Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

  • Type into the idea field to search for submissions or choose from the categories in the sidebar
  • Check out other submissions and vote for the ideas you like
  • If your feature idea or issue is not listed, post it

The UserVoice feedback pages are for feature requests and bug reports only. Upload only content that you have permission to use and refrain from posting personal information (e.g. address, phone number, email, or credit card) or abusive content (spam, phishing links, vulgar language, etc.). Tips for submitting useful feedback

UserVoice is a third-party platform for product feedback. Please note that feedback is voluntary, and you give Adobe a right to use feedback you provide without restrictions.

For all other questions and discussions, visit the Premiere Pro community forum.

  • Hot ideas
  • Top ideas
  • New ideas
  • My feedback
  1. Really need a reconnect LUT option at startup like fonts or media

    It seems as if, when switching to a new machine, if the LUT used doesn't exist it will just choose a LUT that is in the same position on the list. Example: If I apply a Canon Rec709 LUT listed as the sixth option from the top in the dropdown and then move to my desktop where I don't have it installed in the LUT folder, it will choose whatever is in position 6 on the new machine and ***** everything up. Please add this functionality to the startup scans and allow to browse and reconnect.

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    2 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  2. Update turned all my video blue

    Updated to Premiere Pro 15.0 build 41, and it turned all of my canon.mxf files blue! The original footage is not blue of course, only when I am in premiere. Old projects, and also when I create new ones. HELP!!!!!! Say no to the smurfs!

    5 votes

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    5 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  3. Dissociate RED "Output Transform Settings" from RED Source Settings in Master Clip Effects

    (Sorry for my bad english)

    Since PPro 14.8, default output settings for RED file has changed : default color profile is LOG and not REC709. That is a good thing for some of us, but some as me like to edit their clips in REC709 before using LOG for colorgrading.

    Actually there is tree ways to change the default LOG ouput, and none of them is good :
    - Change clip by clip the settings, very long and if I want to go back I have to redo it again
    - Add a Lumetri effect with an output LUT on…

    2 votes

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  4. Issue saving .cube with Lumetri RGB white curve manipulation

    I color correct and save a .cube file where I utilize the white curve in the RGB curve tool of Lumetri; when I attempt to apply this .cube file to a new clip, it completely blows out the image giving me just a white screen.
    I've gone through all the different settings in my corrections and the only time this happens is if I use the white curve of the RGB curve tool AND save it as a .cube file. If I avoid using the white curve the .cube file affects my new clip just fine; if I use the…

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  5. Need threeway-color corrector in premiere pro 2021 for apple silicon

    Need threeway-color corrector in premiere pro 2021 for apple silicon

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  6. User choice to import RED R3D Files as log or rec709 rather than have a default behavir

    Give us the option to have RED R3d files be imported in as either Log or Rec709 rather than have it chosen for us by the program. Having it default to LOG really impacts the speed of our workflow on shorter, less color sensitive projects. Granted we grade from log for a lot of our work but some projects just need to be pushed out the door with a minimum of clicks and time and having to open the master clips to make changes takes a lot of time on a quick turnaround. It would be great to be able…

    6 votes

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    2 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  7. scopes not updating

    Lumetri Scopes are not updating accordingly when making color adjustments. I have to continually jump from the Color workspace to any other workspace and back to Color, for scopes to update properly. Please fix this bug! (Adobe Premiere Pro 2021 v15.4.1)

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  8. incorrect luminance levels introduced in v15.2

    In 15.0 and 15.1, 422-10-bit footage from the Canon EOS R6 appears to be correct. Superwhites at 110 IRE, and black between 0 and 10 IRE.

    Now in 15.2, the levels seem wrong. White is clipping at 100 IRE rather than 110, and the black level seems elevated above 10 IRE.

    Screenshot attached.

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    2 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  9. hello, i cant import my luts. please help. like they physically wont open

    hello, i just need help because i physically cannot open my luts

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  10. Comparison View should select adjacent clip

    When I use the Color Match tool in Lumetri, 99 out of 100 times it's to match the clip selected to the one before or after it. Currently however Comparison View's reference clip remembers the last one that was selected and I waste a lot of time scrubbing.

    I wonder how most people usually use the feature? Like I do, or to grade to a particular ref shot?

    If it's overwhelmingly the former than I humbly suggest the behaviour is changed so it automatically picks the adjacent clip as the reference.

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  11. Issue applying effects (warp stabiliser or lumetri color)

    When applying effects to clips it causes the color to blow out and appear overexposed. This doesn't happen for every clip and can sometimes be avoided by nesting but this is very frustrating.

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  12. Allow for keyframing of Curves either within Lumetri or a separate effect completely.

    Allow for keyframing of Curves either within Lumetri or a separate effect completely. I cannot describe how much simpler my job on the daily would be if this effect was keyframe-able. Tweaking shadows, blacks etc, vs just bringing up the mid curves when doing simple rough compositing would be amazing. I don't want to have to create a new after effects project just to do this every time. Everything else in Lumetri can be keyframed, why not this?

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  13. Display Color Management

    Hello everyone. Tell me, who has encountered the setup of Display Color Management in Pro? Who has problems choosing the right color. How do I need to configure the pipette to work properly? If there are any professional tips?

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  14. Lift

    Can we have a lift colour wheel like resolve.
    It’s really useful when correcting for colour shifts and just generally a professional tool.

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  15. カラーでの色調整をノード形式にしてほしいです

    カラコレ?などをする時に、何重にもカラコレ。色調整をすると何段も
    ビデオや調整レイヤーを重ねるごとに再生が遅くなるし
    途中の色を直しどけでは済まずに、上の段に置いていないと上手く色調整が出来ないです。なので、特許とかあるとは思いますが、node形式にして欲しいです。

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  16. Export Frame JPEG "looks darker" (embedded sRGB color profile should be Rec.709)

    Since 14.4.0, when using Export Frame to export a JPEG, it is darker than a PNG or TIFF export, while they used to be consistent.

    This can easily be reproduced by adding a HD Bars and Tone in a fresh project/sequence and using Export Frame to export a JPEG and PNG still, and comparing them in Photoshop.

    That "darker" output is exactly the difference between sRGB IEC61966-2.1 and Rec.709 Gamma 2.4, for example if you open the "good" PNG in Photoshop assign it a Rec.709 Gamma 2.4 profile (Edit => Assign Profile) it now looks like the JPEG. But Premiere…

    2 votes

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  17. BUG: Sony A7SIII H.265 HLG doesn't display correctly in Premiere and After Effects

    Premiere and After Effects seem to be misinterpreting some specific A7SIII footage.

    When recording in XAVC-S (H.264, 422, 10-Bit), with an HLG picture profile everything works as expected. In all three programs the clip looks the same.

    Premiere: Looks correct in timeline and export
    After Effects: Looks correct in timeline and export
    DaVinci Resolve: Looks correct in timeline and export

    When recording in XAVC-HS (H.265, 422, 10-Bit) in an HLG picture profile...

    Premiere: gamma is abnormal with raised shadows and pronounced grain in both timeline and export
    After Effects: same as Premiere
    DaVinci Resolve: Same clip looks correct
    Exported from…

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    3 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  18. ACES colour space PLEEEEAAAASSSSEEEEEE!!!! :)

    Please include ACES as an option for colour workflow. Would also be very nice to have the metadata for Sony FX series cameras usable in Pr. Stabalisation and ISO EI would be great!!!

    3 votes

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    0 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  19. QT Gamma Compensation LUT bug in newest M1 Beta

    Whenever I try to apply the compensation LUT, it turns the whole video black. I can apply any other LUT just fine. But that one LUT just bugs out the whole video.

    2 votes

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    3 comments  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
  20. Provide area to post BUGS, do not release APP with bugs

    Lumetri Color Corrector in inoperable in newer versions of Premiere Pro
    MTS HD video file placed on timeline.
    Apply Lumetri Color to video file
    Adjust Exposure in Basic Correction
    NOTHING HAPPENS

    This works and doesn't work in the following versions of Adobe Premiere Pro
    Version 14.7.0 (Build 23) does not work
    Version 15.1.0 (Build 48) does not work
    Version 13.1.5 (Build 47) works just fine

    1 vote

    We're glad you're here

    Please sign in to leave feedback

    Signed in as (Sign out)

    We’ll send you updates on this idea

    1 comment  ·  Color/Lumetri  ·  Flag idea as inappropriate…  ·  Admin →
← Previous 1 3 4 5 18 19
  • Don't see your idea?

Feedback and Knowledge Base