This issue has existed since at least the 2020 versions and still in 2021. When animating Motion properties like scale and position in Premiere Pro and then bringing the sequence into After Effects via Dynamic Link or via import, keyframe interpolation does not always match. For example, if Ease In or Ease Out are set for Scale keyframes in Premiere, these keyframes show up in After Effects as bezier keyframes with 0.01 influence, and are effectively linearly interpolated. Position keyframes set with Ease In / Ease Out / Bezier interpolation in Premiere come into After Effects with correct interpolation sometimes but not others. Auto Bezier keyframes on either property export to After Effects with different interpolation most of the time. In the particular case of exactly two scale keyframes with Ease In / Ease Out interpolation in Premiere, manually setting the influence to 33% (not 33.333%) in After Effects seems to make the animation match between the two programs. But this workaround is not a solution with more complicated keyframe setups.

Hello,

I did not find a PhotoShop category so I am posting here.

Regarding the Photoshop HUD Color Picker, the default shortcut is really too far (Shift + Alt + right click)

It would be really great to allow this shortcut to be changed to have a much shorter key combination.

This tool loses all its practicality if its shortcut is too long. Indeed its use must be regular and intensive to serve its function fully.

I don't want to invest in a programmable keyboard just for one hook up.

Could you add this shortcut in the list of editable shortcuts please?

At this moment i'm working on my first 360 music video, and there is one function i really miss in Premiere pro for this. I would like it if it was possible to see my panoramic view on my external monitor as well. I can choose between normal and panoramic in both my source- and program preview monitor but not on my external screen. It would be handy to be able to see what i'm doing a bit better without needing to render it first and watch it on VR goggles.

When i asked support about this they told me a wortkaround woud be to undock my program preview monitor and drag it to the other screen but then i wouldn't have the small version anymore. This made me think that another good idea would be if you were able to open multiple instances of the same window

Premiere and Audition refuse to work well together with his subclips. I clean up his edit as I would with any other project, bounce it to Audition using the standard workflow and settings (r-click on sequence > Edit in Audition > Sequence

Entire Sequence

None

9.0sec handles

Transfer Settings

Transfer Settings

☑ Pan & Volume

☑ Open in Audition

The project opens up in Audition, the audio files conform, and everything looks fine. Except that every sinlge subclip is using the wrong portion of the audio. I'm sure there's a rhyme or reason to it on the backend, like Audition is reading the duration TC from the subclip and applying it to the master clip or something, but the end result is an unsuable mess in Audition -- instead of a clip playing the proper sound bite from the edit itself, Audition plays back a seemingly random piece of audio from the master clip.
I've spent hours playing around with the various "edit in Audition" settings with no luck. I've tried opening the Pr. project directly in Audition instead of trying to bounce it to Audition from within Pr. Same thing happens. I've tried to project manage the sequences (consolidate and transcode with handles), but the operation fails due to some unspecified error where Premiere refuses to transcode the audio clips (I assume for whatever the same reason is that Audition 'effs everything up).

I've done a Render and Replace with the audio on the timeline before bouncing to Audition. This works --everything opens up properly in Audition --- but there doesn't seem to be any way to R&R audio with handles, so I'm stuck with zero leeway to edit clips on the Audition multitrack timeline. Frankly, I'm not about to spend hours manually rearranging all of the clips on the Pr timeline, adding handles on either side of every piece of audio, because Adobe can't figure out how to make their programs actually work properly.

I keep having this exact same problem with every project this guy sends me; I've never had this happen with any other client (and I've been doing this for a LONG time). In the past, I've ended up just doing a rough audio edit for each different interview subject/VO recording/nats audio track, exporting an individual mixdown for each, stacking all of the various track mixdowns in a multitrack session, doing a fine mix, exporting separate voice/nats/music mixdowns back into Premiere for any final timing adjustments. I'm not going to mince words here: that process 'effing SUCKSSSSSSSSSS.

Anyone have any suggestions for fixes or workarounds? I'm completely out of ideas...

Win10 Pro

Pr 14.8.0 / Au 13.0.13.46

Though this same problem has been happening to me with every version of Pr since at least Pr 13.1.5 / Au 12.1.5.3 (the versions I was running when this guy first started bringing stuff to me).

All footage stored on internal SSD drives - no NAS drives or DAS drives in play. No proxies, working with the raw footage (well, subclips created from the raw footage, anyway :facewithrolling_eyes:). Clips were captured using a ton of different cameras, in varying framerates, framesizes, codecs; all clips have this issue, regardless of their specs or point of origin.

I've spent dozens of hours trying to make this work. As best I can tell, there are three"solutions" to this bug:

1) Don't use subclips -- they're janky and super broken.

2) If for some reason you absolutely HAVE to use subclips (or have a client who insists on using them cough), don't use Audition -- the subclips will not translate to Audition properly.

3) If you find yourself forced to use subclips and want to use Adobe's audio editing software to, y'know, edit audio, you'll have to go through each and every subclip in the project one at a time at the bin level and convert them to Master Clips. Once they're Master Clips instead of subclips, they'll bounce to Audition properly.

Go to the bin where your subclips are located

Right-click on the subclip

Choose Edit Subclip

Click the Convert to Master Clip checkbox

Click OK