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In an effort to improve communications between you and the Premier Pro team, we are moving this feedback forum to the Premiere Pro page on the Adobe Support Community. As requested, bugs and feature requests will be able to live separately in that forum.

This move is happening in part to acknowledge that we haven't been responsive enough here, and we are combining our forums to help remedy that. Ideas and their attached comments from this UserVoice forum will be migrated based on how many people voted for them. Check your profile on the Adobe Support Community to see any migrated posts that you've created or commented on. If you have an item here that did not make the migration, please bring it over to our new home.

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479 results found

  1. INCORRECT preview LUTs in the Color panel in Premiere.

    Fix the LUTs display in the LUTs preview window on the Color tab. I explain that the LUTs display in the window is displayed only if viewed from the very first LUT in the list. And then if you need to choose another one you like, then you need to scroll the list again to the desired one. It is incomprehensible to the mind who invented it and what he was thinking about. How do you imagine to view the preset I need in the window before applying it, if I have more than 150 LUT? answer my question and…

    1 vote

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  2. BUG: curves in lumetri breaks footage in nested sequence inside mogrt

    My MOGRTs successfully allow you to put a nested sequence inside a mogrt, but when I apply Lumetri's curves to the footage directly or with an adjustment layer, the mogrt no longer renders the image, its becomes a white screen.

    1 vote

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  3. NEW TOOL COLOR TRANSFORM Premiere 22

    When the necessary new tool for developing material from the camera appears on the color page without losing information in details. Without LUTs. Straight from the camera. So that there is 100% detail without distortion of the color space. This tool is needed right now. For example, the name Convert the color with the camera profile settings and boom the purest quality of the development frame in Premiere.

    Cool?

    1 vote

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  4. Farbkorrektur

    Wenn ich Automatisch Farbkorrektur mache so sollte es am anfang der Clip die Markierung gesetz werden.

    1 vote

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  5. Why are the latest versions 22.1 and 22.0 are unstable on Win10 21H2

    Can you make these versions more reliable working win10 21h2? using the Secondary CC is totally unstable, it has crashed.

    1 vote

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  6. Hotkeys assigned to expand each or the 6 Lumetri panel options while in sequence panel

    While the sequence panel is active, any individual panel within Lumetri (Basic Correction, Creative, Color Wheel, HSL, Vignette) could be expanded for use with its own user defined hotkey. That would reduce mouse clicks by going directly to the expanded panel of choice without first selecting Lumetri, then selecting a panel with in it.

    1 vote

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  7. Auto Tone All Clips with One Click

    I am wondering if there is a way to add the auto tone lumetri effect to all of the clips in a timeline/sequence in one click. This is a great addition, if you could add this to all of the clips in a timeline that would be revolutionary. That would allow us to basically put a lut on all of the clips in a timeline immediatley (helps in assembly with LOG footage and footage that is already color corrected).

    2 votes

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  8. Premiere Pro read my standard HLG footage as REC.2100 HLG in rec709 sequence.

    Im facing a problem with latest update. Premiere Pro read my standard HLG footage as REC.2100 HLG in rec709 color space sequence. I need to modify and override my footage to rec709 before editing. This happen mostly on sony users.

    1 vote

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  9. BUG ? Color picker not selecting the right color if picking on 2nd screen

    When using picker for ultrakey or other feature, I cannot pick the color from program window on a second screen... the color is always wrong.
    I need to move the "program window" on first screen or open the popup wheel color and use it picker, often working. This is really time consuming : moving program window + picking + moving program window + resizing (see past request about "program window" auto resizing request)

    1 vote

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  10. Adjusting lumetri color breaks playback

    I have a linked video and audio clip, edited, insert a clip to cover the edit and adjust lumetry basic correction, color balance or tone settings. Video on playback suddenly doesn't match audio and is unusable

    1 vote

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  11. Instead of not automatically adding the AMIRA LUT Adobe now adds the LUT automatically without lettings us remove it

    OK for years I have been complaining about the AMIRA LUT and how Premiere Pro automatically added it to the Master Effects (now source effects) in Premiere Pro on any Alexa footage that you import into Premiere Pro.

    Well now in 2022 and it looks like at least the latest 2021, Premiere automatically adds the AMIRA LUT to any imported Alexa Footage, but it is no longer in the Source Effects settings, you just can't not have the AMIRA Lut activated. WTF!!!!

    At least with the previous behavior I could turn the **** LUT off and do my own correct…

    2 votes

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  12. Premiere Color Options | Toolkit

    To be honest, there are not enough more flexible tools in the color panel. For example: restoration of overexposed frames, as well as a gradient tool for more accurate correction of certain areas in the clip.

    1 vote

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  13. Easy and quick way to add a Lumetri filter to the following -or previous- clip.

    Would be awesome to have in the Lumetri panel an arrow left or right to simply and quickly copy the Lunetri filter to the following or previous clip. FCP has had that feature for a long time.

    1 vote

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  14. ACES colour space PLEEEEAAAASSSSEEEEEE!!!! :)

    Please include ACES as an option for colour workflow. Would also be very nice to have the metadata for Sony FX series cameras usable in Pr. Stabalisation and ISO EI would be great!!!

    12 votes

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  15. 2 votes

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  16. BUG - Production bug: original clip color space doesn't update

    When working in a production - one project has source footage, and second has sequences. since premiere 2020, clips now have "colorspace" which is automatic (in my case sony slog2). but since I've exposed +2 stops over I use REC 709 (scene) or REC 709 manually to leave it as is. WHEN IN PRODUCTION updating the footage color space in original project does not update the clips in the second (seq) projects. Even if copying the SEQUANCE over - it does not work and keeps the original color space settings.

    1 vote

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  17. Major Bug with Arri LUTS

    Having a major issue with a client using Pr 2022 (latest version that I'm also using). We both have the same Alexa files. We've both went into interpret footage and turned off the default LUT Pr applies (This is not helpful BTW, please come up with a better way of disabling this).

    Problem occurs when my client adds the exact same Arri 709 LUT I'm using. He's getting a hideously dark image that looks like 2-3 LUTs have been applied. His waveform is also showing levels that are way below mine. To add to that, when I export a Jpeg…

    1 vote

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  18. Update turned all my video blue

    Updated to Premiere Pro 15.0 build 41, and it turned all of my canon.mxf files blue! The original footage is not blue of course, only when I am in premiere. Old projects, and also when I create new ones. HELP!!!!!! Say no to the smurfs!

    5 votes

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  19. INTERPRET Color Management PrPro v.22.0 | Serious problem

    Adobe developers also need to pay attention to the development of raw images in the new color management feature. When using LUT for LOG/RAW media, the software monitor does not display the developed material. Although on the timeline, when opening the media icons, it is clear that the LUT has been applied to clips.

    Here is described and screenshots:
    https://community.adobe.com/t5/premiere-pro-discussions/interpret-color-management-prpro-v-22-0-pay-attention-to-the-problem/m-p/12530129#M379145

    1 vote

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  20. INTERPRET Color Management PrPro v.22.0 | Serious problem

    Adobe developers also need to pay attention to the development of raw images in the new color management feature. When using LUT for LOG/RAW media, the software monitor does not display the developed material. Although on the timeline, when opening the media icons, it is clear that the LUT has been applied to clips.

    https://community.adobe.com/t5/premiere-pro-discussions/interpret-color-management-prpro-v-22-0-pay-attention-to-the-problem/m-p/12530129#M379145

    1 vote

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