Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Fixing the way Premiere V22 overexposes certain footage

    Multiple users report problem with HLG and SLOG footage that gets overexposed in Premiere Pro v22 after importing it into the project. In my case dealing with overexposed H.264 4:2:2 SLOG3.cine none of the fixes mentioned in groups and forums do the trick to fix the exposure. Interpreting footage to Rec. 709, making sure sequence is Rec. 709, ticking ''colour management'' in general preferences - nothing. The footage is also behaving normal on my windows laptop and issues occur on M1 Pro machine (same files, same versions of Premiere, same settings, I attach pictures of waveform from both computers). Please…

    8 votes

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  2. scopes not updating

    Lumetri Scopes are not updating accordingly when making color adjustments. I have to continually jump from the Color workspace to any other workspace and back to Color, for scopes to update properly. Please fix this bug! (Adobe Premiere Pro 2021 v15.4.1)

    4 votes

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    4 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  3. Bug when Lumetri and Warp Stabilizer are applied in Premiere Pro silicon

    This has been a problem since the beta but when ever I apply Lumetri on a clip and then apply Warp Stabilizer I get a white screen on the timeline. It also exports as a white screen. However if I move the Warp Stabilizer effect to be first and Lumetri to be second the white screen goes away. This error also happen to my co-worker who is also working on the Mac Mini with the M1 chip.

    3 votes

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    2 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  4. 3 votes

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  5. ACES COLOR SPACE IS A MUST

    Its is the future of color. Adobe team is staying behind, I hope its not left behind. ACES should of been available a long time ago. whoever is in charge of color on Adobes team. Please pay attention

    5 votes

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  6. Color Correcting by eye dropper tool (skin)

    It would be great to have an eye dropper tool to select the skin - then it color corrects the image by adjusting so the "skin tone line" is perfectly aligned (in vectorscope), that would be helpful in situations where other tools fail.

    2 votes

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  7. Really need a reconnect LUT option at startup like fonts or media

    It seems as if, when switching to a new machine, if the LUT used doesn't exist it will just choose a LUT that is in the same position on the list. Example: If I apply a Canon Rec709 LUT listed as the sixth option from the top in the dropdown and then move to my desktop where I don't have it installed in the LUT folder, it will choose whatever is in position 6 on the new machine and ***** everything up. Please add this functionality to the startup scans and allow to browse and reconnect.

    3 votes

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    2 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  8. Moving the AMIRA LUT to Interpret Footage Color Management takes more steps to remove AMIRA LUT, how about an option to not apply ever?

    Premiere Pro 2022 and Premiere Pro 2021 (at least the most recent version) has changed where the Alexa AMIRA LUT is, but it now actually takes more steps than it previously did to remove it. Really though I want an option to never have it on any of my ALEXA footage, if I want to add a LUT please let me add a LUT on my own.

    In Premiere Pro 2019 I could right click on all my clips and select disable master clips. Now I right click on a clip, go into the the modify sub menu and select…

    2 votes

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    1 comment  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  9. Why are the latest versions 22.1 and 22.0 are unstable on Win10 21H2

    Can you make these versions more reliable working win10 21h2? using the Secondary CC is totally unstable, it has crashed.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  10. Hotkeys assigned to expand each or the 6 Lumetri panel options while in sequence panel

    While the sequence panel is active, any individual panel within Lumetri (Basic Correction, Creative, Color Wheel, HSL, Vignette) could be expanded for use with its own user defined hotkey. That would reduce mouse clicks by going directly to the expanded panel of choice without first selecting Lumetri, then selecting a panel with in it.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  11. Premiere Pro read my standard HLG footage as REC.2100 HLG in rec709 sequence.

    Im facing a problem with latest update. Premiere Pro read my standard HLG footage as REC.2100 HLG in rec709 color space sequence. I need to modify and override my footage to rec709 before editing. This happen mostly on sony users.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  12. BUG ? Color picker not selecting the right color if picking on 2nd screen

    When using picker for ultrakey or other feature, I cannot pick the color from program window on a second screen... the color is always wrong.
    I need to move the "program window" on first screen or open the popup wheel color and use it picker, often working. This is really time consuming : moving program window + picking + moving program window + resizing (see past request about "program window" auto resizing request)

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  13. Adjusting lumetri color breaks playback

    I have a linked video and audio clip, edited, insert a clip to cover the edit and adjust lumetry basic correction, color balance or tone settings. Video on playback suddenly doesn't match audio and is unusable

    1 vote

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    1 comment  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  14. Disable the auto color function

    When I import the MXF files shooted by Sony FS9, the 2022 version will automaticlly tuned my original slog footage to "normal" color if i drag them to timeline or even making a proxy, it's very annoying and I couldn't find a way to disable this function or turn my footages back to SLOG, I thought it's a lut, but it is not. It took me few days to find a solution, and then I found it's totally normal if I downgrade to 2021.

    Attached photos are the screencap of same timeline open at version 2021 and 2022

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  15. Premiere Color Options | Toolkit

    To be honest, there are not enough more flexible tools in the color panel. For example: restoration of overexposed frames, as well as a gradient tool for more accurate correction of certain areas in the clip.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  16. Easy and quick way to add a Lumetri filter to the following -or previous- clip.

    Would be awesome to have in the Lumetri panel an arrow left or right to simply and quickly copy the Lunetri filter to the following or previous clip. FCP has had that feature for a long time.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  17. apply color correction From Previous clip with keyboard Shortcut

    Apply Color Grade from one clip Prior with Keyboard Shortcut

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  18. BUG - Production bug: original clip color space doesn't update

    When working in a production - one project has source footage, and second has sequences. since premiere 2020, clips now have "colorspace" which is automatic (in my case sony slog2). but since I've exposed +2 stops over I use REC 709 (scene) or REC 709 manually to leave it as is. WHEN IN PRODUCTION updating the footage color space in original project does not update the clips in the second (seq) projects. Even if copying the SEQUANCE over - it does not work and keeps the original color space settings.

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  19. Major Bug with Arri LUTS

    Having a major issue with a client using Pr 2022 (latest version that I'm also using). We both have the same Alexa files. We've both went into interpret footage and turned off the default LUT Pr applies (This is not helpful BTW, please come up with a better way of disabling this).

    Problem occurs when my client adds the exact same Arri 709 LUT I'm using. He's getting a hideously dark image that looks like 2-3 LUTs have been applied. His waveform is also showing levels that are way below mine. To add to that, when I export a Jpeg…

    1 vote

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    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  20. Update turned all my video blue

    Updated to Premiere Pro 15.0 build 41, and it turned all of my canon.mxf files blue! The original footage is not blue of course, only when I am in premiere. Old projects, and also when I create new ones. HELP!!!!!! Say no to the smurfs!

    5 votes

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    5 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
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