Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Clip turns white when using any of the Curves with Unsharp Mask

    Video clip turns all white when combining any of the Curves adjustment with Unsharp Mask, it even exports as such.

    Last week I was able to solve this issue by applying those effects in two separate adjustment layers on top of a clip but now it seems that method does not work anymore. If I have a clip/s or adjustment layer/s with Unsharp Mask applied then I cannot have another clip/adjustment layer directly above or below it with any curves adjusted, no matter how small the curves adjustment is.

    Apple M1, OS Monterey, Premier Pro 2022

    1 vote

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  2. Premiere Pro read my standard HLG footage as REC.2100 HLG in rec709 sequence.

    Im facing a problem with latest update. Premiere Pro read my standard HLG footage as REC.2100 HLG in rec709 color space sequence. I need to modify and override my footage to rec709 before editing. This happen mostly on sony users.

    1 vote

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  3. BUG ? Color picker not selecting the right color if picking on 2nd screen

    When using picker for ultrakey or other feature, I cannot pick the color from program window on a second screen... the color is always wrong.
    I need to move the "program window" on first screen or open the popup wheel color and use it picker, often working. This is really time consuming : moving program window + picking + moving program window + resizing (see past request about "program window" auto resizing request)

    1 vote

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  4. Color Correcting by eye dropper tool (skin)

    It would be great to have an eye dropper tool to select the skin - then it color corrects the image by adjusting so the "skin tone line" is perfectly aligned (in vectorscope), that would be helpful in situations where other tools fail.

    2 votes

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  5. Disable the auto color function

    When I import the MXF files shooted by Sony FS9, the 2022 version will automaticlly tuned my original slog footage to "normal" color if i drag them to timeline or even making a proxy, it's very annoying and I couldn't find a way to disable this function or turn my footages back to SLOG, I thought it's a lut, but it is not. It took me few days to find a solution, and then I found it's totally normal if I downgrade to 2021.

    Attached photos are the screencap of same timeline open at version 2021 and 2022

    8 votes

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  6. Premiere Color Options | Toolkit

    To be honest, there are not enough more flexible tools in the color panel. For example: restoration of overexposed frames, as well as a gradient tool for more accurate correction of certain areas in the clip.

    1 vote

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  7. Easy and quick way to add a Lumetri filter to the following -or previous- clip.

    Would be awesome to have in the Lumetri panel an arrow left or right to simply and quickly copy the Lunetri filter to the following or previous clip. FCP has had that feature for a long time.

    1 vote

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  8. 3 votes

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  9. apply color correction From Previous clip with keyboard Shortcut

    Apply Color Grade from one clip Prior with Keyboard Shortcut

    3 votes

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  10. BUG - Production bug: original clip color space doesn't update

    When working in a production - one project has source footage, and second has sequences. since premiere 2020, clips now have "colorspace" which is automatic (in my case sony slog2). but since I've exposed +2 stops over I use REC 709 (scene) or REC 709 manually to leave it as is. WHEN IN PRODUCTION updating the footage color space in original project does not update the clips in the second (seq) projects. Even if copying the SEQUANCE over - it does not work and keeps the original color space settings.

    1 vote

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  11. Fixing the way Premiere V22 overexposes certain footage

    Multiple users report problem with HLG and SLOG footage that gets overexposed in Premiere Pro v22 after importing it into the project. In my case dealing with overexposed H.264 4:2:2 SLOG3.cine none of the fixes mentioned in groups and forums do the trick to fix the exposure. Interpreting footage to Rec. 709, making sure sequence is Rec. 709, ticking ''colour management'' in general preferences - nothing. The footage is also behaving normal on my windows laptop and issues occur on M1 Pro machine (same files, same versions of Premiere, same settings, I attach pictures of waveform from both computers). Please…

    18 votes

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  12. Major Bug with Arri LUTS

    Having a major issue with a client using Pr 2022 (latest version that I'm also using). We both have the same Alexa files. We've both went into interpret footage and turned off the default LUT Pr applies (This is not helpful BTW, please come up with a better way of disabling this).

    Problem occurs when my client adds the exact same Arri 709 LUT I'm using. He's getting a hideously dark image that looks like 2-3 LUTs have been applied. His waveform is also showing levels that are way below mine. To add to that, when I export a Jpeg…

    1 vote

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  13. INTERPRET Color Management PrPro v.22.0 | Serious problem

    Adobe developers also need to pay attention to the development of raw images in the new color management feature. When using LUT for LOG/RAW media, the software monitor does not display the developed material. Although on the timeline, when opening the media icons, it is clear that the LUT has been applied to clips.

    Here is described and screenshots:
    https://community.adobe.com/t5/premiere-pro-discussions/interpret-color-management-prpro-v-22-0-pay-attention-to-the-problem/m-p/12530129#M379145

    1 vote

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  14. INTERPRET Color Management PrPro v.22.0 | Serious problem

    Adobe developers also need to pay attention to the development of raw images in the new color management feature. When using LUT for LOG/RAW media, the software monitor does not display the developed material. Although on the timeline, when opening the media icons, it is clear that the LUT has been applied to clips.

    https://community.adobe.com/t5/premiere-pro-discussions/interpret-color-management-prpro-v-22-0-pay-attention-to-the-problem/m-p/12530129#M379145

    1 vote

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  15. Auto Tone All Clips with One Click

    I am wondering if there is a way to add the auto tone lumetri effect to all of the clips in a timeline/sequence in one click. This is a great addition, if you could add this to all of the clips in a timeline that would be revolutionary. That would allow us to basically put a lut on all of the clips in a timeline immediatley (helps in assembly with LOG footage and footage that is already color corrected).

    2 votes

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  16. Lumetri in a multi-camera sequence

    Premiere cannot be edited using lumetri in a multi-camera sequence...

    1 vote

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  17. Adjusting lumetri color breaks playback

    I have a linked video and audio clip, edited, insert a clip to cover the edit and adjust lumetry basic correction, color balance or tone settings. Video on playback suddenly doesn't match audio and is unusable

    1 vote

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  18. Dolby Vision

    Dolby Vision in Lumetri

    1 vote

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  19. False Color Feature in Premiere Pro and Rec 709 regular

    False Color Feature in Premiere Pro and ReC 709 lookup table regular

    1 vote

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  20. Moving the AMIRA LUT to Interpret Footage Color Management takes more steps to remove AMIRA LUT, how about an option to not apply ever?

    Premiere Pro 2022 and Premiere Pro 2021 (at least the most recent version) has changed where the Alexa AMIRA LUT is, but it now actually takes more steps than it previously did to remove it. Really though I want an option to never have it on any of my ALEXA footage, if I want to add a LUT please let me add a LUT on my own.

    In Premiere Pro 2019 I could right click on all my clips and select disable master clips. Now I right click on a clip, go into the the modify sub menu and select…

    4 votes

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