After Effects allows you to use Bicubic, bilinear, and nearest neighbor ("draft") for scaling. (Also known as "sampling" or "interpolation.")

Premiere should absolutely have the option for the Motion effect to use Nearest Neighbor. (It would still be bicubic by default, as it is now.)

This is very important for sprite art, screenshots, screen recordings, etc.

Here is a forum thread on the issue from 2012, where most people unfortunately don't even understand what the problem is:
https://forums.adobe.com/thread/1061901

NOTE: The TRANSFORM effect currently has the option for bilinear and bicubic. It would be good to add nearest neighbor here, but that should not be the ONLY place where it is available. The Transform effect still has severe issues with buggyness, instability, and choppy movement. Again, it is important that the MOTION effect has the option for Nearest Neighbor.

Hi! I have 280 sequences that all need to have added two effects from the Audio Track Mixer-panel, but the effects there are not possible to copy and paste from one sequence to one or multiples, so I now need to create 1 sequence with correct Audio Track Mixer effects, then duplicate it 279 times, then rename all new 280 comps and then paste every one of the original 280 sequences into the new one in order to have an easy Single Band Compressor on Audio Track 2, and Hard Limiter on Master track.

A simple right-click in the option drop-down menu on Audio Track Mixer with "Copy all effects", and an option while in the panel window in the right-click drop-down menu with "Paste all Audio Track Mixer Effects"

This has not been fixed even though Adobe has claimed to fix this.

I have the media in one master project. My assistant has a their shared project. I open a small sequence from that project and drag the media from it it into my main project. EVEN THOUGH I ALREADY HAVE ALL THE MEDIA, I STILL GET DUPLICATED MEDIA. And on top of that it creates a separate folder for each small clip of footage. Take a look at the attached screenshot.

This is horrible. Fix this asap please. What's the point of shared projects if we can't move media back and forth between them?

The Setting: I am a motion designer that has made a Mogrt template in After Effects for an Editor to use on long form content in Premiere. in AE, I animated an Intro and Outro for the template and created protected regions around the keyframes and the beginning and end of the comp. At first it was working as intended: when the Editor uses the template in Pr, he can lengthen and shorten the template as necessary without effecting the intro and outro animations.

The Problem: The Editor has found over time, when revisiting the project file, or even letting it sit open overnight and coming back to it in the morning, that the timing of the template has changed. The intro and outro animations change where they appear (randomly it seems). The duration of the template clip appears the same, but the timing within is off. It happens about 20-30% with the templates on his timeline.

Attempted fixes that failed: Clearing the memory cache, closing and restarting the program, restarting the computer, opening the file on another PC with an earlier version of Pr (13.1.2), dragging the template from Essential graphics panel onto the broken template on the timeline

Our Current Workaround: The Editor has recently discovered that if he nests the templates, they do not experience the problems templates on the main timelines have. We don't know for sure if this trend will hold, but it's been working for a few days now.

This problem happens randomly to some template clips, and to different degrees, so it is a huge problem for my Editor when he has to drag new templates to the timeline and re-enter new information every time this happens. And on long form content, it is incredibly time-consuming to keep checking on all the templates before rendering each time.

I've attached a ZIP that contains 2 samples of this problem occurring (labeled Bad), along with how they are supposed to look (labeled Correct) and images of the timeline for each clip. One is much more drastic than the other, but the problem occurs in both. The Editor has some text he created in Pr that dissolves in, which is supposed to happen after the intro transition. You can use it to see how off the timing of the Mogrt has become.

Specs -

Motion Designer:

PC, Windows 10, AE (16.1.2) Pr (13.1.2)

Editor:

PC, Windows 10, AE (16.1.2) Pr (13.1.4)

The autokeyframe by default on things loke opacity has been a source of many a frustrations for me.

I set an opacity value. Then later I change it. Play it back and I wonder why it isn't set where I wanted. So I open it up an goddammit the autokeyframe was on by default so to get rid of it I push the stop watch and that warning is thrown right at my face. I never wanted the keyframes in the first place so why did you assume I would, adobe?!

This problem would not be nearly as aggravating if the behavior of keyframes was consistent. Not like now, when autokeyframe is on by default for some values but not others. Pick one and stick to it.