You can use a typewriter effect in After Effects but it seems like such a simple one to implement into Premiere and saves having to use that system if people don't have it or it complicates the workflow.
Also add an optional blinking line option to the effect

I'd like Premiere to have something like Corel VisualStudio's Pan & Zoom manipulator. It opens a new panel with two views of the current clip. The left-side image has a square overlay that lets you zoom in or out of the image just by resizing the overlay. On the right, you get a view of what the zoom will look like on the "full screen."

This way you can zoom without losing sight of the image as a whole, and it is much, much easier to resize and re-position your keyframed views.

When I change the start position of a zoom I made something strange happens... As this is difficult to describe I kindly provide a video here:
https://youtu.be/kzoZlwf-uJc
I found a fix by moving the keyframes a few frames in time.

I have encountered a bug on cross dissolves applied to 'black video' on a track. For context, this is to create a mask to dim part of the screen. Anyway, when the seq is played, there is a brief flash at the start of the transition that shows the black video, then it disappears and fades in as normal. Based on what I've experienced, this only bugs on "in" dissolves--cross dissolves between two black video objects or cross dissolve out doesn't have the same issue.

When applying the effect Linear Wipe to any footage, graphics or text nothing happens. None of the Linear Wipe controls in the Effects Controls panel have any effect.

When applying Drop Shadow to any clip or graphics, or text, nothing happens. None of the Drop Shadow controls in the Effects Controls panel have any effect.

It’d be great to have a “Master level effects/ clip level effects” switch and indicator just like the one used to switch from original footage to proxies.
Right now, whenever you click on a clip from another master it resets to the clip level and you have to go and click to change to “Master effects” again.
We need an indicator to make sure we are on the “Master level” all the time until we press the switch button again.
Thanks!

Single point tracking in premiere pro. Tracking of single points is a very common thing today. It would be great to have some tracking functionality directly in premiere pro

Put a feather option built in to the effects controls for the basic wipes and irises in Premier Pro PLEASE!!!

When panning the balance of a clip, instead of going left to right, it just affects volume. Also, C&P and Undo/Redo don't work.

re activation of timewarp in effects for slowing down footage

Sometimes the Warp Stabilizer will not allow you to analyze footage. Ie: You click Analyze and nothing happens. This is a well know problem in the forums. The usual fix is to move the clip to the highest track without anything above it. This is a huge pain, especially if transitions are already applied.

Paste the desired copied element (FXS, transitions, clips). If you paste without any clip selected in the timeline, paste the copied clip. If the clip is selected, Paste Effect. If an edge of a clip was selected, paste the transition.

In Corel's video editor, for instance, when you change the duration of a clip with motion effect keyframes, the position of those keyframes get updated relative to the new clip duration. In Adobe, the default seems to attach motion effect keyframes to the overall timeline, not to their relative position within the clip.

Some time need to use that effect and easy to finish in Premiere Pro
and dont need to use "Replace After Effect Composition" to make difficult working

When using the replicate effect in the same effects chain as the transform effect and try to keyframe e.g. the scale on the transform effect it won't change over time and only use the value of the first keyframe

Warp stabilizer does not work for all types of footage, especially when something in the shot changes shape (time lapse of setting sun in windy conditions for example).

By simply choosing an area to analyze, this problem can be circumvented. This can already manually be done in After Effects, but it seems only logical to be able to analyze a selection within premiere, and this could probably also speed up the process as less pixels have to be analyzed.

This would probably mean that "subspace warp" is not possible, but in these situations this is often not wanted anyway.