Premiere Pro

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463 results found

  1. Instead of not automatically adding the AMIRA LUT Adobe now adds the LUT automatically without lettings us remove it

    OK for years I have been complaining about the AMIRA LUT and how Premiere Pro automatically added it to the Master Effects (now source effects) in Premiere Pro on any Alexa footage that you import into Premiere Pro.

    Well now in 2022 and it looks like at least the latest 2021, Premiere automatically adds the AMIRA LUT to any imported Alexa Footage, but it is no longer in the Source Effects settings, you just can't not have the AMIRA Lut activated. WTF!!!!

    At least with the previous behavior I could turn the **** LUT off and do my own correct…

    2 votes

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  2. color

    Introduce color warper tools, like DaVinci Resolve / the 3D LUT creator plugin.
    It would be a great addition to the grading workflow, and I'm sure it would be licensable.

    1 vote

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  3. Lumetri and Warp Stabilizer Bug (Premiere Pro silicon)

    This has been a problem since the beta but when ever I apply Lumetri on a clip and then apply Warp Stabilizer I get a white screen on the timeline. It also exports as a white screen. However if I move the Warp Stabilizer effect to be first and Lumetri to be second the white screen goes away. This error also happen to my co-worker who is also working on the Mac Mini with the M1 chip.

    1 vote

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  4. Bug when Lumetri and Warp Stabilizer are applied in Premiere Pro silicon

    This has been a problem since the beta but when ever I apply Lumetri on a clip and then apply Warp Stabilizer I get a white screen on the timeline. It also exports as a white screen. However if I move the Warp Stabilizer effect to be first and Lumetri to be second the white screen goes away. This error also happen to my co-worker who is also working on the Mac Mini with the M1 chip.

    4 votes

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  5. move straight holding shift (or any modifier key) to curves points.

    When adding a point to a curve (ex Hue vs Sat) being able to move the point left to right to widen the selection without damaging the whole image by moving it 2 points up or down would be GREAT.

    1 vote

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  6. 2 votes

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  7. 1 vote

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  8. Lumetri Curves - allow reshaping even if top of control box is not visible

    It's currently not possible to control the curves unless the top of the black box is visible on the screen. This can make controlling nodes towards the bottom of the box very difficult at times.

    1 vote

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  9. ACES COLOR SPACE IS A MUST

    Its is the future of color. Adobe team is staying behind, I hope its not left behind. ACES should of been available a long time ago. whoever is in charge of color on Adobes team. Please pay attention

    8 votes

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  10. Issue saving .cube with Lumetri RGB white curve manipulation

    I color correct and save a .cube file where I utilize the white curve in the RGB curve tool of Lumetri; when I attempt to apply this .cube file to a new clip, it completely blows out the image giving me just a white screen.
    I've gone through all the different settings in my corrections and the only time this happens is if I use the white curve of the RGB curve tool AND save it as a .cube file. If I avoid using the white curve the .cube file affects my new clip just fine; if I use the…

    1 vote

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  11. Need threeway-color corrector in premiere pro 2021 for apple silicon

    Need threeway-color corrector in premiere pro 2021 for apple silicon

    2 votes

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  12. scopes not updating

    Lumetri Scopes are not updating accordingly when making color adjustments. I have to continually jump from the Color workspace to any other workspace and back to Color, for scopes to update properly. Please fix this bug! (Adobe Premiere Pro 2021 v15.4.1)

    9 votes

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  13. Really need a reconnect LUT option at startup like fonts or media

    It seems as if, when switching to a new machine, if the LUT used doesn't exist it will just choose a LUT that is in the same position on the list. Example: If I apply a Canon Rec709 LUT listed as the sixth option from the top in the dropdown and then move to my desktop where I don't have it installed in the LUT folder, it will choose whatever is in position 6 on the new machine and ***** everything up. Please add this functionality to the startup scans and allow to browse and reconnect.

    4 votes

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  14. hello, i cant import my luts. please help. like they physically wont open

    hello, i just need help because i physically cannot open my luts

    1 vote

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  15. Comparison View should select adjacent clip

    When I use the Color Match tool in Lumetri, 99 out of 100 times it's to match the clip selected to the one before or after it. Currently however Comparison View's reference clip remembers the last one that was selected and I waste a lot of time scrubbing.

    I wonder how most people usually use the feature? Like I do, or to grade to a particular ref shot?

    If it's overwhelmingly the former than I humbly suggest the behaviour is changed so it automatically picks the adjacent clip as the reference.

    1 vote

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  16. Allow for keyframing of Curves either within Lumetri or a separate effect completely.

    Allow for keyframing of Curves either within Lumetri or a separate effect completely. I cannot describe how much simpler my job on the daily would be if this effect was keyframe-able. Tweaking shadows, blacks etc, vs just bringing up the mid curves when doing simple rough compositing would be amazing. I don't want to have to create a new after effects project just to do this every time. Everything else in Lumetri can be keyframed, why not this?

    1 vote

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  17. Display Color Management

    Hello everyone. Tell me, who has encountered the setup of Display Color Management in Pro? Who has problems choosing the right color. How do I need to configure the pipette to work properly? If there are any professional tips?

    1 vote

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  18. Lift

    Can we have a lift colour wheel like resolve.
    It’s really useful when correcting for colour shifts and just generally a professional tool.

    1 vote

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  19. Dissociate RED "Output Transform Settings" from RED Source Settings in Master Clip Effects

    (Sorry for my bad english)

    Since PPro 14.8, default output settings for RED file has changed : default color profile is LOG and not REC709. That is a good thing for some of us, but some as me like to edit their clips in REC709 before using LOG for colorgrading.

    Actually there is tree ways to change the default LOG ouput, and none of them is good :
    - Change clip by clip the settings, very long and if I want to go back I have to redo it again
    - Add a Lumetri effect with an output LUT on…

    2 votes

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  20. カラーでの色調整をノード形式にしてほしいです

    カラコレ?などをする時に、何重にもカラコレ。色調整をすると何段も
    ビデオや調整レイヤーを重ねるごとに再生が遅くなるし
    途中の色を直しどけでは済まずに、上の段に置いていないと上手く色調整が出来ないです。なので、特許とかあるとは思いますが、node形式にして欲しいです。

    1 vote

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