12650 results found

1. The new export screen is clumsy, bulky, and requires more clicking. [Export]

   I used to be able to easily zip up and down the various settings just with a quick scroll of the mouse wheel. Now, I'm constantly clicking, clicking, clicking to open various tabs. Because the boxes are much bigger, far less information is being displayed on my screen. Please, is there some way I can go back to the friendlier older version??

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   594 comments  ·  User experience/interface  ·  Flag idea as inappropriate…Flag idea as inappropriate…  ·  Delete…  ·  Admin →
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   Under Review  ·  AdminPatrick Palmer (Director of Product Management, Pro Video and Motion Design, Adobe DVA) responded

   All,

   
   

   first of all I wanted to thank everyone for making this a productive conversation over the last couple of days.

   
   

   As several people responded to my comment about keeping the tone civilised, I need to dwell on that for a minute. Please hear me out, this is important to everyone on my crew and I hope it will be to you.

   
   

   Saying that we shouldn't be surprised when things get heated is very problematic in my opinion. How do you expect a junior person on my team to respond to a technical question when it is combined with something that can easily be described as hate speech? How do you think we can actually come together on actual issues when there's already the assumption that we're a big faceless corporation, not even listening to our customers?

   
   

   People on my team have received threats. I've been there over the years, it went as far as threatening my family. Can we just agree that's utterly unacceptable, and can we just agree that it starts with keeping the tone in check? I don't think it's too much to ask to assume that there's real people on the receiving end. And in our case, it's real people who I can vouch for have passion for pro video, often came from the edit bay to Adobe, and want to get everything right for as many people as we possibly can. Doesn't mean we don't make lots of mistakes, but explaining them or correcting them is a lot harder whenever we don't agree on some fundamentals such as treating each other with respect.

   
   

   (for those of you who just entered this thread: I've deleted  posts that I'd consider hostile and hateful. But I think you all know what I am referring to, its on display in a lot of other places).

   
   

   Back to the issue at hand:

   I'll restate that we have enough evidence through enough channels to know the new design is a great step forward for most of our base and even better for those getting started. Doesn't mean that either of you have to like it, I get your concerns. I do.

   
   

   Lots of smaller issues that have been pointed out on this thread that I can totally see adding up to death by 1.000 cuts for some. We'll take a look at them, get work prioritised, and keep the ball rolling with future updates.

   
   

   Until then:

   • please consider incorporating Media Encoder into your workflow. It does have the old interface and a lot of extra gems such as rendering in the background, real queueing and then some. It's a power house for power users.
   • Staying behind for a while on 22.2 is certainly the right thing to do for everyone who's got more than some trouble with cosmetics and doesn't want to get Media Encoder in the mix. We'll work towards winning your trust on the new design

   
   

   Thanks for your feedback. And thanks for listening.

   
   

   Cheers,

   Patrick

   
   

   All,

   
   

   first of all I wanted to thank everyone for making this a productive conversation over the last couple of days.

   
   

   As several people responded to my comment about keeping the tone civilised, I need to dwell on that for a minute. Please hear me out, this is important to everyone on my crew and I hope it will be to you.

   
   

   Saying that we shouldn't be surprised when things get heated is very problematic in my opinion. How do you expect a junior person on my team to respond to a technical question when it is combined with something that can easily be described as hate speech? How do you think we can actually come together on actual issues when there's already the assumption that we're a big faceless corporation, not even listening to our customers?

   
   

   People on my team have received threats. I've been there over the years,… more

2. Get rid of the AWFUL new interface that came with the recent update... [Import]

   The interface completely changed when opening and exporting, and my team HATES it and we cannot find out how to change it back. Please change it back or allow us to opt out of using it. It's unsightly and frankly looks unprofessional. Maybe that was the motivation, but as professionals, we hate it.

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3. Essential Graphics Text should allow style presets to be applied to only some text

   The style presets in Essential Graphics Text can only be applied to the clip-or-text layer. I would like to be able to apply it to only some text in a text layer on a limited basis.

   エッセンシャルグラフィックステキストで、一部のテキストのみにスタイルプリセットを適用できるようにしてほしい

   エッセンシャルグラフィックステキストのスタイルプリセットは、クリップorテキストレイヤーにしか適用できない。テキストレイヤーの中の一部の文字のみに、限定的に適用できるようにしてほしい。

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4. Option to remove new Header Bar (22.3) from window

   I'm a shortcuts person, and I like customizability. Please make the new Header Bar feature of Version 22.3 optional. I have no use for any of the buttons or information on the header, all of which are redundant and can be accessed either through the toolbar or via keyboard shortcuts. I appreciate that the Header may be convenient for new Premiere users, but for power users it is wasted screen real estate.

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5. The mask in the effects control panel should allow you to create a perfect square mask.

   The mask in the effects control panel should allow you to create a perfect square mask.

   Dragging a shape using the Shift key will create a perfect circle in Photoshop and Illustrator.

   Premiere Pro users are frustrated because they can't do this when creating masks with effects or opacity.

   エフェクトコントロールパネルのマスクで完全な正方形のマスクを作成できるようにすべきだ！

   Shiftキーを使用して図形をドラッグすると、PhotoshopとIllustratorで完全な円を作成できます。

   Premiere Proユーザーは、エフェクトや不透明度でマスクを作成する時、これを行うことができないため、不満を感じています。

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6. Shortcuts cannot be used when entering Japanese on Windows

   Shortcuts cannot be used when entering Japanese on Windows

   On a Windows computer
   If the character input setting is "Japanese input (IME)" instead of "English input", the PremierePro shortcut will not work.

   By the way, on Macintosh
   Shortcuts work even when “Japanese input” is selected.

   Some users have complained about what they can do with Macintosh but not with Windows.

   Windowsパソコンにおいて
   文字入力設定が、「英語入力」ではなく「日本語入力（IME）」になっていると、PremiereProのショートカットが効かない。

   ちなみにMacintoshにおいては
   「日本語入力」の時でも、ショートカットが効く。

   Macintoshではできるのに、WIndowsで出来ないことで、一部のユーザーから不満の声があがっている。

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7. Rework set / scale to frame size

   The menu commands 'Scale to Frame size' and 'Set to frame size' must win the award for the most badly named commands in Premiere Pro. I teach PrPro and they are almost guaranteed to generate a look of quizzical incredulity on any new users face when I tell them that the command with 'Scale' in its name doesn't adjust the scale parameter, but the one without 'Scale' in the name does...

   It's time to grab the bull by the horns and fix this.

   In addition...
   Frame sizes ain't what they used to be. 16x9 isn't the one and only. We have social media: Square formats, portrait formats, whatever format you like. These commands need flexibility for different formats.

   My suggestion:
   These commands are grouped under a 'Transform' sub menu as follows:

   'Set to frame size' is broken down into three components, named as follows:

   Scale to Fit Frame
   Scale to Frame Width
   Scale to Frame Height

   and, as a fourth sub menu entry...
   'Scale to frame size' becomes 'Resample to current size'

   ...and this works in a slightly different way to the current version: When 'Resample to current size' is selected, the content maintains its current visual size, but is internally resampled to 100% scale - with 100% showing is the Effects Controls > Motion > Scale property.

   The menu commands 'Scale to Frame size' and 'Set to frame size' must win the award for the most badly named commands in Premiere Pro. I teach PrPro and they are almost guaranteed to generate a look of quizzical incredulity on any new users face when I tell them that the command with 'Scale' in its name doesn't adjust the scale parameter, but the one without 'Scale' in the name does...

   It's time to grab the bull by the horns and fix this.

   In addition...
   Frame sizes ain't what they used to be. 16x9 isn't the one and only. We… more

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   Under Review  ·  AdminFrancis Crossman (Sr. Product Manager, Adobe DVA) responded

   This is a good suggestion.  I agree this needs work.

8. Support for Nikon NRaw

   Can we please get support for Nikon's NRAW codec? Resolve and Edius already have it cooked up and ready to go. This reactive rather proactive approach to codec integration is really disappointing. First it was Prores RAW (still ongoing issues) and now NRAW. How about Adobe show Nikon shooters a bit of love here?

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   28 comments  ·  Formats  ·  Flag idea as inappropriate…Flag idea as inappropriate…  ·  Delete…  ·  Admin →
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   Under Review  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

   Hi all, 

   I said three months ago that I would provide an update when I had more information to share. 

   While I don't have an update on when Z9 support is coming (other than to say it is not in 2022), I wanted to let you know that I do look at this thread and the Formats section of UserVoice regularly, usually daily. 

   While our list of priorities, is not exactly the order of popularity of the requests on this forum, it is close and you can see that there are several things we need to do that have a higher priority than N-RAW support. 

   I know that is frustrating to Z9 owners but I would rather be candid and open with you. 

   As before, I will provide an update when I have more information to share. 

   Regards,

   Fergus

   
   

   --------------

   
   

   Hi all,

   Thanks for the feedback on N-RAW. It is a format we are interested in supporting but we don't currently have date for when that will happen. II will provide an update when I have more information to share. 

   Note: There were a couple of comments in the thread about ProRes RAW, including some useful tips. I have deleted those, as I want to make sure that this thread is dedicated to N-RAW. There is a separate thread regarding improving support for ProRes RAW. 

   Regards, 

   Fergus

   Hi all, 

   I said three months ago that I would provide an update when I had more information to share. 

   While I don't have an update on when Z9 support is coming (other than to say it is not in 2022), I wanted to let you know that I do look at this thread and the Formats section of UserVoice regularly, usually daily. 

   While our list of priorities, is not exactly the order of popularity of the requests on this forum, it is close and you can see that there are several things we need to do that have a higher priority than N-RAW support. 

   I know that is frustrating to Z9 owners but I would rather be candid and open with you. 

   As before, I will provide an update when I have more information to share. 

   Regards,

   Fergus

   
   

   --------------

   
   

   Hi all,

   Thanks for the feedback on N-RAW. It is… more

9. For the Essential Graphics Text style, style preset windows like Legacy Title.

   The style presets in the Legacy title were very easy to see and use.

   The only way to display the Essential Graphics text styles is to show the icons in the project panel. We need a dedicated panel for styles that is easier to use.

   The styles are managed on a project-by-project basis, so when you create a new project, the styles you've been using are no longer available.

   Styles should be available at all times.

   エッセンシャルグラフィックステキストのスタイルのために、レガシータイトルのようなスタイルプリセットウインドウがほしい。

   レガシータイトルのスタイルプリセットはすごく見やすくて、使いやすかった。

   エッセンシャルグラフィックステキストのスタイルは、プロジェクトパネルにアイコン表示する方法しかない。もっと使いやすいスタイル専用のパネルが必要。

   プロジェクトごとの管理なので、新規プロジェクトを作ると、今まで使っていたスタイルが使えなくなる。

   スタイルはいつでもに使える状態にして欲しい。

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10. More Anamorphic Pixel Aspect Ratios please (1.5x, 1.6x & 1.8x)

    With all these new Anamorphic lenses coming on to the market. We need more 'Common pixel aspect ratios' to choose from. In the Interpret Footage menu we can only choose 1,33x or 2x anamorphic. We need 1,5x 1,6x and 1,8 as well!

    Can you guys please include this option in the next Update? This should not be to much of an issue to fix, but it safes us a lot of time! Now I constantly need to change the width and height of every clip on the timeline.

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    In Progress  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

    Hi all, 

    We are currently working on improving support for footage shot on anamorphic lenses. The first step was to ensure that metadata in formats like ARRIRAW is getting read correctly by Premiere Pro - and that's in beta now - but we have more work to do to add additional lens squeeze factors, potentially adding a custom field for this. 

    Regards,

    Fergus

    
    

11. Color Management Panel

    There are a good number of new color management settings and changed color management defaults in the 2022 release. I would expect we will be getting more as we go along. This is becoming a nightmare to manage!

    We need a single panel. One with perhaps two tabs:
    1) The overall Default options for color management settings, and for default options for various media types.

    2) The Override tab for clip or sequence overrides, covering the same items as in no. 1.

    Essentially, One Panel To Rule Them All.

    143 votes

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    In Progress  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

    We hear your frustrations about color management and we are working on multiple improvements. 

    I recently posted a note on Alister Chapman's excellent xdcam-user.com forum, in response to a post he'd made about color management in Premiere Pro. 

    While my response doesn't go into details on our long term plans, it describes what we're doing in the short term to make handling of log footage easier. 

    Here's what I wrote:

    
    

    Hi all,

    I’m a product manager at Adobe, on the video team. I thought I’d chime in to provide some info on what we’re doing.

    Color management is not going away – quite the opposite. As HDR-capable cameras and displays are becoming the default, and shooting in log or raw is becoming the norm, color management is critical. Gone are the days of only Rec709, the one color space to rule them all.

    You might have seen reports about HDR iPhone media not looking good in Premiere Pro. And you might have seen the great video my friend Karl made to explain the issue: https://youtu.be/odwptnEhxJs

    The problem occurs when HDR media is displayed on an SDR timeline. We’re attempting to squeeze wide color range footage into a small color space. Without a manual change, either to the footage or the timeline, the results look blown-out and bad.

    Our vision for color management in Premiere Pro is simple. You can drop footage in any color space onto a sequence and we will automatically convert the colors and range with pleasing tone mapping, and provide controls to tweak the tone mapping. You don’t need a LUT, the result is likely to be more accurate than using a LUT, and there won’t be any concerns about clipping. Of course, if you’d prefer to work with a LUT, that workflow will still be supported.

    Some of this is available now, like us recognizing some (but only some) color spaces. But that’s the problem with color management: it is complicated enough without having to worry about which pieces are available and which are not.

    So, as we are adding the remaining pieces, finessing our math, and working out the user experience, we are first going to add an application preference. You’ll be able to choose whether you want Premiere Pro to automatically use the color space of your log footage or whether you’d prefer that it is treated as Rec.709. There’s more than one way to do color and by adding this preference, you’ll be in control of how you’d like Premiere Pro to work by default (a default you can easily override for specific clips).

    Regards,

    Fergus

    
    

    
    

    We hear your frustrations about color management and we are working on multiple improvements. 

    I recently posted a note on Alister Chapman's excellent xdcam-user.com forum, in response to a post he'd made about color management in Premiere Pro. 

    While my response doesn't go into details on our long term plans, it describes what we're doing in the short term to make handling of log footage easier. 

    Here's what I wrote:

    
    

    Hi all,

    I’m a product manager at Adobe, on the video team. I thought I’d chime in to provide some info on what we’re doing.

    Color management is not going away – quite the opposite. As HDR-capable cameras and displays are becoming the default, and shooting in log or raw is becoming the norm, color management is critical. Gone are the days of only Rec709, the one color space to rule them all.

    You might have seen reports about HDR… more

12. Please make it possible to register effects as "favorites" by default in the effects control panel

    Please make it possible to register effects as "favorites" by default in the effects control panel

    Effects Control Panel is where you want to register things you use frequently, like "crop".

    エフェクトコントロールパネルに、エフェクトを「お気に入り」としてデフォルト登録できるようにしてほしい。

    エフェクトの「クロップ」のように、頻繁に使うものを登録しておきたい！

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13. Re-enable Media Duration in Icon view / Premiere Pro

    Please re-enable Media Duration in Icon View inside Premiere Pro's Project Panel
    https://community.adobe.com/t5/premiere-pro-discussions/media-duration-in-icon-view-premiere-pro/td-p/12606259

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14. Cursor Frame Behavior (Affecting In Out, Ripple Edits)

    Cursor Frame Behavior (Affecting In Out, Ripple Edits).

    Ok team, I know you had some guy complain about how the Cursor works in the timeline, and now you changed how it works, which completely screwed over the Ripple Trim to Previous Edit.

    What WORKED before yesterday was if you were on the front of a clip in the timeline, and you hit the Ripple Trim to Previous Edit, it would remove the first frame and obviously move the entire timeline up a frame to compensate.

    THIS WAS INSANELY HANDY because if you're trimming a clip, you could just hit that button a few times and make it work right.

    Now, because you guys changed how the cursor works, I have to hit Right on my keypad, and then hit the Ripple edit button, and it'll remove that first frame.

    Guys, you seriously screwed over an entire generation of editos who know how editing works. I know some people complain about how the cursor works, but this sucks.

    Why not just create a preference option where you can make the Cursor act like FILM or act like it is now. All NLEs were based on film editing, which lots of people expect and relied upon. Now, I have to hit an extra keystroke all the time which is massively time consuming.

    Can you please just put in a preference option to revert back or not? That would solve this issue for everyone instead of bowing to people that don't understand NLE history.

    Cursor Frame Behavior (Affecting In Out, Ripple Edits).

    Ok team, I know you had some guy complain about how the Cursor works in the timeline, and now you changed how it works, which completely screwed over the Ripple Trim to Previous Edit.

    What WORKED before yesterday was if you were on the front of a clip in the timeline, and you hit the Ripple Trim to Previous Edit, it would remove the first frame and obviously move the entire timeline up a frame to compensate.

    THIS WAS INSANELY HANDY because if you're trimming a clip, you could just hit that… more

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15. Bug: New export page slow & unresponsive in Premiere Pro 22.0 Version 22.3.0 (build 121)

    PP 22.0 export page is slow and often unresponsive. Editing, composting, rendering effects ... all working fine. Use the Control + M command to export and no response. Restart the app, select the new export tab and the export window appears. With patience, you can select settings, but painfully SLOW. Successful export in sequence preview settings (UHD ProRes422HQ). Running on Windows 10 Pro Ver 10.0.19043, i9-7900X CPU 10 core, 64 GB RAM, NVIDIA GeForce GTX 1080 Ti

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16. Premiere Pro crashes when autosave is performed while using text tools.

    Premiere Pro crashes when autosave is performed while using text tools.

    If autosave is performed while using the text tool...

    ・The text being converted will be reset and you will have to retype it.

    ・It crashes. （Crashes, freezes.)

    Premiere Pro 22.2

    テキストツールを使用中に自動保存が行われると、Premiere Proがクラッシュする。

    テキストツールを使用中に自動保存が行われると・・・

    ・変換中のテキストがリセットされ、入力し直さなければならなくなる。

    ・クラッシュする。（フリーズする。）

    Premiere Pro 22.2

    •  

    61 votes

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    Needs More Info  ·  AdminJames S (Adobe) (Software Product Quality Specialist (DVA), Adobe DVA) responded

    We believe this problem may have already been fixed in recent Beta builds. If possible, please use the latest Beta build of Pr 22.3 105 or higher and let us know if this crash is fixed for you or not. Thank you.
    
    この不具合に関連した修正が最新のベータビルドに搭載されています。22.3 105以降のビルドでこの現象が改善される事があります。改善が見られない場合はお知らせ下さい。

17. FIX the bug of audio missing from export

    When exporting a video sequence premiere randomly leaves out part of the audio. Those part were not muted, but in the same channel and of the same kind of other parts exported fine, not even cut: so for instance you have a talker that randomly get the voice silent.
    This is a big reliability issue, because there is no correspondence of what you have on timeline and what you are going to have on final export. This happens on different machines and happened also with previous versions of Premiere different from this one at moment of writing 15.4.1 (build 4).
    The only reliably working workaround has been export only the single audio channels in wave files and then import it back into the timeline, that is time consuming and unacceptable for a professional software.

    When exporting a video sequence premiere randomly leaves out part of the audio. Those part were not muted, but in the same channel and of the same kind of other parts exported fine, not even cut: so for instance you have a talker that randomly get the voice silent.
    This is a big reliability issue, because there is no correspondence of what you have on timeline and what you are going to have on final export. This happens on different machines and happened also with previous versions of Premiere different from this one at moment of writing 15.4.1 (build 4).… more

    100 votes

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    Needs More Info  ·  AdminFergus Hammond (Product Manager, Video & Audio Cloud Workflows, Adobe DVA) responded

    Davide, can you share a project plus the media that demonstrates this issue? 

18. I want the automatic transcription function to be essential graphics text.

    The new caption feature is great! Thank you for developing!
    But we have more requests.
    Currently, the recorded voice is made into a text as a "caption".
    We want you to make it as "essential graphics text", not as "caption".

    Because ...
    Captions cannot be styled on a clip-by-clip basis.
    Captions cannot be animated using keyframes.

    Captions can't do what you can do with such essential graphics text.
    We want it to be more flexible.

    【自動文字起こし機能をエッセンシャルグラフィックステキストにしてほしい】

    新しいキャプション機能は素晴らしい！開発してくれてありがとう！
    しかし、私たちはもっとお願いがある。
    現在はレコーディングした音声が「キャプション」としてテキストが作られている。
    私たちは「キャプション」ではなく、「エッセンシャッルグラフィックステキスト」として作ってほしい。

    なぜなら・・・
    キャプションは、クリップごとにスタイルが適用できない。
    キャプションは、キーフレームを使ったアニメーションができない。

    このようなエッセンシャルグラフィックステキストならできる演出が、キャプションではできない。
    私たちはもっと自由度の高いものにしてほしい。

    493 votes

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19. Speech to text - Dutch

    Please add the Dutch language support

    146 votes

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20. Export selection as Premiere project does a Save As - 22.5.0

    In this version (22.5.0) when I select "Export selection as Premiere Project" it basically does a "Save As..." and exports the entire project. Same when importing and choosing 'selected sequences' when you're importing a premiere project, it just imports the entire project and not just that sequence.

    This is vital to sending cuts back and forth between editors so they don't get the entire bloated project. It was working properly in previous versions as I used it all the time.

    17 votes

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