on a Windows SMB3 share. An Adobe tech support rep has confirmed that this is our issue with the network drives on Windows.

Apparently, Premiere Pro on Windows has an issue reading files larger than 10 GB when exporting an AAF through an SMB3 drive. Premiere hangs at the Breakout to Mono step.

Premiere requires Breakout to Mono to be selected in order to embed audio into the AAF. We need our audio embedded to send out to remote sound designers. Our export settings for the AAFs are:
-Breakout to Mono
-Embedded Audio
-24-bit
-48 kHz
-120 Handles

The temporary workaround is to transfer interview clips from our SMB share to the internal Windows boot drive. Following a relink to a local drive, the AAF is able to render properly.

Copying all of the media over to the boot drive takes extra time and creates unwanted complexity, so we need this bug fixed so that we can just work directly off of our SMB shares.

Edition Windows 10 Pro for Workstations
Version 21H2
Installed on ‎4/‎30/‎2021
OS build 19044.1586
Experience Windows Feature Experience Pack 120.2212.4170.0
NVIDIA RTX 2080 Ti with Studio Driver | Version 511.65

Adobe Premiere Pro 22.2.0 (Build 128)
Adobe After Effects 22.2

Export a sequence with format "Quicktime" with preset "Apple ProRes 4444" (and leaving the video depth at 8-bpc or 16-bpc) results in the output file having YUVA formatted pixels.

This happens on all macOS systems we have (mac mini, MacBook Pro, Mac Pro).

On Windows systems, resulting output file is YUV (as expected).

Confirmed with 3rd party FFmpeg's ffprobe and MediaInfo tools.

Expected behavior: same format file output on both Windows and macOS platforms. YUV output when non-alpha depth is selected.

macOS Big Sur 11.6.1 on MacBook Pro (both Intel and M1 silicon)
Windows 10 21H1 (build 19043.1526) on HP systems.

In Premiere 22.3 and 22.3.1 Media Export interface, when you click on "location" to select the file destination, you can no longer see the existing files in the pop-up Windows file requester dialog. In the previous iteration of the export tool, you could always see the existing files. It was so convenient to be able to click on a file to over-write, or to click on a file to duplicate and modify a file name. Currently, there is no way to see what files you have already created without separately spending time opening the location directly in Windows.

Please add the ability to see all the files in the destination folder from the file requester dialog.

Thanks :-)

I've created a project with a text element saying "Goal 2:00" which acts as a mask to a grain background texture of white-grey color. I want the "2:00" part of the text to be red, so I apply a Tint effect to transform white into red, and apply a mask to the effect to cover only the "2:00" part of the text. All of this is done using Essential Graphics.

Then, on the main sequence, I add the text on top of a blue background, and add a reversed slide transition that makes the text appear from right to left. When I do this, the final render creates a black artifact moving across the screen, which corresponds almost exactly to the mask of the tint effect (see export-snapshot.png attached).

This black artifact is visible in the Premiere preview window only sometimes. It seems to flicker in and out of view once first I scroll across the slide transition, and after a while it doesn't show anymore.

I also tried not using Essential Graphics at all, and instead create a nested sequence with the text, the grain texture image, and a Track Matte effect on the text to get the same visual result. Then I added the nested sequence to the main sequence with a slide transition, and the bug happened in exactly the same way.

I had a sample project file ready to easily reproduce this bug to upload as an attachment here, but apparently I'm not allowed to attach .zip files, OR EVEN .PRPROJ FILES: YOUR OWN file format!

Here are some of my specs:

• Adobe Premiere 22.1.2 (Build 1)
• GTX 1080ti with the latest drivers from nvidia (v511.65, but also happened with v511.23)
• Windows 10 with latest updates

Please fix this bug.

When I go to the Export panel, the playback head is in a different position than it was in the editor, and the work area is also not matching.

I can at least get the work area to match by selecting "Source In/Out" but it would be more ideal if, like the old export panel, the default work area for export would be the same work area as the sequence has set, and the same with the playback head, which is important for exporting single frames. The export panel gives you more options when exporting a single frame than the "Export Frame" button does, but with the way it works currently, it's practically unusable for that purpose.

I just don't see any reason why the export panel would come with its own independent work area and playback position. While sure I could see a theoretical scenario where you'd want to export a different part of the video than you've currently got selected in the timeline, it is way harder to do so from the export panel. It would be better if that was offered as an alternate option, lower in the list like "Custom Work Area", and not just "Work Area" which is clearly easily confusable with the timeline's work area.

Prior to V22, hitting CTRL+ALT+M would bring up the 'Export Window'. The playhead of the export window would reflect the most recent position of the playhead in your project timeline.

In V22 and beyond, the playhead of the new Export Window preview is now independent of the playhead in the project timeline. If you primarily export 'Source In/Out', this means the preview frame in the export tab is often nowhere near the segment you are currently trying to export, and must be manually moved.

I propose the addition of a simple setting:

Export Playhead Behavior:
-Independent (current default behaviour; playhead in project timeline and export tab are independent)
-Linked to Project (old behavior; export playhead reflects position in project timeline at)