Lumetri Scopes are not updating accordingly when making color adjustments. I have to continually jump from the Color workspace to any other workspace and back to Color, for scopes to update properly. Please fix this bug! (Adobe Premiere Pro 2021 v15.4.1)

This has been a problem since the beta but when ever I apply Lumetri on a clip and then apply Warp Stabilizer I get a white screen on the timeline. It also exports as a white screen. However if I move the Warp Stabilizer effect to be first and Lumetri to be second the white screen goes away. This error also happen to my co-worker who is also working on the Mac Mini with the M1 chip.

22.1.1 update broke the Lumetri Color effect's Auto button https://community.adobe.com/t5/premiere-pro-discussions/22-1-1-update-broke-the-lumetri-color-effect-s-auto-button-where-do-i-report-the-bug/td-p/12595030

Its is the future of color. Adobe team is staying behind, I hope its not left behind. ACES should of been available a long time ago. whoever is in charge of color on Adobes team. Please pay attention

It would be great to have an eye dropper tool to select the skin - then it color corrects the image by adjusting so the "skin tone line" is perfectly aligned (in vectorscope), that would be helpful in situations where other tools fail.

It seems as if, when switching to a new machine, if the LUT used doesn't exist it will just choose a LUT that is in the same position on the list. Example: If I apply a Canon Rec709 LUT listed as the sixth option from the top in the dropdown and then move to my desktop where I don't have it installed in the LUT folder, it will choose whatever is in position 6 on the new machine and ***** everything up. Please add this functionality to the startup scans and allow to browse and reconnect.

Can you make these versions more reliable working win10 21h2? using the Secondary CC is totally unstable, it has crashed.

While the sequence panel is active, any individual panel within Lumetri (Basic Correction, Creative, Color Wheel, HSL, Vignette) could be expanded for use with its own user defined hotkey. That would reduce mouse clicks by going directly to the expanded panel of choice without first selecting Lumetri, then selecting a panel with in it.

Im facing a problem with latest update. Premiere Pro read my standard HLG footage as REC.2100 HLG in rec709 color space sequence. I need to modify and override my footage to rec709 before editing. This happen mostly on sony users.

When using picker for ultrakey or other feature, I cannot pick the color from program window on a second screen... the color is always wrong.
I need to move the "program window" on first screen or open the popup wheel color and use it picker, often working. This is really time consuming : moving program window + picking + moving program window + resizing (see past request about "program window" auto resizing request)

I have a linked video and audio clip, edited, insert a clip to cover the edit and adjust lumetry basic correction, color balance or tone settings. Video on playback suddenly doesn't match audio and is unusable

When I import the MXF files shooted by Sony FS9, the 2022 version will automaticlly tuned my original slog footage to "normal" color if i drag them to timeline or even making a proxy, it's very annoying and I couldn't find a way to disable this function or turn my footages back to SLOG, I thought it's a lut, but it is not. It took me few days to find a solution, and then I found it's totally normal if I downgrade to 2021.

Attached photos are the screencap of same timeline open at version 2021 and 2022

To be honest, there are not enough more flexible tools in the color panel. For example: restoration of overexposed frames, as well as a gradient tool for more accurate correction of certain areas in the clip.

Would be awesome to have in the Lumetri panel an arrow left or right to simply and quickly copy the Lunetri filter to the following or previous clip. FCP has had that feature for a long time.

Apply Color Grade from one clip Prior with Keyboard Shortcut

When working in a production - one project has source footage, and second has sequences. since premiere 2020, clips now have "colorspace" which is automatic (in my case sony slog2). but since I've exposed +2 stops over I use REC 709 (scene) or REC 709 manually to leave it as is. WHEN IN PRODUCTION updating the footage color space in original project does not update the clips in the second (seq) projects. Even if copying the SEQUANCE over - it does not work and keeps the original color space settings.

Updated to Premiere Pro 15.0 build 41, and it turned all of my canon.mxf files blue! The original footage is not blue of course, only when I am in premiere. Old projects, and also when I create new ones. HELP!!!!!! Say no to the smurfs!