Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. A “ghost playhead" which ALWAYS marks the timeline location of the currently displayed frame

    (Perhaps "current view indicator" is a better name than "ghost playhead.")

    Here is the problem: The (cyan, user-controlled) playhead does NOT necessarily correlate to the frame that is being shown in the program or source monitor.

    Sometimes, an old frame continues to be displayed, even though the user clicked elsewhere on the timeline (or "time ruler," as Premiere calls it.)

    Depending upon computer specs, network bandwidth and latency, video codec, and other factors, it can sometimes take several seconds for the chosen frame to actually load and be displayed.

    In the meantime, users need some kind of indication as to…

    133 votes

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    3 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  2. Ability to import a folder of proxies and have them interpreted as Cam Orig framesize

    Greetings! Like many other folks, we are remote shooting with camera crews and need to quickly get proxies from set that our editors can access quickly and start editing with. A common usecase is the proxies that the Canon C300 MK2 camera generates internally and records to an SD card. The camera originals are 3840x2160 and 400 MBS (23.98 fps, with 4 channels of audio). The proxies are 1920x1080. matching audio channels and framerate and 24 MBS, quite a bit smaller! We want to download these small proxies from set and have Premiere treat them as “attached proxies” even though…

    22 votes

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    11 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  3. Adobe Premiere Pro Animatics functionalities request

    That post is a follow up of the questions I asked to Karle Soule and Van Bediant on a recent Keycode Media PP event.

    Animation is a market that is getting bigger and bigger every year, and a lot of people uses premiere for Animatics and Offline. But you do have to do a bit of workaround as PP is not designed to be Animatics friendly (around 1200 jpegs on a timeline for a 11min ep), and this is why you are in competition with Storyboard Pro for Animatics, as some studio move to Premiere just for the HD/final render…

    17 votes

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    2 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  4. New shortcuts to choose where to PASTE 'on the fly'! (highest, lowest or same video track)

    Timeline pasting is a daily, 'everybody-uses-it' editing function. So why has it still not been improved?

    Vastly improving pasting is simple: Give users the ability to choose 'on the fly' where they want their media pasted or insert-pasted:
    1. on the lowest enabled track (current behavior)
    2. on the highest enabled track
    3. on the same track in was copied from

    By providing new shortcut options, EVERYONE would be happy:
    1. Users who like the current way pasting works wouldn't notice any difference.
    2. Users who want media pasted to the highest enabled track where there's always the most free…

    101 votes

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    17 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  5. Improve Snapping in Effect Controls Window! (so it doesn't jump to next clip, etc.)

    There are 2 ways the Effect Controls Window workflow could be greatly improved, simply by improving Snapping:


    1. When moving the playhead to the end of a clip in the ECW, dragging a keyframe to the end, or jumping to the end with the 'Go to next edit point' shortcut, the playhead and/or keyframe should automatically snap to the beginning of the last frame rather than to the end of it. This way, the clip loaded in the ECW remains visible in the Program Monitor, rather than the ECW and Program Monitor jumping to the next clip!


    2. When turning off 'Pin…

    78 votes

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    16 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  6. Make Premiere compatible with at least ONE older Version.

    I like to have my Premiere Version compatible with at least ONE older Version. Right now it is not. Also it should connect to older AE via Dynamic Link.

    6 votes

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    6 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  7. In Transcript: Export to text file - must include Timecode info!

    In Transcript: Export to text file.. To make this useful it needs to take CLIP NAME (when multiple clips on sequence timeline i.e. all takes) and most importantly TIMECODE info across so my (old school) documentary director can make a paper edit from interviews etc. Then provide me with clip names and time codes to build the assembly. (often barked down the phone!)

    If I was self-directing and doing a project entirely within Premier. fine, I wouldn't need to export anything.
    But filmmaking is a collaboration and the director doesn't want to touch the edit program but happy to look…

    11 votes

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    2 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  8. Middle mouse button to zoom/move Program Monitor image (just like in AE!)

    After Effects users can zoom and move their Composition around by scrolling or click dragging their mouse's middle button.

    This is extremely helpful, so why not have the same features in Premiere in the Program and Source Monitors?

    Wherever possible, Adobe should strive to provide the greatest amount of compatible features between programs!

    ps. Adobe rep Bruce Bullis need not respond with another silly comment as he did to decline another FR requesting the same thing: "Most users don’t have middle mouse buttons, which makes it hard for us to rely on its presence." If there's enough AE users with…

    19 votes

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    2 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  9. Create single Multicamera Source Sequence while syncing with audio

    At the moment you can only use “Create single Multicamera Source Sequence” while syncing with timecode and the metadata of “Camera Label” and “Camera Angle”. In our production environment it would be very helpful if we had those same options while synchronizing using audio because if you synchronize your clips via audio and want to use them in a browse sequence, it sadly loses its multicamera properties.

    5 votes

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    0 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  10. Proxies created from clips with 4-channel audio have audio channels wrong

    I have footage with 4-channel audio. These clips are from a Sony PXW-X70 and a Canon C70. When I add these clips to my timeline and play them, I see all 4 bars in the audio meters move, and I hear all 4 channels of audio. See screenshot 1.

    If I create proxies using the Premiere built-in presets (QuickTime / ProRes High Res Proxy), then the proxies for the 4-channel clips have all the audio channels mapped to channel 1. Only the channel 1 bar moves, and I hear the audio all from the left speaker. See screenshot 2.

    Switching…

    1 vote

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    4 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  11. Better Program Monitor Snapping to Sequence Boundaries and Guides (Snap to Guides)


    • Ability to snap footage to Sequence boundaries

    • Ability to snap footage to Guides

    • Ability to snap mask edges/points to Guides

    • Ability to snap pen tool to guides

    17 votes

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    6 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  12. Click and Drag to Delete and Ripple Tool

    Quite often I need to edit out Pauses or "Errrr", "Soooo", "Uhhhm". And the way I do it is using the C tool to cut that segment, and then shift deleting that part, to ripple move it. I do that a lot...
    I'm requesting a new tool which allows me to click and drag over the segment in the timeline, which then deletes and ripples it out in one go.

    That would be super helpful.
    I'm happy to demonstrate if it's not clear

    1 vote

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    3 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  13. Dynamic Spell Check!

    It should be a standard part of any software application. A typo in a video or article or on a poster is the kiss of death. Once you've made that impression with the public, it is hard to erase. Since Adobe is using AI to streamline the experience for users, it seems like a minor task to employ dynamic spell check in all its applications. PLEASE make this part of an update.

    7 votes

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    2 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  14. Numeric entry for various timecodes

    For being able to navigate in your source material mor efficiently it would be good to have an option to change the type of timecode you want to enter numerically. Especially when you made a sequence of your "raw" footage having only the master TC of said sequence is sadly not helpful at all.

    An option where you could switch the type of timecode (source video tc, source audio tc, etc.) you want to enter or jump to would be extremely useful and valuable

    10 votes

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    1 comment  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  15. Reset duration not working

    Hello! I am working with a responsive time .mogrt, after adjusting the clip duration by dragging the in/out points, I would like to reset the clip duration, however graphics > reset clip duration isn't doing anything. Am I doing something wrong here?

    PP V15.2.0 (build 35)
    15" 2017 MBP OS 10.15.7

    1 vote

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    2 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  16. Please Fix Video Playback Buffering

    Something needs to be done with the playback buffering in the timeline for premiere pro. I understand you can make proxies but it doesn't work for quick deadlines.

    For example, how can windows movie maker play the video files smooth then all of a sudden you put a movie file into a professional editing software and it can't handle it.

    It needs to be rethought and reimagined for quicker editing. I almost want to throw the PC off the balcony because it's so painfully slow.

    My PC is cinebench 6200 too so it's by all means not a slow machine.

    4 votes

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    0 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  17. 3 votes

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    3 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  18. Automatically change track keyframes according to changes made to the timeline

    When you finalised a news piece for example and are finished with the audio mix and then you make changes in the timeline by deleting a shot or something like that, the track keyframes stay at the same position regardless of the change, so you basically have to do the whole audio mixing again. This would be crucial for work in time critical surroundings.

    7 votes

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    0 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  19. Adobe Audition's "Delete Silence" Feature for Premiere Pro.

    Just like Adobe Audition's "Delete Silence" feature, but in Premiere Pro. The only difference is that the audio will also ripple cut it's linked video.

    With an unbelievable amount of YouTubers having to manually edit videos like this, and with Adobe coming out with seemingly more taxing features like "Smart Edit" and "Scene Edit Detection", I think the is wholly possible and will absolutely be heavily utilized.

    Edit: A really necessary aspect to this would be that the cuts need to be accessible to the user, much like they are with "Scene Edit Detection".

    5 votes

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    3 comments  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
  20. "Ripple Trim Previous Edit To Playhead" is trimming to the wrong frame

    "Ripple Trim Previous Edit To Playhead" has not been working correctly for a few versions.

    Instead of trimming to the exact frame that was chosen, it trims to 1 frame AFTER.

    This needs to be fixed ASAP, because it affects the accuracy of the cut.

    2 votes

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    1 comment  ·  Editing  ·  Flag idea as inappropriate…  ·  Admin →
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