Premiere Pro

Welcome to the Adobe Premiere Pro feedback page. Submit feature requests and bug reports to the Premiere Pro team via this UserVoice page and see what ideas or issues other users have shared.

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  1. Improved pitch corrected audio for sped-up video

    Currently, maintaining the pitch of the audio when speeding up a clip (say to 150%), is very poor and requires a round-trip to Audition to get any results worth using. Wistia can do a 1.5x playback with audio sounding very well within the player itself. I have a client who asks for this from time to time, and it would be a great time saver if Premiere could give me acceptable results.

    7 votes

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  2. Allow Ambisonic Control of Mono file in Ambisonic Sequence

    Currently if I add a mono file/track to a sequence that already has an ambisonic audio track, the mono file will be 'mixed' so that it appears aurally front and center. Could you please find a way to be able to have 'ambisonic control' of the mono track so that it can be located in any of the 360 areas?

    Thank you.

    3 votes

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  3. AUDIO BUG PLEASE TO FIX

    PROBLEM PLEASE TO FIX: sometimes when start up Premiere Pro, some audio clips are not working and also audio effects are not working. What I have to do to make them work is clicking on Solo or Mute button or eventually deleting the effect and put it on again. Please fix as soon as possible as on long projects it takes a lot of time to check if every single audio file is working properly (as if not, it will not work as well when exporting). Thanks

    3 votes

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  4. Looping Record for ADR/voiceover synchronized to picture

    Recording ADR/foley/voiceover is easiest if you can record using a LOOPING RECORD to record multiple takes in a repeating rhythm so the artist can anticipate the speech cadence. WORKFLOW: editor would click IN and OUT points to define the area to punch into (record), click the "Looping Record" icon in the interface, and then record multiple takes until they get it right. In Preferences the "Postroll" would be some adjustable duration (example: two seconds) that extends the duration of each loop with a non-recorded pause between takes. There would also be a "Countdown/Preroll" setting with two choices - either one-second…

    8 votes

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  5. Please fix the Submix Bug

    In the latest Premiere Version 12.1.1 when we duplicate a sequence, the submixes are being duplicated as well- but they are not working/applied. But they are marked as active. Workaround is to delete the FX in the Audio Mixer and then apply it back in.

    Same problem if i send sequences to Media Encoder (12.1.1.12). The FX from the Submix is not applied. I already turned off and on native sequence import, which fixed the problem once. But i've had the same problem again later. Workaround is to directly export from Premiere pro.

    This is so frustrating as we had…

    4 votes

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  6. Adjust waveforms when using the default volume effect

    When adjusting audio on a clip using the default volume effect, a line displayed on the clip is raised or lowered. But when adjusting the gain on a clip, the actual waveforms grow or shrink.

    I'd like to see the waveforms also be adjusted by the Volume effect, because they are more useful at conveying how loud a clip is. Instead of using keyframes for audio adjustments, I normally use gain and cut/crossfade between clips so I can have accurate waveforms.

    7 votes

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  7. Editing Audio and Video with Beats and Bars or Tempo Map

    Please consider including a Beats and Bars view for the timeline.

    Having a tempo map to cut video to and also rearrange audio by beats and bars would be really helpful.

    Either set the tempo manually with metronome (like Audition), or ability to import/export tempo tracks between Audition and Premiere.

    7 votes

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  8. Effects and volume affect waveform without nesting

    Like in fcpx, this could be optional but would be very useful.

    4 votes

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  9. Speech Volume Leveling within Essential Sound Panel

    Using the Essential Sound panel, an editor could select an option to "average" the decibel level of any clip labeled Dialogue, regardless of which track the clip was on.

    For example, you could say "Make all clips designated Dialogue have their average volume set to -24db" which will make editing that much faster and easier.

    This, along with automatically designating audio clips during ingest, would make the audio much more even when putting together a rough cut without having to go clip-by-clip in order to make the audio bearable while editing.

    5 votes

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  10. Volume Sliders

    I'd love to see independent Volume Sliders/Mute buttons for both Source and Program Monitors. These would affect playback only, and have no impact on exports or previews.

    Often the original media is recorded much louder than it will be used in the sequence, so if we set speaker volume for the sequence, source clips blare out. if we set for Source, Program is too quiet.

    6 votes

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  11. MME no sound in my adobe2018 .....how to fix mme device internal error?

    MME no sound in my adobe2018 .....how to fix mme device internal error?

    4 votes

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  12. audio editing crash

    Sliding a constant power transition in between two audio tracks causes crashing. This is an old problem that's apparently resurfaced. Please fix it again!

    3 votes

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  13. Material at 0dbfs clips in embedded AAFs from Premiere

    This happens most often with music files imported into Pro Tools; both clip gain and automation are disabled on import. Occurs with both compressed and uncompressed audio files. The clipping is embedded in the files created by Premiere during the AAF export.

    6 votes

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  14. Realtime waveform

    Applying a fx o working something in audio like volume, would be faster to see real time result.

    6 votes

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  15. 5 votes

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  16. (Bug) Crossfades causing audio to glitch

    When applying crossfades to audio tracks, the audio is still popping, as though no crossfade has been applied. This occurs in new sequences, upon export and after deleting audio render files. It's also happening regardless which type of crossfade is used. The only workaround I've found is to send the audio to Audition and export out a mix and reimport into Premiere. It's not a necessary step for basic projects and crossfades should just work.

    4 votes

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  17. Parametric EQ for 5.1 Clips

    Allow the use of the Parametric EQ effect on 5.1 clips.

    4 votes

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  18. Bug: Multichannel audio plug-ins are fed from A1 output only

    In a multichannel sequence the master track effects are only applied to audio routed via A1. Similarly plug-ins on adaptive tracks.

    You can see this if you set up loudness radar on the master bus of a multichannel sequence and pan the track mixer to the right. No level will register.

    2 votes

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  19. Audio cuts off during playback while editing GoPro Fusion 360 Videos. Please fix.

    During playback in the timeline, the audio cuts out and the video continues after a few seconds. The machine I'm on is running a 1080 video card, 32g ram with a full 16g allocated to Premier. Absolutely no reason this should be happening.

    3 votes

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  20. Audio pitch

    Audio pitch control from 23,976 Frames to multiple frames per second and vice versa.

    3 votes

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