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In an effort to improve communications between you and the Premiere Pro team, we are moving this feedback forum to the Premiere Pro page on the Adobe Support Community. As requested, bugs and feature requests will be able to live separately in that forum.

This move is happening in part to acknowledge that we haven't been responsive enough here, and we are combining our forums to help remedy that. Ideas and their attached comments from this UserVoice forum will be migrated based on how many people voted for them. Check your profile on the Adobe Support Community to see any migrated posts that you've created or commented on. If you have an item here that did not make the migration, please bring it over to our new home.

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479 results found

  1. 2 votes

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  2. 1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  3. Lumetri Curves - allow reshaping even if top of control box is not visible

    It's currently not possible to control the curves unless the top of the black box is visible on the screen. This can make controlling nodes towards the bottom of the box very difficult at times.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  4. ACES COLOR SPACE IS A MUST

    Its is the future of color. Adobe team is staying behind, I hope its not left behind. ACES should of been available a long time ago. whoever is in charge of color on Adobes team. Please pay attention

    8 votes

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  5. Issue saving .cube with Lumetri RGB white curve manipulation

    I color correct and save a .cube file where I utilize the white curve in the RGB curve tool of Lumetri; when I attempt to apply this .cube file to a new clip, it completely blows out the image giving me just a white screen.
    I've gone through all the different settings in my corrections and the only time this happens is if I use the white curve of the RGB curve tool AND save it as a .cube file. If I avoid using the white curve the .cube file affects my new clip just fine; if I use the…

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  6. Need threeway-color corrector in premiere pro 2021 for apple silicon

    Need threeway-color corrector in premiere pro 2021 for apple silicon

    2 votes

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  7. scopes not updating

    Lumetri Scopes are not updating accordingly when making color adjustments. I have to continually jump from the Color workspace to any other workspace and back to Color, for scopes to update properly. Please fix this bug! (Adobe Premiere Pro 2021 v15.4.1)

    11 votes

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  8. Really need a reconnect LUT option at startup like fonts or media

    It seems as if, when switching to a new machine, if the LUT used doesn't exist it will just choose a LUT that is in the same position on the list. Example: If I apply a Canon Rec709 LUT listed as the sixth option from the top in the dropdown and then move to my desktop where I don't have it installed in the LUT folder, it will choose whatever is in position 6 on the new machine and ***** everything up. Please add this functionality to the startup scans and allow to browse and reconnect.

    5 votes

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  9. hello, i cant import my luts. please help. like they physically wont open

    hello, i just need help because i physically cannot open my luts

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  10. Comparison View should select adjacent clip

    When I use the Color Match tool in Lumetri, 99 out of 100 times it's to match the clip selected to the one before or after it. Currently however Comparison View's reference clip remembers the last one that was selected and I waste a lot of time scrubbing.

    I wonder how most people usually use the feature? Like I do, or to grade to a particular ref shot?

    If it's overwhelmingly the former than I humbly suggest the behaviour is changed so it automatically picks the adjacent clip as the reference.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  11. Allow for keyframing of Curves either within Lumetri or a separate effect completely.

    Allow for keyframing of Curves either within Lumetri or a separate effect completely. I cannot describe how much simpler my job on the daily would be if this effect was keyframe-able. Tweaking shadows, blacks etc, vs just bringing up the mid curves when doing simple rough compositing would be amazing. I don't want to have to create a new after effects project just to do this every time. Everything else in Lumetri can be keyframed, why not this?

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  12. Display Color Management

    Hello everyone. Tell me, who has encountered the setup of Display Color Management in Pro? Who has problems choosing the right color. How do I need to configure the pipette to work properly? If there are any professional tips?

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  13. Lift

    Can we have a lift colour wheel like resolve.
    It’s really useful when correcting for colour shifts and just generally a professional tool.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  14. Dissociate RED "Output Transform Settings" from RED Source Settings in Master Clip Effects

    (Sorry for my bad english)

    Since PPro 14.8, default output settings for RED file has changed : default color profile is LOG and not REC709. That is a good thing for some of us, but some as me like to edit their clips in REC709 before using LOG for colorgrading.

    Actually there is tree ways to change the default LOG ouput, and none of them is good :
    - Change clip by clip the settings, very long and if I want to go back I have to redo it again
    - Add a Lumetri effect with an output LUT on…

    2 votes

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  15. カラーでの色調整をノード形式にしてほしいです

    カラコレ?などをする時に、何重にもカラコレ。色調整をすると何段も
    ビデオや調整レイヤーを重ねるごとに再生が遅くなるし
    途中の色を直しどけでは済まずに、上の段に置いていないと上手く色調整が出来ないです。なので、特許とかあるとは思いますが、node形式にして欲しいです。

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  16. Issue applying effects (warp stabiliser or lumetri color)

    When applying effects to clips it causes the color to blow out and appear overexposed. This doesn't happen for every clip and can sometimes be avoided by nesting but this is very frustrating.

    1 vote

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  17. 1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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  18. incorrect luminance levels introduced in v15.2

    In 15.0 and 15.1, 422-10-bit footage from the Canon EOS R6 appears to be correct. Superwhites at 110 IRE, and black between 0 and 10 IRE.

    Now in 15.2, the levels seem wrong. White is clipping at 100 IRE rather than 110, and the black level seems elevated above 10 IRE.

    Screenshot attached.

    1 vote

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  19. Export Frame JPEG "looks darker" (embedded sRGB color profile should be Rec.709)

    Since 14.4.0, when using Export Frame to export a JPEG, it is darker than a PNG or TIFF export, while they used to be consistent.

    This can easily be reproduced by adding a HD Bars and Tone in a fresh project/sequence and using Export Frame to export a JPEG and PNG still, and comparing them in Photoshop.

    That "darker" output is exactly the difference between sRGB IEC61966-2.1 and Rec.709 Gamma 2.4, for example if you open the "good" PNG in Photoshop assign it a Rec.709 Gamma 2.4 profile (Edit => Assign Profile) it now looks like the JPEG. But Premiere…

    4 votes

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  20. Lumetri effects lose editing scope in multicam sequences on any setting change

    This is a bug that has really annoyed me for years and I just got around to writing it up. So I use multicam sequences for all of my interviews (normally two HD or 4K cameras with synced audio, and a separate high quality wav file synced through pluraleyes and imported to premiere via XML). When I take the synced multicam sequence and cut pieces of them into another timeline to create a video with the multicam option enabled on each clip in the sequence - and then hop inside of the main multicam nested sequence to color my footage…

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Admin →
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